The weird turns that followed in this already sensational take are truly astonishing--the Hearst family tried to secure Patty's release by feeding the people of Oakland and San Francisco for free; bank security cameras captured "Tania" wielding a machine gun during a roberry; the LAPD engaged in the largest police shoot-out in American history; the first breaking news event was broadcast live on telelvision stations across the country; and then there was Patty's circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the term "Stockholm syndrome" entered the lexicon. Ultimately, the saga highlighted a decade in which America seemed to be suffering a collective nervous breakdown.

    His adaptation of Harper Lee's To Kill a Mockingbird and his original screenplay Tender Mercies earned him Academy Awards. He received an Indie Award for Best Writer for The Trip to Bountiful and a Pulitzer Prize for The Young Man from Atlanta. In his plays and films, Foote has returned over and over again to Wharton, Texas, where he was born and where he lives, once again, in the house in which he grew up. Now for the first time, in Farewell, Foote turns to prose to tell his own story and the stories of the real people who have inspired his characters. His memoir is both a celebration of the immense importance of community and evidence that even a strong community cannot save a lost soul. Farewell is as deeply moving as the best of Foote's writing for film and theater, and a gorgeous testimony to his own faith in the human spirit.

    But in her mother, a would-be artist burdened by the endless arrival of new babies, young Kate saw the consequences of a dream deferred. Determined to pursue her own no matter the cost, at 18 she left her small Midwestern town for New York, where, studying with the legendary Stella Adler, she learned the lesson that would define her as an actress: "Use it," Adler told her. Whatever disappointment, pain, or anger life throws in your path, channel it into the work.It was a lesson she would need. At twenty-two, just as her career was taking off, she became pregnant and gave birth to a daughter. Having already signed the adoption papers, she was allowed only a fleeting glimpse of her child. As her star continued to rise, her life became increasingly demanding and fulfilling, a whirlwind of passionate love affairs, life-saving friendships, and bone-crunching work. Through it all, Mulgrew remained haunted by the loss of her daughter, until, two decades later, she found the courage to face the past and step into the most challenging role of her life, both on and off screen.We know Kate Mulgrew for the strong women she's played--Captain Janeway on Star Trek; the tough-as-nails "Red" on Orange is the New Black. Now, we meet the most inspiring and memorable character of all: herself. By turns irreverent and soulful, laugh-out-loud funny and heart-piercingly sad, BORN WITH TEETH is the breathtaking memoir of a woman who dares to live life to the fullest, on her own terms.

    Covered head-to-toe in strict, modest clothing, she received a rigorous education at Alta Academy, the Fundamentalist Church of Jesus Christ of Latter Day Saints' school headed by Warren Jeffs. Always seeking to be an obedient Priesthood girl, in her teens she became the nineteenth wife of her people's prophet: 85-year-old Rulon Jeffs, Warren's father. Finally sickened by the abuse she suffered and saw around her, she pulled off a daring escape and sought to build a new life and family.The church, however, had a way of pulling her back in-and by 2007, Rebecca had no choice but to take the witness stand against the new prophet of the FLDS in order to protect her little sisters and other young girls from being forced to marry at shockingly young ages. The following year, Rebecca and the rest of the world watched as a team of Texas Rangers raided the Yearning for Zion Ranch, a stronghold of the FLDS. Rebecca's subsequent testimony would reveal the horrific secrets taking place behind closed doors of the temple, sending their leaders to prison for years, and Warren Jeffs for life.THE WITNESS WORE RED is a gripping account of one woman's struggle to escape the perverse embrace of religious fanaticism and sexual slavery, and a courageous story of hope and transformation.

    Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built.Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch.Todd S. Purdum’s portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and young lovers wherever they are. He shows that what Rodgers and Hammerstein wrought was truly something wonderful.

