The kingdom of Kalinga though a maritime superpower remained secluded and reclusive to the other nations of Bharat. This was not by chance, but by choice, as this holy land was fulfilling a prophecy that could become the basis of existence for the entire humankind after the Kali Yuga ends. The first book of the Konark Secret Duology is the tale of Bishnu Maharana, the chief architect of the Konark Temple. This is his journey about how he became a master architect and the secrets he unravels while constructing this shrine. Was this temple just a grand monument or were there secrets behind its construction? Why was an unusual technique being used for its creation, when there were tried and tested methods? Did this monument hold some secret within itself? Was Bishnu Maharana an architect or a man of secrets?

    His face was extremely expressive. Were these the qualities which had made me crazy about him? Oh no! Then what was it? Why was I so crazy about him? There were many handsome men all around me, in my house, in my neighbourhood, in my college. On the contrary, they were as young as me, unmarried too. Then what was it that I was so attracted towards him? The answer was crystal clear. It was his style, his versatile personality, his attitude of asking, `So What?` in an audacious manner. I was enchanted by his straightforwardness, his ham-handedness. All his qualities attracted my basic attitude for sure. डॉक्टरांचे निळे टपोरे डोळे आरपार वेध घ्यायचे. त्यांचे एखाद्या लहान मुलासारखे खळाळून हसणे पाहत राहावेसे वाटे. त्यांचा भावदर्शी चेहरा मोहित करायचा. अंहं. पण ज्याच्यासाठी मी वेडावून जावे, असे त्यांच्याजवळ विशेष असे काय होते? घरीदारी, कॉलेजमध्ये त्यांच्याहूनही देखणी मंडळी मी पाहत होते. शिवाय ते सर्व माझ्या बरोबरीच्या वयाचे होते. अविवाहित होते. मग डॉक्टरांचेच इतके आकर्षण मला का वाटत होते? –आणि मग एकच उत्तर डोळ्यांसमोर येत होते – ‘डॉक्टरांचे कलंदर व्यक्तिमत्त्व’, ‘सो व्हॉट?’ असं बेदरकारपणे विचारणारा त्यांचा बेधडक स्वभाव. त्यांच्या रांगडेपणाने, धसमुसळ्या सî

    

    Debt-ridden and marked by the mafia, this is the only way he can secure his family's future and atone for all the rotten choices he has made in his life. This extraordinary situation comes by way of his grandfather Fali's last Will that states Rustom shall inherit the family fortune if he kills himself in a public place with the former's eponymous gun.Before he has a chance to shoot himself his best friend Mani convinces him to meet an unlikely saviour in the Himalayan town of Almora - a drugged-out godman belting out strange visions through cryptic stories of love, power and loyalty. Will the last storyteller give Rustom a reason to live, or will his tales push Rustom further into an abyss of unimaginable loss?By turns, dark and humorous, quirky and dead serious, Rustom and the Last Storyteller of Almora is a scintillating debut about a man ready to embrace death to redeem his life.

    In this book, she has written a few poems, where she has described herself in some complex and in simple words. Most of the poems are about her black and white memories and few are on generic topics. In this book, the reader will see her describing a relationship between mother nature and human nature in a poetic way.

    Chetan’s family suspects that he is being framed and requests private detective Mili Ray to investigate. As Mili and her lawyer-associate Gatha start work, Chetan is released on bail. Soon after, Shagun’s mother is killed! Is Chetan responsible for these murders? Mili probes deeper and unravels shocking secrets buried beneath Shagun’s world of glitz that leave her baffled. An insecure boyfriend, an estranged husband, an opportunist colleague, a cunning TV producer – Shagun was surrounded by Haters. Even her twelve-year-old son didn't want to see her alive. Why did everyone hate Shagun? While meandering through dysfunctional family upheavals and dark showbiz sagas, ex-super cop Mili Ray also struggles to tame her own internal demons. Will she be able to solve her second case as private detective or succumb to pressure and hang up her boots? "Who killed the murderer?" is a gripping psychological thriller that will hook you right from the first page.

    Sharad Pawar. The book is a rich, insightful and remarkably frank memoir and a valuable document of the country's recent political history. Sharad Pawar is one of India's key public figures. Through his five- decade-long career, during which he has never lost an election, he has served as chief minister of Maharashtra four times and as India's defence minister and minister for agriculture. On two occasions he came close to becoming the country's prime minister. He has often bucked the trend, preferring policy and pragmatism over populism, and won admiration for his administrative acumen and consensual politics. Eyewitness-at the highest levels-to India's and Maharashtra's history since the 1960s, he shares in this memoir his reflections on coalition politics, the loss of democracy in the Congress Party (with which he began his political life), the state of agriculture and industry in the country, and the absolute necessity of social harmony and a liberal, inclusive ethos for India's future. As he does this, he also gives us rare information about many crises and turning points: Emergency and its impact on national and regional politics; the fall of the Chandrashekhar government in 1991; the signing of the Punjab Accord between Rajiv Gandhi and H.S. Longowal; the Babri Masjid demolition; the Mumbai bomb blasts of 1993; the devastating earthquake in Latur; the controversy over the Enron power project; and Sonia Gandhi's dramatic decision to give up the chance to occupy the country's highest office. Throughout, the narrative also contains candid and fascinating assessments of some of the biggest names in Indian politics, among them, Indira, Rajiv and Sonia Gandhi, Y.B. Chavan, Morarji Desai, Biju Patnaik, Atal Bihari Vajpayee, Chandrashekhar, P.V. Narasimha Rao, George Fernandes and Bal Thackeray.

