J. Gahagan] · ss Courier Spr ’38 77 · The Ape and the Mystery [“The Mysterious Mona Lisa Smile”] · ss The Saturday Evening Post Jun 26 ’48 89 · The King Who Collected Clocks [“Royal Impostor”] · nv The Saturday Evening Post May 3 ’47 117 · Bone for Debunkers [“The Karmesin Affair”; Karmesin] · ss The Saturday Evening Post Dec 15 ’62 133 · A Lucky Day for the Boar · ss Playboy Oct ’62 143 · Voices in the Dust of Annan · ss The Saturday Evening Post Sep 13 ’47 161 · Whatever Happened to Corporal Cuckoo? · nv The Brighton Monster, London: Heinemann, 1953; Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954

    . .so disturbing that locals ultimately burned the school to the ground.Years later, Pinewood Elementary is the future, and for new teacher Ryan Herb, a chance at a fresh start. But the townspeople don't believe that rebuilding the school and changing its name is enough. They believe that whatever evil inhabited the halls of Highland still dwells at Pinewood.Ryan is a realist and isn't the type to be affected by local lore. But when Ryan begins to experience horrifying visions of past tragedies, he starts to question his own beliefs. Something in the school is reaching out to Ryan for help, a potentially lethal request as something else - or someone else - in the school is keen on keeping the evil therein very much alive.Can a skeptical Ryan unearth the origins of the evil's true source and put an end to it? Or will he, like many before him, become a permanent resident of the school himself?Rife with supernatural terror and intrigue, 'Dark Halls' blurs the lines between horror and mystery - a whodunit that, when solved, proposes the even greater question of: How do you stop it?

    From the glamorous San Francisco social scene of the 1920s, through war and the social changes of the ’60s, to the rise of Silicon Valley today, this extraordinary novel takes us on a family odyssey that is both heartbreaking and inspiring, as each generation faces the challenges of their day. The Parisian design houses in 1928, the crash of 1929, the losses of war, the drug culture of the 1960s—history holds many surprises, and lives are changed forever. For richer or for poorer, in cramped apartments and grand mansions, the treasured wedding dress made in Paris in 1928 follows each generation into their new lives, and represents different hopes for each of them, as they marry very different men. From inherited fortunes at the outset to self-made men and women, the wedding dress remains a cherished constant for the women who wear it in each generation and forge a destiny of their own. It is a symbol of their remaining traditions and the bond of family they share in an ever-changing world.