Ranging from homeless to extravagantly wealthy, from spiritual to jaded, young to elderly, and even from alive to deceased, Dunning’s characters are united by shared feelings of alienation, displacement and loneliness resulting from their experiences in southern Canada.In Tainna—meaning “the unseen ones” and pronounced Da‑e‑nn‑a—a fraught reunion between sisters Sila and Amak ends in an uneasy understanding. From the spirit realm, Chevy Bass watches over his imperilled grandson, Kunak. And in the title story, the broken-hearted Bunny wanders onto a golf course on a freezing night, when a flock of geese stand vigil until her body is discovered by a kind stranger.Norma Dunning’s masterful storytelling uses humour and incisive detail to create compelling characters who discover themselves in a hostile land where prejudice, misogyny and inequity are most often found hidden in plain sight. There, they must rely on their wits, artistic talent, senses of humour and spirituality­ for survival; and there, too, they find solace in shining moments of reconnection with their families and communities.

    But when a group of teenage runaways settles in the hills and begins to invade their homes and lives, lines become drawn between those residents seeking to insulate themselves from the outside world and those reaching for more.Caught in the middle of this clash is Zaccariah Ramsy, a bar owner whose quiet life is threatened by his newfound loyalty to JT, a streetwise runaway who begins to visit his bar, and the re-emergence of the tragic story of his former love, Stella Vale, whose daughter was abducted as an infant fifteen years prior. As tensions between the townspeople and the newcomers rise, Ramsy must decide which side he will choose. A piercing tale of isolation, redemption, and belonging, Each Vagabond By Name is a powerful exploration of the intricacies of small town life by a commanding new literary voice.

    She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political--from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities.With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

    Two government-sponsored documentarians from Cincinnati, Ohio—a writer and photographer—are dispatched to penetrate this wilderness and record what they find for President Roosevelt’s Works Progress Administration.For photographer Clay Havens, the assignment is his last chance to reboot his flagging career. So when he and his journalist partner are warned away from the remote Spooklight Holler outside of town, they set off eagerly in search of a headline story.What they see will haunt Clay into his old age: Jubilee Buford, a woman whose skin is a shocking and unmistakable shade of blue. From this happenstance meeting between a woman isolated from society and persecuted her whole life, and a man accustomed to keeping himself at lens distance from others, comes a mesmerizing story in which the dark shades of betrayal, prejudice, fear, and guilt, are refracted along with the incandescent hues of passion and courage.Panning across the rich rural aesthetic of eastern Kentucky, The Last Blue is a captivating love story and an intimate portrait of what it is like to be truly one of a kind.

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.

    . .” China, 1937. When Japanese bombs begin falling on the city of Nanking, nineteen-year-old Hu Lian and her classmates at Minghua University are ordered to flee. Lian and a convoy of students, faculty and staff must walk 1,000 miles to the safety of China’s western provinces, a journey marred by the constant threat of aerial attack. And it is not just the refugees who are at risk; Lian and her classmates have been entrusted with a priceless treasure: a 500-year-old collection of myths and folklore known as the Library of Legends. The students’ common duty to safeguard the Library of Legends creates unexpected bonds. Lian becomes friends and forms a cautious romance with the handsome and wealthy Liu Shaoming. But after one classmate is arrested and another one is murdered, Lian realizes she must escape before a family secret puts her in danger too. Accompanied by Shao and his enigmatic maidservant, Sparrow, Lian makes her way to Shanghai in the hopes of reuniting with her mother. During the journey, Lian learns of the connection between her two companions and a tale from the Library of Legends, The Willow Star and the Prince. This revelation comes with profound consequences, for as the ancient books travel across China, they awaken immortals and guardian spirits who embark on an exodus of their own, one that will change the country’s fate forever.

    This is a true Malaysian high-tech crime thriller with good cops, bad cops (and badder cops) and triad members, with insights into the workings of the local CSI, and forays into the world of hackers and their viruses, sleeper programs, trojans, ulat, spybots, hound dogs and their link to crime, including murder.

    When his master's eccentric brother chooses him to be his manservant, Wash is terrified of the cruelties he is certain await him. But Christopher Wilde, or "Titch," is a naturalist, explorer, scientist, inventor, and abolitionist. He initiates Wash into a world where a flying machine can carry a man across the sky; where two people, separated by an impossible divide, might begin to see each other as human; and where a boy born in chains can embrace a life of dignity and meaning. But when a man is killed and a bounty is placed on Wash's head, Titch abandons everything to save him. What follows is their flight along the eastern coast of America, and, finally, to a remote outpost in the Arctic, where Wash, left on his own, must invent another new life, one which will propel him further across the globe. From the sultry cane fields of the Caribbean to the frozen Far North, Washington Black tells a story of friendship and betrayal, love and redemption, of a world destroyed and made whole again--and asks the question, what is true freedom?

