I'm Gabe. Welcome to my show."My birth name is Elizabeth, but I'm a guy. Gabe. My parents think I've gone crazy and the rest of the world is happy to agree with them, but I know I'm right. I've been a boy my whole life.When you think about it, I'm like a record. Elizabeth is my A side, the song everybody knows, and Gabe is my B side--not heard as often, but just as good.It's time to let my B side play.

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.

    A house with no walls, a roommate with no boundaries, and a home that seems ever more alive. Jo’s sensitivity, and all her senses, become increasingly heightened and fraught, as the lines between bodies and plants, and dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval, presents a heady and hyper-sensual portrayal of sexual awakening and queer desire. A complex, poetic and strange novel about bodies, sexuality and the female gender.

    Wonderful stories. Impressive range. Delightfully, compellingly queer. -Roxane GaySparkling, imaginative, and inventive. -Karen Thompson WalkerThe vision of a singular and exciting artist. -Torrey Peters.The nine stories in Morgan Thomas's shimmering debut collection witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, whatever the cost. As Thomas's subjects trace deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.A trans woman finds her independence with the purchase of a pregnancy bump; a young Virginian flees their relationship, choosing instead to immerse themself in the life of an intersex person from Colonial-era Jamestown. A writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag, and in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.Winding between reinvention and remembrance, transition and transcendence, these origin stories resound across centuries. With warm, meticulous emotional intelligence, Morgan Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.

    In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. (back cover)RunawayChanceSoonSilencePassionTrespassesTricksPowers

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.

    Through monologues, emails, and text exchanges, she brilliantly weaves together the coming of age of five distinct characters: a woman who’s “gone off sausage” (men); her brother, in a secret affair with a powerful married man; a lesbian couple confronting an important transition; and the troubled young woman who forces them all to face their fears. With vibrant imagery and daring prose, Korneliussen writes honestly about finding yourself and growing into the person you were meant to be. Praised for creating “its own genre” (Politiken, Denmark), Last Night in Nuuk is a brave entrance onto the literary scene and establishes her as a voice that cannot be ignored.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Using journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous interviews, she relates an often surprising narrative of lesbian life. "A key work...the point of reference from which all subsequent studies of 20th-century lesbian life in the United States will begin."—San Francisco Examiner.

    Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    A young dancer suddenly loses language while her family struggles to understand their new roles. A mother endures a horrifying spider bite while camping with her daughters in the backyard. A family reunion goes sour when a group of cousins are left to their own devices. In these ten stories, outward strength is always betrayed by deep vulnerability: these are characters so desperate for family and connection that they often isolate themselves--and sometimes, it's the world isolating them.

    On impulse, he buys the man a cup—but an attempt to strike up conversation ends in the young man walking off, seemingly put off by Tom Walford—the tabloids’ favourite billionaire—buying him coffee. But when he reappears in Tom's lecture, all Tom knows is that he doesn't want the man slipping away a second time. Agreeing to dinner with a man he only knows from internet gossip columns isn't the wisest decision Cin's ever made, but he wants to like the infamous Tom Walford and he can't do that if he doesn't give the man a fair chance to be likeable. Which he is, almost frustratingly so, to the point Cin wishes maybe he hadn't been so fair because he never had any intention of getting attached to Tom, who seems to come from a world far too different from his own for anything between them to last. Little does Cin know, they’ve got a lot more in common than he imagines—including their shared discomfort with their assigned genders, and all the complications that go with it.

    Escaping from slavery in the 1850s Gilda's longing for kinship and community grows over two hundred years. Her induction into a family of benevolent vampyres takes her on an adventurous and dangerous journey full of loud laughter and subtle terror.