Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

    This talented author has shown an extraordinary range in his work, from westerns to crime stories (both contemporary and historical) to a novel about baseball and more.In The Hot Kid, Elmore "Dutch" Leonard breaks new ground with a fast-paced, multifaceted tale of Prohibition-era crime, told from multiple perspectives that reflect the unexpected shifts of allegiance in this turbulent time. Set against a backdrop of speakeasys and shootouts, fast cars and even faster women, this stirring tale recounts a time when life was cheap on both sides of the law. The story unfolds in Oklahoma, featuring the exploits of four "hot kids" -- young lawman Carl Webster, bad-seed oilman's son Jack Belmont, glamorous gun moll Louly Brown, and true-crime journalist Tony Antonelli. Carl Webster, since his first personal encounter with crime as a teenage witness to a brutal robbery by notorious crook Emmet Long, has sought justice. His keen mind and sharpshooter's eye quickly build him a hot reputation in the U.S. Marshals Service, especially after he declares, "If I have to pull my weapon, I'll shoot to kill" and proves he has what it takes to back up his claim...Jack Belmont has big dreams. His goal is to join the ranks of America's most feared criminals to replace John Dillinger as Public Enemy No. 1. This young outlaw has all the instincts of a cold-blooded killer, plus a powerful thirst for glory. He's got a long way to go to join the ranks of Baby Face Nelson, Pretty Boy Floyd, Clyde Barrow and Bonnie Parker, and Machine-Gun Kelly but he's off to a good enough start that Webster is hot on his trail...Louly Brown started with nothing but she wasn't about to settle for that. Her first claim to fame came when her cousin married Charley "Pretty Boy" Floyd. Later, running off with ex-con Joe Young added spice to her life. But she was smart enough to see that helping Carl Webster put a stop to Joe's crime spree would be a better deal than sharing his fate. After the smoke cleared, Louly really came into her own, selling her story to the papers, then setting her sights on the handsome lawman who'd captured her heart.Tony Antonelli loves the danger and fame that come along with rubbing shoulders with heartless gangsters, dedicated lawmen, gorgeous gun molls, and bloodthirsty vigilantes in the course of his work for True Detective Mystery magazine. Whether he's writing about bank robbers or the Black Hand, the KKK or rum running, or hot young lawmen and cold-blooded killers and their sexy sidekicks, Tony views other people's troubles as more than just bread-and-butter; they provide an adrenaline-charged kick to his own life, as well as vicarious thrills for eager readers.Elmore Leonard hits his target with The Hot Kid, an unforgettable tale of high adventure where the crooks are out to prove that crime really can pay and where federal marshals trade high risks for low salary to bring these wanted felons in "dead or alive."

    But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up.THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

    He’s got a beautiful wife, but he can’t get enough of other women. And instead of bedtime stories, he regales his daughters with bloody crime stories. He’s a thinking man’s cop with a dark past and an obsessive drive to hunt down monsters who prey on the innocent. Now, there’s something haunting him. He sees a connection in a series of increasingly gruesome murders of women committed over a period of twenty years. To solve the case, Hopkins will dump all the rules and risk his career to make the final link and get the killer.

    It's not in Spain, or Mexico, and it's not a ski town in the Colorado Rockies, although Durangos do exist in all of those places. This Durango has an industry, albeit a rather odd one-it is a hideout business, a place where people pay to find sanctuary from former friends and associates who are either trying to kill them, or have them killed. Into this Durango comes a former chief justice of a state supreme court, followed by son-in-law Kelly Vines to act as his emissary to the beautiful and savvy mayor. Following them come a false priest, and a run of murders. It takes a Ross Thomas to stir these characters into a witty and ingenious mix readers will not be able to -and certainly would not want to-resist.

    But when his partner becomes victim number two, it looks like open-and-shut grudge killings. That is, until a third detective buys it.ED MCBAIN'S FIRST 87th PRECINCT NOVEL

    He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Cain uses his favorite form of narration, the first-person confessional, in relating this unusual tale of deceit, incest, and murder.Jess Tyler is a church-going mountain man. One day out of the blue, his estranged daughter, Kady, shows up at his cabin and starts throwing herself at him in a most undaughterly way. At least that's the way Jess tells it. Cain leaves a few hints that Jess may not be 100% accurate as a narrator. For example, he claims to be a God fearing teetotaler. Yet he quickly shows himself to be a seasoned expert when it comes to constructing and operating a commercial still.

    A quiet and seemingly submissive wife, Ellen can't even write a check without him. All she wants is to get him and her son back—no questions asked. The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since—including his B-movie girlfriend.At the same time the police find Mort in his parked car with four gunshots in his chest —and no kid in sight—Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador.

    But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed.It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor.All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

    With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge, and the few clues he has keep connecting to a dimwitted hooker, and her ex-con boyfriend and the bizarre murder of a Hare Krishna pimp.Chronically depressed, constantly strapped for money, always willing to bend the rules a bit, Hoke Moseley is hardly what you think of as the perfect cop, but he is one of the the greatest detective creations of all time.

    But they needed a girl on the inside to make it work.Enter Evelyn Stone: Gunderman's secretary, his lover - and his worst enemy. Gunderman promised to marry her, but never came through. Now she's ready to make him pay...

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    It's a tough-guy mystery to please even the most bloodthirsty of fans!