Amy Gustine exhibits an extraordinary generosity toward her characters, instilling them with a thriving, vivid presence.

    Annie Proulx) whose “melancholy beauty resonates with the deepest truths” (Boston Globe).

    Tension coils--until tragedy strikes a young student in their charge, and the latent despair and rage that has festered in their hearts explodes onto the page. As in "The Butcher Boy", McCabe demonstrates his remarkable command of the vernacular and an uncanny ability to pinpoint the exact moment when ordinary minds take flight into madness. Equally compelling, equally heartbreaking in its impact", The Dead School" has established McCabe as one of the most celebrated writers of literary fiction today."A spellbinding story of betrayal and broken dreams narrated to a wonderfully menacing effect...the sheer force of his language...positively thrums with life".-- "Los Angeles Times"" "The Dead School" makes compelling literature....The writing is seamless, the effect shocking: Imagine "Apocalypse Now" cheerfully narrated by Jimmy Stewart".-- "The Seattle Times""McCabe [is] as skilled and significant a novelist as Ireland has produced in decades".-- "Kirkus Reviews" (starred review)

    Martha is straining against the confines of her life, lost in regret for what might have been, when an old flame shows up. In turn, her husband Mike becomes frustrated with his increasingly distant wife. Marital secrets, new and long-hidden, start to surface—with devastating effect. And while teenagers Tilly and Ben are about to step out into the world, nine-year-old Ada is holding onto a childhood that might soon be lost to her.When Ada discovers an abandoned well beneath a rusting windmill, she is drawn to its darkness and danger. And when she witnesses a shocking and confusing event, the well’s foreboding looms large in her mind—a driving force, pushing the family to the brink of tragedy. For each family member, it’s a summer of searching—in books and trees, at parties, in relationships new and old—for the answer to one of life’s most difficult questions: how to grow up?The Last Summer of Ada Bloom is an honest and tender accounting of what it means to come of age as a teen, or as an adult. With a keen eye for summer’s languor and danger, and a sharp ear for the wonder, doubt, and longing in each of her characters’ voices, Martine Murray has written a beguiling story about the fragility of family relationships, about the secrets we keep, the power they hold to shape our lives, and about the power of love to somehow hold it all together.

    She falls in love with an Irishman, marries him, and settles down in a place whose codes she struggles to crack. And then, in the course of a single hot summer, she embarks on an affair that breaks her marriage and sets her life on a new course.After years working in war zones around the world, and in the immediate aftermath of her mother's death, Alice finds herself back in Ireland and contemplating the forces that led her to put down roots and then tear them up again. What drew her to her husband, and what pulled her away? Was her husband strangely complicit in the affair? Was she always under surveillance by friends and neighbours who knew more than they let on?When Light is Like Water is at once a gripping story of passion and ambivalence and a profound meditation on the things that matter most: the definition of love, the value of family and the meaning of home.

    Wry and sharp, dark and subversive, they keep watch as these characters make the choices that will change the course of their lives and run into each other in surprising, unforgettable ways.The Bowmans are declining Texas gentry, heirs to an airline fortune, surrounded by a patriarch's stuffed trophies and lost dreams. They will each be haunted by the past as they strive to escape its force. The Fosters are diplomats’ kids who might as well be orphans. Jill and Maizie grow up privileged amid poverty, powerless to change the lives of those around them and uncertain whether they have the power to change their own. The Guzmans have moved between Colombia and the United States for two generations, each seeking opportunity for the next, only to find that the American dream can be as crushing as it is elusive.Amy Parker's debut collection considers--with an unfailingly observant eye--our failures and our successes, our fractures and our connections, our impact and our evanescence. She marks herself a worthy heir to the long tradition of smart women casting cool and careful glances at the American middle class.

    In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

    She's hoping to be a doctor and plans to spend her summer in Istanbul studying for the MCAT and visiting her father's grave. Instead, she finds herself self-diagnosing her own possible chronic illness with the four humors theory of ancient medicine. Is an imbalance of blood, bile, choler, and phlegm the cause of her physical and emotional turmoil?Also on Sibel's mind: her blond American boyfriend who accompanies her to Turkey; her energetic but distraught younger sister; and her devoted grandmother, who, Sibel comes to learn, carries a harrowing secret.Delving into her family's history, the narrative weaves through periods of political unrest in Turkey, from military coups to the Gezi Park protests. Told with pathos and humor, Sibel's search for strange and unusual cures is disrupted as she begins to see how she might heal herself through the care of others, including her own family and its long-fractured relationships.

    lives an isolated life. He has always kept his distance from people — from his doting mother to his crass fraternity brothers — but remains unaware of his loneliness until one night, while driving to Las Vegas, he hits a coyote on the highway. The experience unnerves him and inspires a transformation that leads T. to question his business pursuits for the first time in his life, to take a chance at falling in love, and finally to begin breaking into zoos across the country, where he finds solace in the presence of animals on the brink of extinction.A beautiful, heart-wrenching tale, How the Dead Dream is also a riveting commentary on individualism and community in the modern social landscape and how the lives of people and animals are deeply entwined. Judged by many-- including the Los Angeles Times and The Washington Post Book World-- to be Millet's best work to date, it is, as Time Out New York perfectly states: "This beautiful writer’s most ambitious novel yet, a captivating balancing act between full-bodied satire and bighearted insight."

