A dazzling New Face of Fiction for 2016 that will appeal to readers of All the Light We Cannot See and Anita Shreve.Thirteen-year-old Aya Shimamura is released from a Canadian internment camp in 1946, still grieving the recent death of her mother, and repatriated to Japan with her embittered father. They arrive in a devastated Tokyo occupied by the Americans under the command of General Douglas MacArthur. Aya's English-language abilities are prized by the principal of her new school, but her status as the "repat girl" makes her a social pariah--until her seatmate, a fierce, willful girl named Fumi Tanaka, decides that Aya might be able to help her find her missing older sister. Beautiful Sumiko has disappeared into the seedy back alleys of the Ginza. Fumi has heard that General MacArthur sometimes assists Japanese citizens in need, and she enlists Aya to compose a letter in English asking him for help.Corporal Matt Matsumoto is a Japanese-American working for the Occupation forces, and it's his overwhelming job to translate thousands of letters for the General. He is entrusted with the safe delivery of Fumi's letter; but Fumi, desperate for answers, takes matters into her own hands, venturing into the Ginza with Aya in tow.Told through rich, interlocking storylines, The Translation of Love mines a turbulent period to show how war irrevocably shapes the lives of both the occupied and the occupiers, and how the poignant spark of resilience, friendship and love transcends cultures and borders to stunning effect.

    Villa America was in fact a real house on the French Riviera that Sara and Gerald Murphy built to escape to in the 1920's. Members of a group of expat Americans, they were known for their fabulous parties and for making the Riviera into the glamorous place it is today. Their freewheeling days were filled with champagne and caviar, but these were people who kept secrets and who were, of course, heartbreakingly human. This is a stunning story about the Lost Generation, about a marriage, about a golden age which could not last.

    But when she learns that she’s inherited the estate of a complete stranger—a woman named Isabelle de Florian—her life is turned upside down.Cat arrives in Paris to find that she is now the owner of a perfectly preserved Belle Époque apartment in the ninth arrondissement, and that the Frenchwoman’s family knew nothing about this secret estate. Amid these strange developments, Cat is left with burning questions: Who was Isabelle de Florian? And why did she leave the inheritance to Cat instead of her own family?As Cat travels France in search of answers, she feels her grasp on her New York life starting to slip. With long-buried secrets coming to light and an attraction to Isabelle de Florian’s grandson growing too intense to ignore, Cat will have to decide what to let go of, and what to claim as her own.

    In Douglas Coupland's ingenious new novel--sort of a Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

    All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present-day, more than twenty-five years later, but spirals back again and again to the "February" that persists in Helen's mind and heart.Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile, before we truly come home. This is a profound, gorgeous, heart-stopping work from one of our best writers.

    Accident or suicide?On the other side of the world, a young woman walks out of a sandstorm in sub-Saharan Africa. In the labyrinth of the Niger Delta, a young boy learns to survive by navigating through the gas flares and oil spills of a ruined landscape. In the seething heat of Lagos City, a criminal cartel scours the internet looking for victims.Lives intersect, worlds collide, a family falls apart. And it all begins with a single email: “Dear Sir, I am the son of an exiled Nigerian diplomat, and I need your help ...”419 takes readers behind the scene of the world’s most insidious internet scam. When Laura’s father gets caught up in one such swindle and pays with his life, she is forced to leave the comfort of North America to make a journey deep into the dangerous back streets and alleyways of the Lagos underworld to confront her father’s killer. What she finds there will change her life forever...

