From an acorn of an idea about a real-life good Samaritan of yesteryear, the author has crafted a satisfying, if occasionally painful, novel that spans the lives of several fortunate and unfortunate young people of the day.The author has researched her backdrop very well, and the atmospheric sights and sounds of the time are both vivid and captivating. Readers will smell the dirty streets and close-living of urban London, revel in the summer splendour of the finest country houses and then flinch when the harshness of life for the poorest souls is revealed in uncomfortable detail.For in the late 1700s your circumstance of birth meant everything. Toby and Aaron may both find themselves living at Captain Thomas Coram's Hospital for parentless children, but their histories are as far apart as they could possibly be. Toby has been rescued from a life of slave labour in a faraway country; Aaron is the illegitimate son of the heir to a large country estate. They are watched over by Mish--a simple soul who has been with them since their arrival. His devotion to them is absolute, but his motives are not altogether straightforward. Could this curious man really be Meshak, the son of a wicked child-killer who was hanged at the gallows for his crimes?Coram Boy is a glorious web of changing fortunes and subtle intrigues. There is tragedy and corruption, hope and evil. Sometimes brutal and sometimes unceasingly bleak, the genre of historical fiction has rarely been this good. It's undoubtedly the kind of book that wins awards. (Age 12 and over) --John McLay

    Another great Dick King Smith tale.

    That night she has an extraordinary dream. She is transported into her own picture, and as she explores further she soon realises she is not alone. The boy at the window is called Mark, and his every movement is guarded by the menacing stone watchers that surround the solitary house. Together, in their dreams, Marianne and Mark must save themselves...

    The author was one of the most popular children's writers of her time.

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    Set in Sydney, 1937, this is the fictional diary of a young Aboriginal girl, a member of the Stolen Generation.She is given the diary by the Sister in charge of Bomaderry Aboriginal Children's Home and through its pages she describes her life - from her arrival there, aged five, through her struggle to understand why she was taken from her real mother, to her adoption at ten years of age by a white Catholic family in St.Ives.Mary Talence, birth name Amy Charles, is increasingly confused - and then ashamed - as she is taught that white skinned is good, black skinned is bad. She longs to understand why this is so but finds that logical questions - almost any questions - provoke anger and accusations of ingratitude from her white family. Her music - her beautiful voice and her ability to make up songs - is her greatest source of comfort.This is an honest, thought-provoking book that acknowledges the terrible wrong done to aboriginal children taken from their families whilst also recognising the combination of ignorance, genuinely good intentions and political convenience that brought about this dreadful policy. Very appropriate for integration with HSIE and highly recommended for general reading as a clear introduction to the reality of the Stolen Generations to primary students.

    It stands in the shadows...dark, crumbling, and forbidding. At night, smoke curls from beneath its doors, and an old man toils in secret.ROOM OF TERRORInside, something is moving...tongues of luminous color lap against the glass...coiling and curling...begging to be released.DEVIL'S WORKThe old man stands before his creation. Silently he tends the fires that feed it...waiting for the right moment to unleash its power upon the world.

    At first the island seems a paradise, with its plentiful foods and wealth of natural wonders. But then a party of cannibals arrives, and after that a pirate ship...what is to become of them?

    A beloved time travel story that has endured for generations.

    

    Then she meets Kevin, another switcher with a very different life than hers. Together, they face a mystery that threatens to bring about disaster.

    Contains Blinky Bill, Blinky Bill Grows Up, and Blinky Bill and Nutsy.

    There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

    Here is a novel all about one bookshop and its resident cats, Stomper and Buglit; and about Kris, a 12-year-old boy who apprentices in the shop. Kris is a little bit like the cats: he’s a foster child getting used to a new family, and the cats are in the bookshop being fostered for the local shelter. Stomper and Buglit are a little bit like Kris: they get into trouble, have some wild adventures, and find out just what family really means. This is the first book in the Turning Pages series of used bookshop novels.Unlike some novels that have a used bookshop setting, Shelve Under C has the shop, its owners, its apprentice, its customers and, especially, its cats as the beating heart of this fuzzy beast. Come inside and breathe in the wonderful book smells of leather and paper and cloth. Pet the resident foster cats (and maybe take one home!). Sit near the sunny windows on one of the comfy chairs to read all afternoon. Or flip through the new arrivals and rare books and browse all of the books, old and new, in the loads of bookcases in No Page Unturned's several packed rooms.The main stars of this book are Stomper and Buglit. That's what they would tell you, anyway. Stomps is a grump, but he may have a tender middle. Bug is new to the bookshop. She misses her former owner, but Mrs. O'Malley is making her life less lonesome and Buglit, in return, is becoming very important to the bookshop owners in some funny and surprising ways. Kris is trying hard to fit into his new foster family, but even after several months he still feels like an outsider. He becomes an apprentice at the bookshop, where he gradually finds a way to fit back into his own world as well as into his foster family's. Shelve Under C is a little bit squishy. It's also funny, with hints of rockabilly, wild storms, doggy bucking broncos, catnip capers, near-deadly chicken salad sandwiches, and . . . books! No need to knock -- the door is open, so come on in, grab something to read, and get comfy on the big, red sofa.

    She’s not really into maths but LOVES art class and playing hockey. Her absolute FAVOURITE thing is adventuring outside with friends or her horse, Nell.A new year starts like normal—school, family, hockey, dancing. But this year hasn’t gone to plan! There’s a big art assignment, a drought, a broken wrist AND the biggest bushfires her town has ever seen!Bindi is a verse novel for mid-upper primary students. Written ‘for those who plant trees’, Bindi explores climate, bushfires, and healing. Written from the point of view of 11-year-old, Bindi and her friends on Gundungurra Country.