Mother. Lover. Aunt. Friend.She plays many roles round here. And neverScared to tell the whole of her truth, whetherOr not anyone wants to hear it. WifeOf Willesden: pissed enough to tell her lifeStory to whoever has ears and eyes . . .'Zadie Smith's first time writing for the stage, The Wife of Willesden is a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath's Prologue, brought to glorious life on the Kilburn High Road.Commissioned to celebrate Brent's year as Borough of Culture 2020, The Wife of Willesden will premiere at the Kiln Theatre, London in September 2020.

    The story of the mythological king, who is doomed to kill his father and marry his mother, has resonated in world culture for almost 2,500 years. But Sophocles’ drama as originally performed was much more than a great story—it was a superb poetic script and exciting theatrical experience. The actors spoke in pulsing rhythms with hypnotic forward momentum, making it hard for audiences to look away. Interspersed among the verbal rants and duels were energetic songs performed by the chorus.            David Mulroy’s brilliant verse translation of Oedipus Rex recaptures the aesthetic power of Sophocles’ masterpiece while also achieving a highly accurate translation in clear, contemporary English. Speeches are rendered with the same kind of regular iambic rhythm that gave the Sophoclean originals their drive. The choral parts are translated as fluid rhymed songs. Mulroy also supplies an introduction, notes, and appendixes to provide helpful context for general readers and students.

    However, his life has not always been a bed of roses. When was just a 12-year-old boy, he saved his best friend from a grisly death at the hands of the outlaw gang that killed her parents. As if that wasn’t enough, his friend was sent away to an orphanage in Denver City and John vowed to one day find the murderers and bring them to justice. Years go by and he works out a plan to shed some blood and take down those who stood in the way of his friend’s happiness. What will John be willing to risk in order to get the revenge he’s been waiting for his whole life?Maggie McDermott is deeply traumatized by the events of that nightmarish night. Having lost all of her childhood memories—even those of her best friend, John, she can’t help but wonder whether she’ll find peace one day. That is until John shows up at her door many years after the haunting event that changed her life. He has become a successful bounty hunter and has a bold plan to recover her childhood memories. His plan involves Maggie joining him on a dangerous mission of vengeance, in order to capture the gang that destroyed her life. Will Maggie find the courage to follow this dangerous prescription to get her childhood memories back?Even though John and Maggie haven’t seen each other for many years, their wild thirst for revenge will take them on a sprawling adventure with gunfire, romance, and a longing for justice. Will John be able to protect the girl from the most infamous outlaw gang in the West? Or will they be forced to abandon all hope for a better life once and for all?

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    Those who dare to investigate will be caught in the cross fire of an ancient conflict forged by mortal sacrifice, assassination, and secret societies tied to the shadowy Knights Templar.Spanning centuries and continents, from the storm-rent skies over Calvary, through the intrigue and treachery of Byzantium and the Crusades, to the modern-day citadels of Istanbul, New York, London, Paris, and Rome, The Brotherhood of the Holy Shroud races to a chilling climax in the labyrinths beneath Turin, where astounding truths will be exposed: about the history of a faith, the passions of man, and proof of the most powerful miracle of all….From the Hardcover edition.

    This brilliantly ironic novel about literature and writing, in Vila-Matas’s trademark witty and erudite style, is told in the form of a lecture delivered by a novelist clearly a version of the author himself. The “lecturer” tells of his two-year stint living in Marguerite Duras’s garret during the seventies, spending time with writers, intellectuals, and eccentrics, and trying to make it as a creator of literature: “I went to Paris and was very poor and very unhappy.” Encountering such luminaries as Duras, Roland Barthes, Georges Perec, Sergio Pitol, Samuel Beckett, and Juan Marsé, our narrator embarks on a novel whose text will “kill” its readers and put him on a footing with his beloved Hemingway. (Never Any End to Paris takes its title from a refrain in A Moveable Feast.) What emerges is a fabulous portrait of intellectual life in Paris that, with humor and penetrating insight, investigates the part literature plays in our lives.

    Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision.Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago--and the society--that surround and shape them.Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form--a profound and powerful film.

    Eisenberg will star in the New York production of The Spoils in the Spring of 2015, directed by Scott Elliott for the New Group’s inaugural season at the Pershing Square Signature Center.Nobody likes Ben. Ben doesn't even like Ben. He’s been kicked out of grad school, lives off his parents’ money, and bullies everyone in his life, including his roommate, an earnest Nepalese immigrant. When Ben discovers that his grade school crush is marrying a straight-laced banker, he sets out to destroy their relationship and win her back. The Spoils is a deeply personal and probing comedy written by one of America’s most interesting writer-thespians.

    My yearning for you.”It’s 1978 in a country town and a dreamy fifteen year old girl’s world is turned upside down by the arrival of the substitute English teacher. Solomon Andrews is beautiful, inspiring and she wants him like nothing else she’s wanted in her short life.Charismatic and unconventional, Solomon easily wins the hearts and minds of his third form English class. He notices the attention of one girl, his new neighbour, who has taken to watching him from her upstairs window. He assumes it a harmless teenage crush, until erotic love notes begin to arrive in his letterbox.Solomon knows he must resist, but her sensual words stir him. He has longings of his own, although they have nothing to do with love, or so he believes. One afternoon, as he stands reading her latest offering in his driveway, she turns up unannounced. Each must make a choice, the consequences of which will haunt them until they meet again twenty years later.

    A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art--an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

     
They soon meet sophisticated neighbours Dominic and Susannah, a British couple in their sixties who welcome them warmly but whose own relationship is in crisis. Mia and Ben are immediately star-struck and impressed by their lavish hospitality. However, things with Dominic and Susannah are not what they first seem. Gradually secrets begin to surface, revealing details of a scandal Dominic and Susannah had hoped to leave behind in London. Reeling from these revelations, Mia and Ben no longer trust their own instincts and the peaceful idyll of their French life begins to unravel. Can Dominic and Susannah escape each other, and can Ben and Mia they find their way back to each other and the dream they shared?An intoxicating and hugely entertaining domestic drama by the bestselling author of The French Perfumer.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    ‘I want the world to change shape.’ ‘I'm not sure theatre can do that.’‘Well then where am I meant to take that impulse because I'm very serious about the endeavour?’A young writer challenges the status quo but discovers that creative gain comes at a personal cost.Ella Hickson's play The Writer premiered in April 2018 at the Almeida Theatre, London, in a production directed by Blanche McIntyre.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.