Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once.Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes).

    Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life.

    Among the countless fly patterns created over the centuries, these 50 have been carefully chosen to represent the development not only of the flies themselves, but also of fly-fishing techniques—and of rods, lines, and reels. These iconic flies also chart the spread of this addictive sport from its modern origins on the chalk streams of southern England and the rivers of Scotland to the U.S., Europe, South America, Australia, and now to every country in the world. Filled with profiles of the key characters involved, tying tips, photographs and illustrations of the flies, and detailed explanations of the techniques used to fish them, The History of Fly-Fishing in Fifty Flies is a fascinating companion to the evolution of this fascinating sport.

    Here, in brief essays, she traces a tender and honest portrait of her complicated parents--her exuberant, creative mother; her steady, supportive father--and of the bittersweet moments that accompany a child's transition to caregiver.And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds--the natural one and our own--"the shadow side of love is always loss, and grief is only love's own twin."Illustrated by the author's brother, Billy Renkl, Late Migrations is an assured and memorable debut.

    "What They Did There: Profiles From the Battle of Gettysburg" offers a unique view of its subject, telling the story of the battle not through convention narrative but via 170 mini-bios of not only combatants blue and gray, but of civilians, doctors, nurses, artists, photographers, Samaritans; saints, sinners and the moral terrain in-between.

    A friend or acquaintance says, “You know, there’s an old bike that’s been sitting in this garage for years.” The hunt is on. And rather than the usual worthless Hondazukimaha pile of hopeless oxidation, at the back of that barn you find a genuine classic, the motorcycle collector’s dream.The Vincent in the Barn tells forty such stories--tales of motorcycle hunting dreams come true. From Ducatis in basements to Vincents abandoned in sheds, Harleys in barns to Brit bikes moldering behind urban garages, these are the stories that fuel every motorcyclist’s fantasies. The only difference? They’re true.See Tom Cotter, author of Motorbooks “In the Barn” series, interviewed by Jay Leno on JayLenosGarage.com: http://www.jaylenosgarage.com/video/j...

    That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

    Rozan, Lawrence Osborne, Suchen Christine Lim, Ovidia Yu, Damon Chua, Johann S. Lee, Dave Chua, and Nury Vittachi.From the introduction by Cheryl Lu-Lien Tan:"Say Singapore to anyone and you'll likely hear one of a few words: Caning. Fines. Chewing gum.For much of the West, the narrative of Singapore--a modern Southeast Asian city-state perched on an island on the tip of the Malay Peninsula--has been marked largely by its government's strict laws and unwavering enforcement of them...As much as I understand these outside viewpoints, I have always lamented that the quirky and dark complexities of my native country's culture rarely seem to make it past its borders...Beneath its sparkling veneer is a country teeming with shadows...And its stories remain. The rich stories that attracted literary lions W. Somerset Maugham and Rudyard Kipling to hold court at the Raffles Hotel (where the Singapore Sling was created) are still sprinkled throughout its neighborhoods. And in the following pages, you'll get the chance to discover some of them...You'll find stories from some of the best contemporary writers in Singapore--three of them winners of the Singapore Literature Prize, essentially the country's Pulitzer: Simon Tay, writing as Donald Tee Quee Ho, tells the story of a hard-boiled detective who inadvertently wends his way into the underbelly of organized crime, Colin Cheong shows us a surprising side to the country's ubiquitous cheerful 'taxi uncle,' while Suchen Christine Lim spins a wistful tale of a Chinese temple medium whose past resurges to haunt her...As for mine, I chose a setting close to my heart--the kelongs, or old fisheries on stilts, that once dotted the waters of Singapore but are gradually disappearing. I have a deep sense of romance about these kelongs, along with the many other settings, characters, nuances, and quirks that you'll see in these stories. They're intense, inky, nebulous. There is evil, sadness, a foreboding. And liars, cheaters, the valiant abound.This is a Singapore rarely explored in Western literature--until now. No Disneyland here; but there is a death penalty."

    This standard edition of his poems was edited and arranged by his great friend Geoffrey Keynes. It includes a considerable number of early pieces, among them two of his longest poems, "The Pyramids" and "The Bastille".

