For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

    Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide or insanity. Now a new investigation has been mounted - four strangers, each with his or her own reason for daring the unknown torments and temptations of the mansion...

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.

    Pity no one warned the family about the house. Now it's too late. Because the darkness at the bottom of the basement stairs is rising.

    He abandoned his rural Arkansas hometown vowing never to return, until his seven-year-old son died in an accident, plunging Aaron into a nightmare of addiction and grief. Desperate to reclaim a piece of himself, he returns to the hills of his childhood, to Holbrook House, where he hopes to find peace among the memories of his youth. But solace doesn’t come easy. Someone—or something—has other plans. Like Aaron, Holbrook House is but a shell of what it once was, a target for vandals and ghost hunters who have nicknamed it “the devil’s den.” Aaron doesn’t believe in the paranormal—at least, not until a strange boy begins following him wherever he goes. Plagued by violent dreams and disturbing visions, Aaron begins to wonder if he’s losing his mind. But a festering darkness lurks at the heart of Holbrook House… a darkness that grins from within the shadows, delighting in Aaron’s sorrow, biding its time.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure —a silent companion —-that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed.Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account.Nobody knew what happened to Jack in the days that followed - until now.

    Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air.The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame.But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.

    Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local legend. A river flows past the front garden. It's perfect for them...if it a bit gloomy. And Chester, their dog, seems really spooked at being away from home. And old houses do make sounds. And it's constantly cold. And even though they shut the cellar door every night, it's always open again in morning The Secret of Crickley Hall is James Herbert's finest novel to date. It explores the darker, more obtuse territories of evil and the supernatural. With brooding menace and rising tension, he masterfully and relentlessly draws the reader through to the ultimate revelation one that will stay to chill the mind long after the book has been laid aside.

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…