Two years ago, Shadow Boy Alasdair Finch’s life shattered to bits.His brother, Oliver—dead.His sweetheart, Mary—gone.His chance to break free of Geneva—lost.Heart-broken and desperate, Alasdair does the unthinkable: He brings Oliver back from the dead.But putting back together a broken life is more difficult than mending bones and adding clockwork pieces. Oliver returns more monster than man, and Alasdair’s horror further damages the already troubled relationship.Then comes the publication of Frankenstein and the city intensifies its search for Shadow Boys, aiming to discover the real life doctor and his monster. Alasdair finds refuge with his idol, the brilliant Dr. Geisler, who may offer him a way to escape the dangerous present and his guilt-ridden past, but at a horrible price only Oliver can pay…

    But they’re going to need a lot more silver.As fog descends, obscuring the gas lamps of Victorian London, werewolves prowl the shadows of back alleys. But they have infiltrated the inner circles of upper-crust society as well. Only a handful of specially gifted practitioners are equipped to battle the beasts. Among them are the roguish Simon Archer, who conceals his powers as a spell-casting scribe behind the smooth veneer of a dashing playboy; his layabout mentor, Nick Barker, who prefers a good pub to thrilling heroics; and the self-possessed alchemist Kate Anstruther, who is equally at home in a ballroom as she is on a battlefield.After a lycanthrope targets Kate’s vulnerable younger sister, the three join forces with fierce Scottish monster-hunter Malcolm MacFarlane—but quickly discover they’re dealing with a threat far greater than anything they ever imagined.

    

    When she meets Adam, a fellow sleuth and collector, they embark on their biggest adventure yet: the Whitson house. The house is a marvel, and its secrets are even stranger than Kendra imagined.Kendra stumbles upon the find of a lifetime. But she may have signed on for more than she bargained. There’s a darkness in the house that wasn’t there before, a pair of eyes in every corner, watching, waiting. And Adam isn’t at all who he claimed to be.

    Hidden in its vast superstructure is a murderous creature that severs the right hands of its victims. A rebellious young aviatrix and a secretive scavenger boy are about to come face to face with a robotic Stalker that is terrifyingly out of control.

    The thought of giving up his friendship is bad enough. But how can he relate to someone who forgets his grandson's name, wears adult diapers, and thinks dog biscuits are people cookies-someone who could die in the night and scare Buzz right out of puberty. Buzz thinks Alzheimer's is caused by a traumatic event, such as the train accident that killed Grandpa's brother Barkley in childhood. The situation turns deadly when Buzz and Mitch-whose friendship Buzz refuses to end-attempt to cure Grandpa of Alzheimer's disease by recreating the train accident on a hot summer day. (Ages 12-14/YA)

    They are the journeys of self-discovery, when one learns one’s true history and destiny. They are the times when self-discipline must trump the massive desire to act in a manner that offers a short term benefit… but a long term disaster. Adam long knew he faced such a journey, one he’d face completely alone. He didn’t know how he’d ever begin; fate seemed stacked against him. And yet he knew the stakes, knew that his failure — or his discovery — could doom him and those he loves most. And then… fate smiled on him. For just a few brief moments, the window opened, and he commenced that journey. He—and the world—would never be the same.

    One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

    NIMBUS is steampunk for people who don't know they like steampunk, as well as being steampunk for people who already love steampunk!--Seedy corporations and airship factions, demons and rogues, zealots and thieves…Nimbus is an epic tale of power, greed, and corruption.Jude Finley is a new recruit aboard the Gangly Dirigible, an airship that extracts water from rainclouds. While working aboard the ship, Jude and his friends uncover a secret which may or may not help them against a growing uprising that could spell doom for everyone on the planet. Meanwhile, Demetrius Rucca, the wheelchair-bound son of a prominent religious leader, begins recruiting followers for his own subversive cause. As allegiances are sworn to him and his followers grow, he begins to discover the new powers that lie within him. This power could be the salvation Demetrius is looking for–or it could be the destruction of the known world.

     Except it wasn't flu, and death gave them back.Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive.Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office -- to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid.Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

    The parasitic machines issue a form of auditory hypnosis called The Music, which keeps their minds malleable and emotions flat. All artistic expression—especially real music—is strictly prohibited.On the edge of the city, nineteen year old Ronja struggles to support her cousins and disabled mother. A chance meeting leads to her kidnapping by an underground resistance striving to preserve the human spirit. Violently severed from her Singer by the brash young agent Roark, Ronja revels in her newfound freedom until the consequences of her disappearance begin to unfold.

    That’s okay—she knows what happens to kids who do.Like Michael Merrick. He’s an earth Elemental, one with enough power to level cities. Which makes him sexy. Dangerous. And completely off limits. At least according to Emily’s family.But her summer job puts her in close contact with Michael, and neither of them can help the attraction they feel. When forces of nature like theirs collide, one misstep could get someone killed. Because Emily’s family doesn’t just want her to stay away from him.They want him dead.

    The only thing you need to know is that Wild Cards is set in our world, and an alien virus has been infecting people in rare outbreaks. It kills 90% of victims, makes ugly monsters of 9% (Jokers) and gives 1% random superpowers (Aces).A very personal short story that I'm proud of and want to find a wider audience for.There is a sequel story free on the Tor website, The Visitor: Kill or Cure.

    Who guides our fate? And can we ever hope to wrest control for ourselves? In this novella, "The Loom of Thessaly" , classical mythology merges with impudent modern spirit into a science fiction legend that speculates upon the nature of reality.

    Join Athena Lee's Crazy AI Wilson along with his robotic creations in a dozen wild and wacky Short stories.This the second collection of Tales from the Athena Lee Universe.What happens when Pirates buy a robot? Do robots need to be emancipated? Who put the Son in Wilson?