     But until she was 25 she never learned to swim. Not because she wouldn't have loved to, but because when she was a little girl in Birmingham, Alabama, Commissioner of Public Safety Bull Connor decided he'd rather shut down the city's pools than give black citizens access. Throughout the 1950's, Birmingham's black middle class largely succeeded in insulating their children from the most corrosive effects of racism, providing multiple support systems to ensure the next generation would live better than the last.  But by 1963, when Rice was applying herself to her fourth grader's lessons, the situation had grown intolerable.  Birmingham was an environment where blacks were expected to keep their head down and do what they were told -- or face violent consequences. That spring two bombs exploded in Rice’s neighborhood amid a series of chilling Klu Klux Klan attacks.  Months later, four young girls lost their lives in a particularly vicious bombing. So how was Rice able to achieve what she ultimately did? Her father, John, a minister and educator, instilled a love of sports and politics.  Her mother, a teacher, developed Condoleezza’s passion for piano and exposed her to the fine arts.  From both, Rice learned the value of faith in the face of hardship and the importance of giving back to the community.  Her parents’ fierce unwillingness to set limits propelled her to the venerable halls of Stanford University, where she quickly rose through the ranks to become the university’s second-in-command.  An expert in Soviet and Eastern European Affairs, she played a leading role in U.S. policy as the Iron Curtain fell and the Soviet Union disintegrated.  Less than a decade later, at the apex of the hotly contested 2000 presidential election, she received the exciting news – just shortly before her father’s death – that she would go on to the White House as the first female National Security Advisor.   As comfortable describing lighthearted family moments as she is recalling the poignancy of her mother’s cancer battle and the heady challenge of going toe-to-toe with Soviet leaders, Rice holds nothing back in this remarkably candid telling. This is the story of Condoleezza Rice that has never been told, not that of an ultra-accomplished world leader, but of a little girl – and a young woman -- trying to find her place in a sometimes hostile world and of two exceptional parents, and an extended family and community, that made all the difference.

    The improbable hockey career of Jonsey started in 1992, when he was with the Washington Capitals. After a brief stint in Colorado, Keith was traded to Philadelphia, where is hard work, dirty play and colorful personality made him one of the more popular players in recent history. Jonsey is the story of Keith s career in the league as well as all of the interesting stories he accumulated over the course of his career, playing with some of the leagues best players in the last 15 years, including Peter Forsberg, Joe Sakic, Mark Recchi and Eric Lindros. The book will include a forward written by Hall of Fame defense-man Ray Bourque.

    Drawing on unprecedented access to the family and its private papers, Pulitzer Prize-winning and bestselling historian Doris Kearns Goodwin takes readers from John Francis "Honey Fitz" Fitzgerald's baptism in 1863 through his reign as mayor of Boston, to the inauguration of his grandson as president ninety-eight years later. Each character emerges unforgettably: the young, shrewdly political Rose Fitzgerald; her powerful, manipulative husband, Joseph P. Kennedy; and the "Golden Trio" of Kennedy children -- Joe Jr., Kathleen, and Jack -- whose promise was eclipsed by the family's legacy of tragedy. Through the prism of two self-made families, Goodwin reveals the ambitions and the hopes that form the fabric of the American nation.

    Randall Riese has exhaustively covered every aspect of her life--from her rise to stardom and her stunning career on Broadway and in film, to her relationship with her mother and with her son, her political involvement, and her numerous lovers. Includes 16 pages of fabulous photographs.

    But who was this woman whose peccadilloes led to relationships of bigamy and incest, who freely offered her body and her husband's money to some of the most brilliant men of her era - including Henry Miller and Edmund Wilson and Otto Rank - whose desperate cravings for love, recognition, and approval from the intellectual elite remained unsatisfied until the end of her life?Deirdre Bair, who had exclusive access to Nin's complete, original diary and the full cooperation of her surviving husband, family, and friends, offers an enthralling portrait of a complex, perplexing writer whose most compelling subject was, unfailingly, herself.