    When the 23-year-olds are transferred to a remote army unit, several hilarious situations follow, thanks to the stark novelty of a feminine presence in the traditionally male army. However, with each passing day, the differences in their personalities begin to emerge. Deepa is more ‘officer’: she insists on being called ‘Sahab’ and even takes to swearing like the troops. Anju is more ‘lady’: she can’t give up her make-up and Mills & Boon romances. Or resist the charms of a certain dashing young officer, despite her friend’s warnings to stay away. The girls frequently fall out and get back together, but face the same dilemma: is any man worth more than their uniform?

    Every Indian has grown up conditioned to the view that the Pandavas were virtuous and wronged; and the Kauravas were manipulative and evil. On a visit to Malanada Temple, Kerala, national bestselling author of ASURA, Anand Neelakantan, discovered the temple deity to be none other than Duryodhanan, the ostensible 'villain' of the Mahabharata. This astonishing discovery prompted him to delve deep into the narrative of the defeated Crown Prince of Hastinapura, and the Kaurava clan. Ajaya challenges established views and compels us to think again. The book is all about the power of perception. It retells with compelling credibility, the epic events from Duryodhan's (given name: Suryodhana), point of view. While Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the 'unconquerable' Kauravas, who were decimated to the last man. At the heart of India's most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. About the Author : Anand Neelakantan says: Ajaya is an attempt to revisit our mythologies with a modern view and see what the same events look like when observed from the side of the defeated. Were these people branded villains because they were far ahead of their times? There are many books about the Pandavas, about Karna, Draupadi, Kuniti and the other dramatis personae of the Mahabharata. But who speaks for Duryodhana? Growing up in a Kerala village with more temples than necessary, it was small wonder that mythology fascinated Anand early on. Ironically, he was drawn to the anti-heroes. But life called and he went on to become an engineer; joined the Indian Oil Corporation; moved to Bangalore; married Aparna; and welcomed a daughter and a son. But the voices of yore refused to be silenced in his head and he felt impelled to narrate the stories of the vanquished and the dammed; to give life to those silent heroes we have long overlooked in our uncritical acceptance of the conventional renderings of our epics. Ajaya follows the outstanding success of his #1 bestseller, Asura: Tale Of The Vanquished.

    But at the same time many perennial social problems also grew manifolds, remained inattentive and giving birth to exponential intensification to grievances. The volcanoes of grievances led to Genesis of MIЯЯЯO … MIЯЯЯO’s unpredictable fearless Modus-Operandi breaks all the Laws and leads to the out-of-the-box solutions as Weird Way Ward, to rejuvenate the Eco-Systems of today’s hypocritical SYSTEMS…it’s up to the discretion of the PEOPLE, to allow or not! The Story indicates India’s perennial problems through the eyes of the Protagonist, who always dreamt for the solutions as his own personal aspirations, but, couldn’t succeed meeting even single one, out of his own personal flaws. Time compels him taking help of someone, whom he never believed cordially. Out of gist of many, only 3 problems are selfishly picked-up by the Protagonist, which hurt him most personally. MIЯЯЯO weirdly solves those 3 problems with the essence of absolute cleansing as permanent solutions… Will INDIA wish to have such weird, but, permanent solutions to all other problems? Let TIME tell…

    While on a book promotion tour, he is injured and agrees to call a masseuse. Little did he know that the masseuse would turn out to be someone with a secret!Arun sees a story in her, and in digging deeper, is amazed to discover her strength of character. Even though Lalita is a young survivor of human trafficking, she has unmatched determination.A single encounter with her makes Arun take decisions that he had never even thought of. He is willing to risk everything for her, his own life too.But the more he tries to help her, the deeper he drowns in the swamp.Will two broken people be able to heal each other? Will society ever accept a girl from the forbidden alleys of the city?The Girl in the Red Lipstick is a charming story of friendship, life and finding love where we least expect to.

    Many people’s faith will be shaken and destroyed when death or disease or suffering happens, and we lose faith in the human body’s intelligence and miracles. I hope that somehow we can get inspired to slowly align back with nature and use the body alongside whatever alternative method of treatment we choose to prevent and heal. In no way has this book been written to condemn anyone or any system of medicine or put down doctors of medicine. It is considered to be ‘magic’ that we can all use in our lives when it comes to healing, prevention and possibly curing disease, especially when medicine gives up on disease. Imagine, just imagine the beauty if it can all work together – medicine when required and fasting, an integrative beautiful powerful prevention and healing system. From cancer to well-being, explore the miracle of dry fasting.

    A small white patch had now appeared on her arm.' Anupama's fairytale marriage to Anand falls apart when she discovers a white patch on her foot and learns that she has leukoderma. Abandoned by her uncaring in-laws and insensitive husband, she is forced to return to her father's home in the village. The social stigma of a married woman living with her parents, her steother's continual barbs and the ostracism that accompanies her skin condition force her to contemplate suicide. Determined to rebuild her life against all odds, Anupama goes to Bombay where she finds success, respect and the promise of an enduring friendship. Mahashweta is an inspiring story of courage and resilience in a world marred by illusions and betrayals. This poignant tale offers hope and solace to the victims of the prejudices that govern society even today.

    No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.

    The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?