    Pete is an exchange student from Italy with a chronic case of poverty. She needs a baby-daddy, he needs a place to live, so they decide to help each other out by engaging in the time-honored device used by people in need the world over: a marriage of convenience. She’s beautiful and smart, he’s a gorgeous and talented musician, surely they can live together as husband and wife for one academic year? In a one-bedroom on the Upper West Side? With her old-fashioned granny living on the first floor, Pete and Daisy move into a tiny, rooftop apartment, ready to be roommates, husband and wife in name only, for nine months. Real life has a way of getting in the way, though, of messing with the best laid plans... Come along for the journey of Pete Santangelo and Daisy White and their turbulent and very sexy romance, and see how two strangers can become best friends and fall in love. See how a modern American family is born.

    If Bucky’s Beans doesn’t stop spamming her phone with discount codes for frou-frou java concoctions, she’s going to flip. After multiple failed attempts to unsubscribe, Ruth takes to the company’s Facebook page to vent her frustration over the never-ending texts.When attorney, Henry Mancuso, stumbles upon Ruth’s complaint, he has no idea that a simple Facebook scroll is going to change his life. Now, he has to get Ruth to agree to a class action lawsuit when she’s just looking for some peace on her mobile device—not a drawn-out case against a coffeehouse giant.As Ruth and Henry battle the legal waters, a friendship full of fun and spontaneity blooms. But could something more be brewing between these two and this coffeehouse case?

    She's the one growing up in the mad family, in the mad society, who doesn't want to know what's going on. But things are going on: eight-year-olds collecting very peculiar treasure; babies who might be, or might not be, bombs; schoolgirls bringing guns into schoolyards; and, of course, lots of food and bad, bad sex.If Amelia is to live she needs to change. Can she, though, in a place where people don't know how to look after themselves, and so wouldn't know how to look after one another?The shattering and darkly funny debut novel from the author of Milkman, winner of the Man Booker Prize.

    Dorothy Rose Nolte Hughes, however, hides a second diary under the polka-dot towels and causes quite a stir in the family. Her use of metaphor, alliteration, and analogies keep readers learning some new turns-of-phrase and laughing while uncovering some family truths that lay hidden from the world. Dottie’s daughter isn’t interested in the language and turn-of-phrase, however, only the secrets revealed to the one who finds the diary. Dottie’s favorite granddaughter, her husband, and their six dachshunds take care of Granny but her diary leaves them not only befuddled and confused but also excited and elevated in spirit. Moving back and forth between the granddaughter’s story-telling and the grandmother’s diary entries, readers are compelled to keep reading to the very end and learn about fairytales as part of the truth. Does the truth hide in fairytales and come forth when least expected or do fairytales hide in truth and just sort of spontaneously spew forth?Show more Show less

    The librarian is supposed to be married in four hours' time, but the stranger compels him to listen. Many hours later he is still listening, and still unmarried.The stranger's name is Izzy Darlow, and the story revolves around his fractured family and their obsessions. The family home is a labyrinth. His older brother, Aaron, conducts secret and increasingly perilous experiments in his attic bedroom. His younger brother, Josh, who speaks with a lisp but sings like an angel, wanders the streets at night consumed by visions of destruction. Izzy's own place in this curious family is complicated by disturbing influences: the terrifying books he reads compulsively in the school library, his charismatic but dangerous friend Campbell, the vicious force of his emerging sexuality.Woven into Izzy's tale is the story of a young woman called Katie, who has been confined to a mental hospital as a result of a cruel violation suffered in her youth. Where do these two stories meet? What is Izzy leaving out, what has he forgotten? And why can the anxious librarian not extricate himself from the web that Izzy weaves around him? As the story swirls deeper, taking reference from architecture, literature, history and myth, the reader is drawn into Izzy's frighteningly dislocated world, where the only response to suffering and guilt is amnesia.

    A recent college graduate living in New York City finds himself in a strangely entangled friendship with his dry cleaner and her son. A daughter accompanies her father to Israel, where, seeing a new side of him away from her mother, she makes an unusual bargain.Through thirteen stories, some stand-alone, others woven with linked characters, Kane questions the tensions between friendship and neighborliness, home and travel, family and ambition. In writing filled with wit and humor and incredible poignancy, she deftly reveals the everyday patterns that, over time, can swerve a life off course.