    Gathering together in Palm Springs for the celebration are his wife, Roma, a distinguished child psychologist, and their children: Phoebe, a high-powered attorney; Camille, a brilliant social anthropologist; and Simon, a big-firm lawyer, who brings his glamorous wife and two young daughters. But immediately, cracks begin to appear in this smooth facade: Simon hasn’t been sleeping through the night, Camille can’t decide what to do with her life, and Phoebe is a little too cagey about her new boyfriend. Roma knows her children are hiding things. What she doesn’t know, what none of them know, is that Harry is suddenly haunted by the long-buried secret that drove him, decades ago, to relocate his young family to the California desert. As the ceremony nears, the family members are forced to confront the falsehoods upon which their lives are built. Set over the course of a single weekend, and deftly alternating between the five Tabors, this provocative, gorgeously rendered novel reckons with the nature of the stories we tell ourselves and our family and the price we pay for second chances.

    The magnet is his beloved older sister, Grace: always smart and charismatic even when she was rebelling, and always his hero. Now she is a promising graduate student in psychophysics and the centre of a group of friends who take "Little Brother" into their fold, where he finds camaraderie, romance, and even a decent job.But it soon becomes clear that things are not well with Grace. Always acerbic, she now veers into sudden rages that are increasingly directed at her adoring boyfriend, John, who is also her fellow researcher. When Grace disappears, and John shortly thereafter, the narrator makes an astonishing discovery in their apartment: a box big enough to crawl inside, a lab rat, and a note that says This is the only way back for us. Soon he embarks on a mission to discover the truth, a pursuit that forces him to question time and space itself, and ultimately toward a perilous confrontation at the very limits of imagination.This kinetic novel catapults the classic noir plot of a woman gone missing into the 21st century city, where so-called reality crashes into speculative science in a novel reminiscent of Danielewski's House of Leaves. Three Years with the Rat is simultaneously a mind-twisting mystery that plays with the very nature of time and the story of a young man who must face the dangerously destructive forces we all carry within ourselves.

    To ease their burdens, Abby’s parents send her to America to live off the charity of their old friend, Douglas Elling. When she arrives in Charleston at the age of seventeen, Abigail discovers that the man her parents raved about is a disagreeable widower who wants little to do with her. To her relief, he relegates her care to a governess, leaving her to settle into his enormous estate with little interference. But just as she begins to grow comfortable in her new life, she overhears her benefactor planning the escape of a local slave—and suddenly, everything she thought she knew about Douglas Elling is turned on its head. Abby’s attempts to learn more about Douglas and his involvement in abolition initiate a circuitous dance of secrets and trust. As Abby and Douglas each attempt to manage their complicated interior lives, readers can’t help but hope that their meandering will lead them straight to each other. Set against the vivid backdrop of Charleston twenty years before the Civil War, Trouble the Water is a captivating tale replete with authentic details about Charleston’s aristocratic planter class, American slavery, and the Underground Railroad.

    Spanning more than seven decades, from the turn of the century to the mid-seventies, The Underpainter--in range, in the sheer power of its prose, and in its brilliant depiction of landscape and the geography of imagination--is Jane Urquhart's most accomplished novel to date, with one of the most powerful climaxes in contemporary fiction.

    After years of dodging her drunken mama, Jane runs away at sixteen—during the Summer of Love. Despite seventeen years of keeping secrets while searching for love in dysfunctional relationships, Jane looks good on paper: married, graduate school, coin-carrying member of AA. But her carefully constructed life is crumbling. Returning for Mama’s funeral catapults her back to the events that made her the woman she is.

    It’s a lonely life for Stan, at a new school that feels more ordeal than fresh start, and at home where he and his mother struggle to break the silence after his father’s death. When he encounters fearless, clever Charlie on the local common, all of that begins to change. Charlie’s curiosity is infectious, and it is Charlie who teaches Stan, for the first time, to stand on his own two feet. But will their unit of two be strong enough to endure in a world that offers these boys such different prospects? The pair part ways, until their paths cross once again, as adults at a London party. Now Stan is revelling in all that the city has to offer, while Charlie seems to have hit a brick wall. He needs Stan’s help, and above all his friendship, but is Stan really there for the man who once showed him the meaning of loyalty?

    The kids in "Get Down "are trapped between their own good breeding and their burning desire to join the house party of sex, romance, and bad behavior that seems to be happening on some other block, down some other more dangerous street. The adults in "Get Down "are just trying to hold it together. Here is a debut that will make you laugh and cringe in equal measure. Set mostly in middle-class black Philadelphia during the crack and Reagan years, the stories in "Get Down "are antic, poignant, and utterly universal--they'll bring back memories for anyone who has ever stood in the corner of a darkened school gym wondering whether to dance . . . or duck for cover. They announce a sparkling new talent, a recent graduate of the Iowa Writers' Workshop whose work has been featured in "Vibe," "Essence," and the anthology "Naked: Black Women Bare All About Their Skin, Hair, Hips, Lips, and Other Parts.