Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.

    Soon he is mixed up in the affairs of Sir Francis Dashwood and his notorious Hellfire Club.

    (This story first appeared in the Regency fiction magazine, The Reticule in 2000.)In The Disappearance of Miss Sarah Oswald, Lacey is asked to locate a man's missing daughter, though he senses that the family will be just as happy for her to remain missing.The Disappearance of Miss Sarah Oswald was nominated for a Derringer Award for best short mystery in the year 2000. The story first appeared in Over My Dead Body! Mystery Magazine in Summer, 2000.The first story runs 6000 words; the second, 5000 words. While these are standalone stories, the events fall in the series timeline anytime after The Sudbury School Murders.

    Brendan Prescott, an orphan, is reared in the household of the powerful Dudley family. Brought to court, Prescott finds himself sent on an illicit mission to the king’s brilliant but enigmatic sister, Princess Elizabeth. But Brendan is soon compelled to work as a double agent by Elizabeth’s protector, William Cecil, who promises in exchange to help him unravel the secret of his own mysterious past. A dark plot swirls around Elizabeth’s quest to unravel the truth about the ominous disappearance of her seriously ill brother, King Edward VI. With only a bold stable boy and an audacious lady-in-waiting at his side, Brendan plunges into a ruthless gambit of half-truths, lies, and murder. Filled with the intrigue and pageantry of Tudor England, The Tudor Secret is the first book in The Elizabeth I Spymaster Chronicles.

    Almost immediately, terrifying events convince Jillian that an angry spirit is trying to enter the house. Is it Walking John, the two-hundred-year-old ghost that haunts the bay? And who besides the ghost is roaming the local woods at night? If Toby uncovered something sinister, was his death really an accident? The arrival of handsome Scotland Yard inspector Drew Merriken leaves Jillian with more questions than answers and the added complication of a powerful mutual attraction.

    But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud’s aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out. In fact, the scene is set for the perfect Wodehouse comedy of errors.

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    Too many women have sought—and failed—to catch him. However, Charlotte is more interested in dead pharaohs than English dukes.Unfortunately, a debutante seeking to entrap Nathaniel gets murdered, and his reputation as a misogynist makes him a suspect. On impulse, Charlotte comes to his aid, not realizing that her actions may place her in danger, too.Both are unaware that a highwayman interested in rich heiresses is following Charlotte, and that another debutante lies dead in Nathaniel’s carriage.Some nights just don’t go as planned.

    In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land.At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher. Whicher quickly believed the unbelievable—that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today…from the cryptic Sgt. Cuff in Wilkie Collins’s The Moonstone to Dashiell Hammett’s Sam Spade. The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it Kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    Aelred Barling, esteemed clerk to the justices of King Henry II, is dispatched from the royal court with his young assistant, Hugo Stanton, to investigate a brutal murder in a village outside York.The case appears straightforward. A suspect is under lock and key in the local prison, and the angry villagers are demanding swift justice. But when more bodies are discovered, certainty turns to doubt—and amid the chaos it becomes clear that nobody is above suspicion.Facing growing unrest in the village and the fury of the lord of the manor, Stanton and Barling find themselves drawn into a mystery that defies logic, pursuing a killer who evades capture at every turn.Can they solve the riddle of who is preying upon the villagers? And can they do it without becoming prey themselves?

    When a priceless diamond maang tika and a simple gold bangle disappear from Sunita’s room, a diplomatic incident seems imminent, particularly after the maang tika turns up in Emily’s possession.Emily may have what appears to be the more valuable of the two pieces, but the maang tika cannot be worn without the bangle, upon which is engraved the words necessary to ward off a curse placed on the set five hundred years ago by a princess forced to forsake the man she loved. Sunita must wear the maang tika at her wedding but cannot do so without the bangle. Can Emily convince the maharaja that she is not a thief? And, more important, can she and Colin find the bangle?

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray