The world has succumbed to an alien plague, with most of the population transformed into mindless, savage creatures. The planet’s refugees flock to Darwin, where a space elevator—created by the architects of this apocalypse, the Builders—emits a plague-suppressing aura.Skyler Luiken has a rare immunity to the plague. Backed by an international crew of fellow “immunes,” he leads missions into the dangerous wasteland beyond the aura’s edge to find the resources Darwin needs to stave off collapse. But when the Elevator starts to malfunction, Skyler is tapped—along with the brilliant scientist, Dr. Tania Sharma—to solve the mystery of the failing alien technology and save the ragged remnants of humanity.

    Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.A boy, broken by his past.The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself.For both of them, a family.But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart.

    . . Deep in the jungles of Central America, an indigenous man discovers a unique and priceless treasure - a beautifully painted codex that has survived for centuries within the ruins of an undiscovered ancient Maya city. Knowing that this rare artifact could be worth millions, the looter smuggles it into the US - but unbeknownst to him, he has brought something far more dangerous across the border . . . In the first week of December 2012, the codex finds its way into the hands of the Antiquities Curator of the Getty Museum, Chel Manu, the world authority on ancient Mayan inscriptions. She is torn between her duty to alert the authorities and this once in a lifetime chance to translate the codex herself.Meanwhile - in an LA hospital, an unidentified man is dying of Fatal Insomnia, a rare and highly infectious neurological disease. The patient speaks only in a garbled Mayan dialect - and Chel Manu is called in to interpret his dying words . . . just as countless others in the city begin to show signs of infection. Within days the world seems to be unravelling, hurtling towards the prophesied apocalypse . . . and deciphering the codex is the only hope for humanity . . .

    A young Puritan woman travels to the New World with her unwanted new husband. Alan Turing, the renowned mathematician and code breaker, writes letters to his best friend's mother. A Jewish refugee and professor of computer science struggles to reconnect with his increasingly detached wife. An isolated and traumatized young girl exchanges messages with an intelligent software program. A former Silicon Valley Wunderkind is imprisoned for creating illegal lifelike dolls.Each of these characters is attempting to communicate across gaps — to estranged spouses, lost friends, future readers, or a computer program that may or may not understand them. In dazzling and electrifying prose, Louisa Hall explores how the chasm between computer and human — shrinking rapidly with today's technological advances — echoes the gaps that exist between ordinary people. Though each speaks from a distinct place and moment in time, all five characters share the need to express themselves while simultaneously wondering if they will ever be heard, or understood.

    Thousands of miles away, an FBI agent investigates a fatal plane crash in Minneapolis and makes a gruesome discovery. Unusual seismic patterns register in a Kanpur, India earthquake lab, confounding the scientists there. During the same week, the Chinese government “accidentally” drops a nuclear bomb in an isolated region of its own country. As these incidents begin to sweep the globe, a mysterious package from South America arrives at a Washington, D.C. laboratory. Something wants out. The world is on the brink of an apocalyptic disaster. An ancient species, long dormant, is now very much awake.

    A few humans carry on, living in outposts such as the Sanctuary-the remains of St. Louis-a shielded community that owes its survival to its militant defense and fear-mongering leaders. Then a rider comes from the wasteland beyond its walls. She reports on the outside world: west of the Cascades, rain falls, crops grow, civilization thrives. But there is danger too: the rising power of an army that pillages and enslaves every community they happen upon. Against the wishes of the Sanctuary, a small group sets out in secrecy. Led by Lewis Meriwether and Mina Clark, they hope to expand their infant nation, and to reunite the States. But the Sanctuary will not allow them to escape without a fight.

    Dick Award, comes a resonant, visionary novel about the power of art and the sacrifices we are willing to make for the ones we loveA few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: garbage is currency.In the region-wide junkyard that Appalachia has become, Coral is a “plucker,” pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club's violent owner rules as unofficial mayor.Amid the polluted landscape, Coral works desperately to save up enough to rescue her child from the recycling factories, where he is forced to work. In her stolen free hours, she does something that seems impossible in this place: Coral makes art.When a reporter from a struggling city on the coast arrives in Trashlands, Coral is presented with an opportunity to change her life. But is it possible to choose a future for herself?Told in shifting perspectives, Trashlands is a beautifully drawn and wildly imaginative tale of a parent's journey, a story of community and humanity in a changed world.“A harrowing tale that is a natural extension of our current climate crisis.... Highly recommended.” –Booklist, starred review

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    After years of slowly overtaking the continent, rising floodwaters have obliterated America’s great coastal cities and then its heartland, leaving nothing but an archipelago of mountaintop colonies surrounded by a deep expanse of open water.Stubbornly independent Myra and her precocious seven-year-old daughter, Pearl, fish from their small boat, the Bird, visiting dry land only to trade for supplies and information in the few remaining outposts of civilization. For seven years, Myra has grieved the loss of her oldest daughter, Row, who was stolen by her father after a monstrous deluge overtook their home in Nebraska. Then, in a violent confrontation with a stranger, Myra suddenly discovers that Row was last seen in a far-off encampment near the Arctic Circle. Throwing aside her usual caution, Myra and Pearl embark on a perilous voyage into the icy northern seas, hoping against hope that Row will still be there.On their journey, Myra and Pearl join forces with a larger ship and Myra finds herself bonding with her fellow seekers who hope to build a safe haven together in this dangerous new world. But secrets, lust, and betrayals threaten their dream, and after their fortunes take a shocking—and bloody—turn, Myra can no longer ignore the question of whether saving Row is worth endangering Pearl and her fellow travelers.A compulsively readable novel of dark despair and soaring hope, After the Flood is a magnificent, action packed, and sometimes frightening odyssey laced with wonder—an affecting and wholly original saga both redemptive and astonishing.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Most “Mojavs,” prevented by armed vigilantes from freely crossing borders to lusher regions, have allowed themselves to be evacuated to encampments in the east. Holdouts like Ray and Luz subsist on rationed cola and water, and whatever they can loot, scavenge, and improvise.For the moment, the couple’s fragile love, which somehow blooms in this arid place, seems enough. But when they cross paths with a mysterious child, the thirst for a better future begins. Immensely moving, profoundly disquieting, and mind-blowingly original, Watkins’s novel explores the myths we believe about others and tell about ourselves, the double-edged power of our most cherished relationships, and the shape of hope in a precarious future that may be our own.

    If only she could remember which is which . . .   In the stunning first volume of a two-book series, Emma wakes with her memory wiped clean. Her husband, Declan—a powerful and seductive man—narrates the story of her past, but Emma’s dreams contradict him. They show her war, a camp where girls are trained to be wives, and love for another man. Something inside warns her not to speak of these things, but the line between her dreams and reality is about to shatter forever.

    At first, she focuses frantically on finding a way out, until the harrowing truth of her new existence settles in—the crushing loneliness, the terrifying madness of a captor who believes he is saving her from the end of the world, and the persistent temptation to give up. But nothing prepares Blythe for the burden of raising a child in confinement. Deter­mined to give the boy everything she has lost, she pushes aside the truth about a world he may never see for a myth that just might give mean­ing to their lives below ground. Years later, their lives are ambushed by an event at once promis­ing and devastating. As Blythe’s dream of going home hangs in the balance, she faces the ultimate choice—between survival and freedom.

    . . by destiny or by choice.A decade ago near Chicago, five teenagers defeated the otherworldly enemy known as the Dark One, whose reign of terror brought widespread destruction and death. The seemingly un-extraordinary teens—Sloane, Matt, Ines, Albie, and Esther—had been brought together by a clandestine government agency because one of them was fated to be the “Chosen One,” prophesized to save the world. With the goal achieved, humankind celebrated the victors and began to mourn their lost loved ones. Ten years later, though the champions remain celebrities, the world has moved forward and a whole, younger generation doesn’t seem to recall the days of endless fear. But Sloane remembers. It’s impossible for her to forget when the paparazzi haunt her every step just as the Dark One still haunts her dreams. Unlike everyone else, she hasn’t moved on; she’s adrift—no direction, no goals, no purpose. On the eve of the Ten Year Celebration of Peace, a new trauma hits the Chosen: the death of one of their own. And when they gather for the funeral at the enshrined site of their triumph, they discover to their horror that the Dark One’s reign never really ended.

    Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.