The cartels have grown increasingly bold in recent years, building submarines to move up the coast of Central America and digging elaborate tunnels that both move drugs north and carry cash and U.S. high-powered assault weapons back to fuel the drug war. Channeling her long experience working on border issues, Longmire brings to life the very real threat of Mexican cartels operating not just along the southwest border, but deep inside every corner of the United States. She also offers real solutions to the critical problems facing Mexico and the United States, including programs to deter youth in Mexico from joining the cartels and changing drug laws on both sides of the border.

    Committed with efficiency, those murders signalled a power shift in the ongoing battle between the Mafia in the US & Canada for the lucrative heroin trade. This book examines these murders & their effect.

    It features Haraldr Sigurdarson, a Viking prince, who gradually learns the ways of the cosmopolitan court, and rises to heights he never dreamed of.

    14-year-old Stephen is living with his family. Stephen and his friend Marcel collect souvenirs from strafed convoys and crashed Messerschmitts. Then they are arrested and imprisoned for sabotage and threatened with deportation or the firing squad. Upon his release, and still only 16, Stephen is recruited by the French Resistance. This is his story.

    Six months later, he is marooned in London, unemployed and living a dreary existence in a house he shares with the girl he loves (but who no longer loves him). Finally securing a job at Silverbirch — a hedge-fund based in Mayfair, he begins to work in the brutal and remorseless world of high finance. When the markets crash, Charlie sees the potential for an escape; but is he already too far immersed in the City to get out?

    

    She didn't find out her date of birth until she was 17 and didn't learn to read or write until she was well into her 30s. This is her story.

    On the surface he’s the least likely candidate for a rap impresario. But with his signature charm and passion, he plunges headfirst into the wards, clubs, and projects of New Orleans, opening up a world closed to most outsiders: a journey into the heart of the hip-hop dream, and into larger question of racial identity in America. Written before Hurricane Katrina struck (and published here with an afterword that chronicles how Katrina altered the lives of those he met) Triksta now stands as an elegy to a city, its music, and its people.

    Suspecting that Americans living along the Great Lakes have more in common with their Canadian neighbors than their Southern countrymen, Ted McClelland embarked on a three-month-long trip around the lakes to answer the question: "Is there a Great Lakes culture, and if so, what is it?"

    Where the city’s most infamous open-air drug market once stood, a farmers’ market now sells grass-fed beef and homemade duck egg ravioli. On the corner where AM.PM carryout used to dish out soul food, a new establishment markets its $28 foie gras burger. Shaw is experiencing a dramatic transformation, from “ghetto” to “gilded ghetto,” where white newcomers are rehabbing homes, developing dog parks, and paving the way for a third wave coffee shop on nearly every block.Race, Class, and Politics in the Cappuccino City is an in-depth ethnography of this gilded ghetto. Derek S. Hyra captures here a quickly gentrifying space in which long-time black residents are joined, and variously displaced, by an influx of young, white, relatively wealthy, and/or gay professionals who, in part as a result of global economic forces and the recent development of central business districts, have returned to the cities earlier generations fled decades ago. As a result, America is witnessing the emergence of what Hyra calls “cappuccino cities.” A cappuccino has essentially the same ingredients as a cup of coffee with milk, but is considered upscale, and is double the price. In Hyra’s cappuccino city, the black inner-city neighborhood undergoes enormous transformations and becomes racially “lighter” and more expensive by the year.

    This edition also includes Sinclair's series of texts on the mythology of place called Suicide Bridge.

    In a glossary-style list, he imparts his particular wisdom on subjects ranging from Asphalt Paths, Betta Fish, and Mullet to Mortal Betrayal, Nihilism, and Revelation. His improbable quest—to create a reference volume specific to his existence—takes him on a journey down the river by raft (see Mystical Vision, see Navigating Big Rivers By Night). He seeks to discover how his mother died (see Absence) and find reasons for his father’s disappearance (see Uncertainty, see Vanity). But as he goes about defining his changing world, all kinds of extraordinary and wonderful things happen to him.Unlocking an earnest, clear-eyed way of thinking that might change your own, A Key to Treehouse Living is a story about keeping your own record straight and living life by a different code.

    Now updated and revised, this guide to how a Tarot deck is used to reveal one's destiny is an informative overview for longtime practitioners and a clear introduction to New Age explorers.

    But incorporating historical events and figures into a shapely narrative is no simple task. The acclaimed novelist Christopher Bram examines how writers as disparate as Gabriel García Márquez, David McCullough, Toni Morrison, Leo Tolstoy, and many others have employed history in their work.Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail. Bram challenges popular notions about historical narratives as he examines both successful and flawed passages to illustrate how authors from different genres treat subjects that loom large in American history, such as slavery and the Civil War. And he delves deep into the reasons why War and Peace endures as a classic of historical fiction. Bram's keen insight and close reading of a wide array of authors make The Art of History an essential volume for any lover of historical narrative.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.