Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.With McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    Now she's trained to battle monstrous creatures in the dark dream realm known as Wonderland with magic weapons and hardcore fighting skills. Yet even warriors have a curfew.Life in real-world Atlanta isn't always so simple, as Alice juggles an overprotective mom, a high-maintenance best friend, and a slipping GPA. Keeping the Nightmares at bay is turning into a full-time job. But when Alice's handsome and mysterious mentor is poisoned, she has to find the antidote by venturing deeper into Wonderland than she’s ever gone before. And she'll need to use everything she's learned in both worlds to keep from losing her head . . . literally.

    A destiny all her own.Between her cruel family and the contempt she faces at court, Princess Alyrra has always longed to escape the confines of her royal life. But when she’s betrothed to the powerful prince Kestrin, Alyrra embarks on a journey to his land with little hope for a better future.When a mysterious and terrifying sorceress robs Alyrra of both her identity and her role as princess, Alyrra seizes the opportunity to start a new life for herself as a goose girl. But Alyrra soon finds that Kestrin is not what she expected. The more Alyrra learns of this new kingdom, the pain and suffering its people endure, as well as the danger facing Kestrin from the sorceress herself, the more she knows she can’t remain the goose girl forever.With the fate of the kingdom at stake, Alyrra is caught between two worlds and ultimately must decide who she is, and what she stands for.Includes The Bone Knife, a bonus short story set in the world of Thorn.

    The queen was attacked by an unnatural beast, and the healing skills of her daughter, Alexandra, cannot save her. Too soon the widowed king is spellbound by a frightening stranger - a woman whose eyes reflect no light. In a terrifying moment, all Alexandra knows disappears, including her beloved brothers, leaving her banished to a barren land unlike her own. Alexandra has more gifts than even she realizes as she is confronted with magic, murder, and the strongest of evil forces. She is unflinchly brave and clever as she struggles to reclaim what she knows is rightfully hers. This new voice in fantasy weaves a tale rich in visual detail, peppered with a formidable destructive force, and sweetened with familial and romantic love.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Brite.The classic horror tale is about fear. But in the last few years a new literature of the macabre has arisen, one that goes deeper than horror, beyond fear, to explore our darkest, most intimate hungers. The ones even lovers are forbidden to share.Acclaimed dark fantasy author Poppy Z. Brite has brought together this genre's most powerful and seductive authors in an original collection of vampiric erotica, a shameless celebration of unspeakable intimacies. It is not for everyone.But neither is the night.

    In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.

    INCLUDED DELETED BONUS SCENES AND ALICE HU'S RED QUEEN'S REVENGE CUPCAKE RECIPE!Her Mad Hatter: Alice is all grown up. Running the Mad Hatter's Cupcakery and Tea Shoppe is a delicious job, until fate--and a fairy godmother with a weakness for bad boys--throws her a curveball. Now, Alice is the newest resident of Wonderland, where the Mad Hatter fuels her fantasies and thrills her body with his dark touch. The Mad Hatter may have a voice and a body made for sex, but he takes no lovers. Ever. But a determined fairy godmother has forced Alice into Wonderland--and his arms. Now, as desire and madness converge, the Hatter must decide if he will fight the fairy godmother's mating--or fight for Alice. Gerard's Beauty: A not so classic retelling of Beauty and the Beast, as seen through the eyes of the villain... Betty Hart has had it with men. Jilted in love, her life now consists of shelving books by day, watching too much Anime by night, and occasionally dressing up like a superhero on the weekends with her fellow ?Bleeding Heart? nerds. Men are not welcome and very much unwanted. Especially the sexy Frenchman who saunters into her library reeking of alcohol and looking like he went one too many rounds in the ring. Gerard Caron is in trouble. Again. Caught with his pants down (literally) he?s forced to seek asylum on Earth while his fairy godmother tries to keep Prince Charming from going all ?Off with his head?. Maybe, messing around with the King?s daughter hadn?t been such a great idea after all, not that Gerard knew the silly redhead was a princess. But his fairy godmother knows the only way to save his life is to finally pair Gerard with his perfect mate, whether he?s willing or not. From the moment Gerard lays eyes on the nerdy librarian he knows he must have her, but Betty is unlike any woman he?s ever known. He thought Betty would come as willingly to his bed as every other woman before her, but she is a woman who demands respect and even? horror of all horrors? love. Is it possible for a self-proclaimed Casanova to change his ways? Red and Her Wolf: Long ago there lived a beautiful child. Her name was Violet. Fair of skin, with blonde hair and large blue eyes. Born of wild magic, she was a woman with a child?s heart. Innocent and lovely, but not at all what she seemed--you see Violet went by another name: The Heartsong. She was the child of fairy magic, the physical manifestation of all fae kinds unbridled power. Cosseted and pampered, she grew up in isolation, never knowing who she really was, or why there were those who?d seek to harm her. Ewan of the Blackfoot Clan is a wolf with a problem. He?s been sent to kill the Heartsong, but the moment he lays eyes on the blonde beauty he knows he?ll defy the evil fae he works for to claim Violet as his own. This is the tale of Little Red Riding Hood and the Big Bad Wolf, as it really happened...

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Patrice Caldwell (Hamlet), Melissa Bashardoust (A Winter’s Tale), Amy Rose Capetta and Cori McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (A Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).

    She is the one who taught them how to dance, the one who gives the signal each night, as they slip out of the confines of their father's townhouse to await the cabs that will take them to the speakeasy. Together they elude their distant and controlling father, until the day he decides to marry them all off. The girls, meanwhile, continue to dance, from Salon Renaud to the Swan and, finally, the Kingfisher, the club they come to call home. They dance until one night when they are caught in a raid, separated, and Jo is thrust face-to-face with someone from her past: a bootlegger named Tom whom she hasn't seen in almost ten years. Suddenly Jo must weigh in the balance not only the demands of her father and eleven sisters, but those she must make of herself.