    Coquetdale, Northumberland. 1725. After the final tragedy of an age-old feud, Sam’s mother disappears. His guilt-ridden search brings unexpected adventure and romance. As a fellow of the secret order of ‘The True’, Sam learns to enhance his affinity with nature, and enigmatic links across time are revealed to him in ancient woodlands. 2000. Isolated hill-farmer, Kate, is cautiously attracted to an intriguing stranger brought to her door by endearing runaway, Joe. The man is certainly odd but not disturbing, unlike her stalker. Further down the dale, Kate’s woodsman cousin, Nick, falls in love with a mysterious young woman who arrives with spring and disappears as summer ends. Middle Wood links these seemingly disparate lives separated by centuries, but is that their only connection? Does the answer lie with The True? "A story is never finished until you can read it in the trees"

     Two days after private eye Mason sees a drunken Australian kicked to death in Bangkok’s notorious Soi Cowboy, he is approached by one of the men involved. Mobster Raymond Long owns nightclubs on the seedy sex strip and wants Mason to find his American accountant, who has disappeared, taking with her a computer hard drive. Mason is about to turn him down, when he realises the missing accountant is his friend Nathalie West. A British Army veteran of the Afghan war, Mason has seen his share of conflict - but finding out why Nathalie was secretly working for scum like Raymond Long pushes him beyond even his combat-hardened limits. Mason and his Thai partner Dixie urgently need to discover why the missing hard drive is so important – and to get to Nathalie before Long’s murderous gang find her. The arrival from Vancouver of a psychotic hitman representing Raymond Long’s mob bosses only adds to tension that mounts all the way to a late night climax on the banks of the Chao Phraya River. By the author of the critically-praised Yin Yang Tattoo, (Sandstone Press, 2010), Bangkok Cowboy is the first in a series of action-packed Mason & Dixie crime thrillers set within the grimy folds of one of the world’s great cities.

    Currency, combines multiple historical strands that converge on the number one issue of our time, the geographic location of economic and military power in the 21st century. Economic Thriller! An incredible story of power, romance, revenge and international finance spanning three centuries. The issues could not be more timely!"Currency combines history, finance, romance and action into a timely and entertaining read on a subject that has serious economic and national security implications. My wife and I both enjoyed reading it." Hon. David M. Walker Former U.S. Comptroller General.In Currency, Wood has pulled off a first novel that captures the reader with a page-turning adventure, while it addresses head-on the most pressing and intense global economic, military and political issues of our very challenging current times.Wood's real world experience on both Wall Street and at the center of the US Military Special Operations world, combine with his love of history and command of current global issues, to create a story that is as intense and gripping as it is timely.Currency weaves the historical adventures of our US Founding Fathers who built the country's early economic structure, with current day hero Connor Murray. Connor unexpectedly finds himself thrust into a world shaped as much by greed, betrayal and violence as it by heroism, loyalty, love and the quest for personal peace.Fate forces Murray to navigate events that play out on the world stage. The United States' current economic weakness collides with its international rival's very real drive for economic, political and military influence. This collision produces an intense drama and adventure that is as scary as it is possible amidst the world's current state of affairs and balance of power.If you love a good adventure story on both the personal and international level - Currency is a must read. If you're concerned about how the United State's current economic challenges could play out for the country in a very real way - Currency is a must read. And if you want to be an early reader of a new author who has tremendous promise - Currency is definitely a must read.

    From the big skies of Montana to perilous rides with the Texas Rangers, you won't want to put this collection down.From traditional historical westerns to those with a paranormal twist, Native American stories to contemporary romantic suspense, bone-chilling horror to tales of fantasy, this collection has something for all western lovers. >>>So saddle up and get ready for thirteen unforgettable rides! Scroll Up and Grab Your Copy Today!

    

    She was an essential voice in both feminist and Irish literature, praised for her "edgy precision, an uncanny sympathy and warmth, an unsettling sense of history" (J. D. McClatchy). Her final volume, The Historians, is the culmination of her signature themes, exploring the ways in which the hidden, sometimes all-but-erased stories of women’s lives can powerfully revise our sense of the past.Two women burning letters in a back garden. A poet who died too young. A mother’s parable to her daughter. Boland listens to women who have long had no agency in the way their stories were told; in the title poem, she writes: "Say the word history: I see / your mother, mine. / … / Their hands are full of words." Addressing Irish suffragettes in the final poem, Boland promises: "We will not leave you behind," a promise that animates each poem in this radiant collection. These extraordinary, intimate narratives cling to the future through memory, anger, and love in ways that rebuke the official record we call history.