Leo’s bad behaviour, culminating in a car crash while under the influence—a nineteen-year-old waitress beside him—has endangered the Plumbs’ joint trust fund, or “the Nest,” as they’ve taken to calling it. The four siblings are at very different places in their lives, but all believe that this money will solve a host of self-inflicted problems and their consequences. And until Leo’s accident, they’d been mere months away from receiving it.Can Leo get the Plumbs out of this mess, as he’s always been able to do for himself before? Or will the Plumb siblings have to do without the money and the future lives they’ve envisioned? As the siblings grapple with family tensions, old histories and the significant emotional and financial cost of the accident, Sweeney introduces an unforgettable cast of supporting characters: Leo’s stalwart ex-girlfriend who now thinks that maybe, just maybe, he is capable of change; the waitress whose life was shattered in the accident and the Iraqi war veteran who falls in love with her; and a retired, grieving firefighter with a very big secret.Tender, funny and deftly written, The Nest explores what money does to relationships, what happens to our ambitions over the course of our lives, and the fraught but unbreakable ties we have with our families.

    A household name as the host of Rise and Shine, the country's highest-rated morning talk show, Meghan cuts to a commercial break–but not before she mutters two forbidden words into her open mike. In an instant, it's the end of an era, not only for Meghan, who is unaccustomed to dealing with adversity, but also for her younger sister, Bridget, a social worker in the Bronx who has always lived in Meghan's long shadow. The effect of Meghan's on-air truth telling reverberates through both their lives, affecting Meghan's son, husband, friends, and fans, as well as Bridget's perception of her sister, their complex childhood, and herself. What follows is a story about how, in very different ways, the Fitzmaurice women adapt, survive, and manage to bring the whole teeming world of New York to heel by dint of their smart mouths, quick wits, and the powerful connection between them that even the worst tragedy cannot shatter.

    Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    White's classic essay, Here Is New York.Featuring contributions from such luminaries as Elizabeth Gilbert, Susan Orlean, Nick Flynn, Adelle Waldman, Phillip Lopate, Owen King, Amy Sohn, and many others, this collection of essays is a must-have for every lover of New York, regardless of whether or not you call the Big Apple home.

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”

    It is a truly original and absorbing approach to revisiting Jackson Pollock and his wife Lee Krasner as artists and people, as well as realigning our ideas around the cultural legacy of Whitlam’s purchase of Blue Poles in 1973.It is also the story of Alyssa, and a contemporary relationship, in which Angela O’Keeffe immerses us in the essential power of art to change our personal lives and, by turns, a nation.Moving between New York and Australia with fluid ease, Night Blue is intimate and tender, yet surprisingly dramatic. It is a glorious exploration of how art must never be undervalued.

    This book features 50 recipes that contain that spirit, including Blueberry Brownies, Maple Glazed Ham, and an unforgettable cheesecake, as well as a host of lovely Christmas stories from the Big Apple to enjoy over apple cider.

    It’s the early 2000s and like generations of intrepid young hopefuls before her, Audrey Benton arrives in New York City on a bus in the dead of winter, eager to escape her troubled past. Broke but resourceful, she soon finds a home for herself amid the burgeoning music scene in Williamsburg, Brooklyn. But the city’s freedom comes with risks, and Audrey makes dangerous compromises to survive. As she becomes a minor celebrity in indie music circles, she finds an unlikely match in Theo Gorski, a shy but idealistic mill-town kid—the first in his family to attend college—who’s struggling to establish himself in the still-patrician world of books. As artistic “Brooklyn” explodes around them, the young lovers forge a bond as unlikely as it is unbreakable. But when an old friend from Audrey’s past disappears under mysterious circumstances, it sparks a dangerous series of escalating crises that force her and Theo to confront, head on, a shocking secret that threatens not just their relationship, but their very lives. From the raucous protests of Occupy Wall Street to the hushed halls of the publishing world, from million-dollar art auctions to late-night Bushwick drug dens, Kings County captures New York City at a heightened moment of cultural reckoning. Confronting the resonant issues and themes of our time—sex and violence, art and commerce, friendship and family—it’s a new kind of love story, both coolly classic and vividly contemporary, that dazzles with wit and moral resonance, with two unforgettable characters at its core. Richly plotted and deeply humane, Kings County is an epic coming-of-age tale about bravery, consequences, and finding one’s place in an ever-changing world.