    For nearly three years, Whitman immersed himself in the devastation of the Civil War, tending to thousands of wounded soldiers and recording his experience with an immediacy and compassion unequaled in wartime literature anywhere in the world. In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest accounting of Whitman's profoundly transformative Civil War Years and an historically invaluable examination of the Union's treatment of its sick and wounded. Whitman was mired in depression as the war began, subsisting on journalistic hackwork, wasting his nights in New York's seedy bohemian underground, his great career as a poet apparently stalled. But when news came that his brother George had been wounded at Fredericksburg, Whitman rushed south to find him. Though his brother's injury was slight, Whitman was deeply affected by his first view of the war's casualties. He began visiting the camp's wounded and, almost by accident, found his calling for the duration of the war. Three years later, he emerged as the war's most unlikely hero, a living symbol of American democratic ideals of sharing and brotherhood. Instead of returning to Brooklyn as planned, Whitman continued to visit the wounded soldiers in the hospitals in and around the capital. He brought them ice cream, tobacco, brandy, books, magazines, pens and paper, wrote letters for those who were not able and offered to all the enormous healing influence of his sympathy and affection. Indeed, several soldiers claimed that Whitman had saved their lives. One noted that Whitman seemed to have what everybody wanted and added When this old heathen came and gave me a pipe and tobacco, it was about the most joyful moment of my life. Another wrote that There is many a soldier that never thinks of you but with emotions of the greatest gratitude. But if Whitman gave much to the soldiers, they in turn gave much to him. In witnessing their stoic suffering, in listening to their understated speech, and in being always in the presence of death, Whitman evolved the new and more direct poetic style that was to culminate in his masterpiece, When Lilacs Last in the Dooryard Bloom'd. Brilliantly researched and beautifully written, The Better Angel explores a side of Whitman not fully examined before, one that greatly enriches our understanding of his later poetry. More than that, it gives us a vivid and unforgettable portrait of the other army--the legions of sick and wounded soldiers who are usually left in the shadowy background of Civil War history--seen here through the unflinching eyes of America's greatest poet.

    Burton successfuly brings to the page the exuberant vitality and unresolved obsessions that helped make Leonard Bernstein one of the most beloved and celebrated musical figures of our age.

    Jacobs's Incidents in the Life of a Slave Girl , one of the most widely read slave narratives of all time, recounts through the pseudonymous character named "Linda" the adventures of a young female slave who spent seven years in her grandmother's attic hiding from her sexually abusive and cruel master. Jean Yellin takes us inside that attic with Harriet Jacobs and then follows her on her escape to the North, where she found safe haven with Quaker abolitionists. Drawing upon decades of original research with never-before-seen archival sources, Yellin creates a complete picture of the events that inspired Incidents and offers the first rounded picture of Jacobs's life in the thirty-six years after the book's publication. Harassed by her former owner, living under threat of recapture until the end of the Civil War, Jacobs survived poverty, ran a boarding house, and built a career as a political writer and speaker, struggling all the while to provide for her family. Jean Yellin brings to life the struggles and triumphs of this extraordinary woman whose life reflected all the major changes of the nineteenth century, from slavery to the Civil War to Reconstruction to the origins of the modern Civil Rights movement.

    The author draws on 40 years worth of correspondence and hundreds of interviews to develop this portrait.

    She has become, unwittingly, a figurehead for women's unexpressed rage, and stands at the center of many worlds. She inhabited Andy Warhol's Factory scene, circulated among feminists and the countercultural underground, charged men money for conversation, despised "daddy's girls," and outlined a vision for radical gender dystopia.Known for shooting Andy Warhol in 1968 and for writing the polemical diatribe SCUM [Society for Cutting Up Men] Manifesto, Solanas is one of the most famous women of her era. SCUM Manifesto--which predicted ATMs, test-tube babies, the Internet, and artificial insemination long before they existed--has sold more copies, and has been translated into more languages, than nearly all other feminist texts of its time.Shockingly little work has interrogated Solanas's life. This book is the first biography about Solanas, including original interviews with family, friends (and enemies), and numerous living Warhol associates. It reveals surprising details about her life: the children nearly no one knew she had, her drive for control over her own writing and copyright, and her elusive personal and professional relationships.Valerie Solanas addresses how this era changed the world and depicts an iconic figure whose life is at once tragic and remarkable.“Solanas lived a life generally relegated by society to the margins: poor, female, queer, crazy. … Fahs resists the impulse of speculation, the desire to turn Solanas into a comedic or tragic tableau. … Fahs situates Solanas in a larger culture and society that helps us to understand the complexities of her character and actions. … Valerie Solanas is a biography of a compelling, charismatic, contemptible, and incorrigible woman. It is a biography of the effects of class in the United States on one woman’s life. It is also the biography of an artist.” –Julie Enszer, Lambda Literary Review Breanne Fahs is an associate professor of women and gender studies at Arizona State University, a practicing clinical psychologist, and the author of Performing Sex and The Moral Panics of Sexuality.