    An almost deliberately ham-handed police investigation has Constable Hook suspecting a cover-up. The powerful United Council of Scottish Societies is demanding an inquiry. The killing has become a political issue with an election not far away.The city is buzzing with rumours. Miss Stewart's fellow nannies have accused the Chinese houseboy of murder, capitalizing on a wave of anti-Chinese propaganda led by the Asian Exclusion League and enthusiastically supported by the sensational press--not to mention the Ku Klux Klan, which has taken up residence in upperclass Shaughnessy.The White Angel is a work of fiction inspired by the cold case of Janet Smith, who, on July 26, 1924, was found dead in her employer's posh Shaughnessy Heights mansion. A dubious investigation led to the even more dubious conclusion that Smith died by suicide. After a public outcry, the case was re-examined and it was decided that Smith was in fact murdered; but no one was ever convicted, though suspects abounded--from an infatuated Chinese houseboy to a drug-smuggling ring, devil-worshippers from the United States, or perhaps even the Prince of Wales. For Vancouver, the killing created a situation analogous to lifting a large flat rock to expose the creatures hiding underneath.An exploration of true crime through a literary lens, The White Angel draws an artful portrait of Vancouver in 1924 in all its opium-hazed, smog-choked, rain-soaked glory--accurate, insightful and darkly droll.

    He found himself in the nightmare world of trench warfare; of mud and smoke, of chlorine gas and rotting corpses. In this world gone mad, Robert Ross performed a last desperate act to declare his commitment to life in the midst of death. The Wars is quite simply one of the best novels ever written about the First World War.

    The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when “being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was “Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years.Margaret the First is very much a contemporary novel set in the past, rather than “historical fiction.” Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new narrative approach to imagining the life of a historical woman.

    He sets out with two horses, a wagonful of belongings, his five children, a 15-year-old orphan wife, and a few land warrants for his future homestead. When Daniel suddenly trades a horse for a young slave, Onesimus, it sets in motion a struggle in his conscience that will taint his life forever, and sets in motion a chain of events that lead to two murders and the family's strange relationship with a runaway slave named Bett.Stripped down and as hard-edged as the realities of pioneer life, Spalding's writing is nothing short of stunning, as it instantly envelops the reader in the world and time of the novel, and follows the lives of unforgettable characters. Inspired by stories of the author's own ancestors, The Purchase is a resonant, powerful and timeless novel.

    Seasons in their tiny rustic home were peppered with wilderness hikes, building shelters from pine boughs and telling stories by the fire with their doting father and beautiful, adventurous mother. But at night, Maggie—a born worrier—would count the freckles on her father’s weathered arms, listening for the peal of her mother’s laughter in the kitchen, and never stop praying to keep them all safe from harm. Then her worst fears come true: Not long after Maggie’s tenth birthday, their father is killed in a logging accident, and a few months later, their mother abruptly drops the girls at a neighbor’s house, promising to return. She never does. With deep compassion and sparkling prose, Frances Greenslade’s mesmerizing debut takes us inside the extraordinary strength of these two girls as they are propelled from the quiet, natural freedom in which they were raised to a world they can’t begin to fathom. Even as the sisters struggle to understand how their mother could abandon them, they keep alive the hope that she is fighting her way back to the daughters who adore her and who need her so desperately. Heartwarming and lushly imagined, Shelter celebrates the love between two sisters and the complicated bonds of family. It is an exquisitely written ode to sisters, mothers, daughters, and to a woman’s responsibility to herself and those she loves.

    Abandoned as an infant, Marcel is haunted by vague memories of his bohemian mother, and is desperate to know who his real parents are. When Oliver is promoted to foreign correspondent, he leaves Marcel in the care of his ill-equipped friends, including the beautiful Pippa. The world is being swept by a wave of liberation—coups, revolutions and the end of colonialism. While Oliver rushes toward the action, Marcel is set adrift in swinging London, a city of magic—and a city where he can never quite fit in. Just when it seems they will never be reunited, Marcel is sent to join Oliver in Vietnam. But by the summer of 1963, the war is escalating, and Oliver is finally overwhelmed by his doomed love for Pippa. When Marcel eventually uncovers the shattering truth about his mother, his entire world is rearranged. Now, as his fiftieth birthday approaches, Marcel is asked to take care of his friend’s eleven-year-old daughter, Iris. Prodded by her sharp-eyed company, he reflects on his own bittersweet childhood and the experiences that have shaped his present. Stray Love is beautifully illustrated with original drawings by noted Toronto artist/filmmaker Heather Frise.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry -- teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow.With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.

    Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business.So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets.Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.