There, at The End of the Road of the South, the family malt shop freezer holds unspeakable things, society maven Mrs. Dot hosts Junior Debutante meetings and shares inspired thoughts for the week (such as “sincerity is as valuable as radium”), and Daisy Fay’s Daddy hatches a quick-cash scheme that involves resurrecting his daughter from the dead in a carefully orchestrated miracle. Along the way, Daisy Fay does a lot of growing up, emerging as one of the most hilarious, appealing, and prized characters in modern fiction.

    The story of a murderous battle for control, and a wise, compassionate investigation into the bonds of love and family and of what sustains people through loss.

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    It is a story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate faith. He falls under the spell of a "blind" street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Lily Sabbath. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawkes, Hazel Motes founds The Church of God Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with "wise blood," who leads him to a mummified holy child, and whose crazy maneuvers are a manifestation of Hazel's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.

    The chronicle of an elderly black farmer arrested for the murder of a white man and under threat from the lynch mob is a characteristically Faulknerian tale of dark omen, its sole ray of hope the character of the young white boy who repays an old favour by proving the innocence of the man who saved him from drowning in an icy creek.

    Critics and readers alike fell in love with the voice of ninety-nine-year-old Lucy Marsden, one of the most entertaining and loquacious heoines in American literature.Lucy married at the turn of the last century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Her story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy-striper. Oldest Living Confederate Widow Tells All is proof that brilliant, emotional storytelling remains at the heart of great fiction.From the Trade Paperback edition.

    When Jennifer, a college student, returns to her childhood home of Hoot Owl Holler with a tape recorder, the tales of murder and suicide, incest and blood ties, bring to life a vibrant story of a doomed family that still refuses to give up....

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    Imagine a family in which four generations of strong, alluring women share a mysterious connection to an outlandish figure from Japanese folklore. Imagine them part of a novel that only Tom Robbins could create? A magically crafted work as timeless as myth yet as topical as the latest international threat. But no matter how hard you try, you'll never imagine what you'll find inside the Villa Incognito: a tilt-a-whirl of identity, masquerade, and disguise that dares to pull off "the false mustache of the world" and reveal the even greater mystery underneath. For neither the mists of Laos nor the Bangkok smog, neither the overcast of Seattle nor the fog of San Francisco, neither the murk of the intelligence community nor the mummery of the circus can obscure the pure linguistic phosphor that illuminates every page of one of America's most consistently surprising and inventive writers.

    Jed is born just at the end of the First World War on a run-down farm near the little town of Dugton, Alabama. When he is nine his drunken father dies in a low-comedy accident that becomes part of the obscene folklore of the region. His semi-literate mother has a caustic wit, an iron character, and the determination that Jed will escape the South. As she puts it: "Git what's to git, then git. Git on."A dedicated Latin teacher and Jed's football prowess combine to get him a scholarship at a jerkwater college, whence he enters the graduate school of the University of Chicago and excels in the field of classical and medieval literature. After fighting with the Italian Partisans behind the Nazi lines, Jed returns to the university and marries a woman who dies soon thereafter. He moves to a new job in Nashville and becomes involved in a torrid and ill-fated love affair, the central event of the novel, coloring all the subsequent action. He flees to Paris and then to Chicago; he marries again, fathers a son, and is soon divorced.Middle-aged, and now a figure of world renown, Jed goes back to Dugton for a long-deferred visit to his mother's grave, and - in what must be one of the most moving passages ever written - is able to make some kind of peace with himself and with his past. (Book jacket)

    David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.John Kennedy Toole, who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    Magic Child, a fifteen-year-old Indian girl, wanders into the wrong whorehouse looking for the right men to kill the monster that lives in the ice caves under the basement of Miss Hawkline's yellow house. What follows is a series of wild, witty, and bizarre encounters. The book was originally published in 1974.

    He saved lives, tamed giants. Animals loved him. People loved him. Women loved him (and he loved them back). And he knew more jokes than any man alive.Now, as he lies dying, Edward Bloom can't seem to stop telling jokes -or the tall tales that have made him, in his son's eyes, an extraordinary man. Big Fish is the story of this man's life, told as a series of legends and myths inspired by the few facts his son, William, knows. Through these tales -hilarious and wrenching, tender and outrageous- William begins to understand his elusive father's great feats, and his great failings.

    In the hands of T. Coraghessan Boyle, praised by Digby Diehl in Playboy as "one of the most exciting young fiction writers in America," the result is a sexy, hilarious tragicomedy of thwarted expectations and mistaken identity, love, jealousy, and betrayal.