    A heavy snowstorm is blowing through Manhattan and the economy is on the brink of collapse, but none of that matters to a handful of guests at a posh holiday party. Five years after their college graduation, the fiercely devoted friends at the heart of this richly absorbing novel remain as inseparable as ever: editor and social butterfly Sara Sherman, her troubled astronomer boyfriend George Murphy, loudmouth poet Jacob Blaumann, classics major turned investment banker William Cho, and Irene Richmond, an enchanting artist with an inscrutable past.Amid cheerful revelry and free-flowing champagne, the friends toast themselves and the new year ahead—a year that holds many surprises in store. They must navigate ever-shifting relationships with the city and with one another, determined to push onward in pursuit of their precarious dreams. And when a devastating blow brings their momentum to a halt, the group is forced to reexamine their aspirations and chart new paths through unexpected losses.Kristopher Jansma’s award-winning debut novel, The Unchangeable Spots of Leopards, was praised for its  “wry humor” and “charmingly unreliable narrator” in The New Yorker and hailed as “F. Scott Fitzgerald meets Wes Anderson” by The Village Voice. In Why We Came to the City, Jansma offers an unforgettable exploration of friendships forged in the fires of ambition, passion, hope, and love. This glittering story of a generation coming of age is a sweeping, poignant triumph.

    While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.

    They are superficially a study in contrasts yet share equally haunting sexual burdens carried since youth. With common secrets, they are drawn into a remarkable friendship.

    Rose, the eldest, is the responsible one, while Ivy is spirited and brazen. After the unexpected death of their father, the women are left to reconcile the estate, when they make a shocking discovery: not only has their father left them in financial ruin, but he has also bequeathed their beloved family house to a brother they never knew existed. With only a photograph to guide the way, Ivy and Rose embark to New York City, determined to find this mysterious man and reclaim what is rightfully theirs.Once in New York, temptations abound at every turn, and soon the sisters are drawn into the glitzy underbelly of Manhattan, where they must overcome their differences and learn to trust each other if they're going to survive in the big city and find their brother. Filled with unforgettable characters and charm, Empire Girls is a love letter to 1920s New York, and a captivating story of the unspoken bond between sisters.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    So when Amy finds herself turning forty, moving to Brooklyn, and making way for a baby with a new man in her life, she realizes that starting over may be her biggest opportunity yet.But how do you balance staying out all night dancing with staying up all night soothing a baby? Can a lifelong city girl trade in spontaneity for domesticity? Set amid the backdrop of Brooklyn and Manhattan's foodie scenes, Amy sets out to make her second act even sweeter than the first.

    Her chest felt tight, and her heart was cracking. If only she could be sure her secret was safe. If only she could go home to Ireland…New York, 1933. Ellen looks at her sleeping husband and precious daughter for the last time. They have longed to return home to Ireland for many years, but now the time has come, and the boat is ready to leave. But Ellen knows the dark secret she hides means she can never go back. Heart breaking into a million little pieces, she kisses her little girl goodbye and lays a precious turquoise necklace down beside her head, before fleeing into the night.Ireland, years later. Mairead’s world is falling apart. Recently separated, she has returned home to nurse her dying mother, Brigid. As Brigid passes, she calls out for her mother, Ellen, a woman Mairead knows nothing about.All alone in the world, Mairead is stricken with guilt that she couldn’t honour her mother’s last wish. She travels to New York, the last place her grandmother was seen, clutching all that she has of her – a stunning turquoise necklace and a small black-and-white photograph. Mairead’s search leads her across America to Arizona where she discovers that Ellen was on the run, a wanted woman, accused of a terrible crime.Mairead can’t believe that the young woman with laughing eyes and an innocent smile could have such a dark past. But as she uncovers the secrets and lies that forced her grandmother to abandon her only daughter, will Mairead’s own future be ruined by the shadows of her family’s secrets?Be transported to the wild west coast of Ireland by this beautiful read about the sacrifices a mother will make to protect her child. Fans of The Light Between Oceans and Lisa Wingate will adore this heart-breaking book.