One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    As the story goes, vast numbers of believers were thrown to the lions, tortured, or burned alive because they refused to renounce Christ. These saints, Christianity's inspirational heroes, are still venerated today.Moss, however, exposes that the "Age of Martyrs" is a fiction—there was no sustained 300-year-long effort by the Romans to persecute Christians. Instead, these stories were pious exaggerations; highly stylized rewritings of Jewish, Greek, and Roman noble death traditions; and even forgeries designed to marginalize heretics, inspire the faithful, and fund churches.The traditional story of persecution is still taught in Sunday school classes, celebrated in sermons, and employed by church leaders, politicians, and media pundits who insist that Christians were—and always will be—persecuted by a hostile, secular world. While violence against Christians does occur in select parts of the world today, the rhetoric of persecution is both misleading and rooted in an inaccurate history of the early church. Moss urges modern Christians to abandon the conspiratorial assumption that the world is out to get Christians and, rather, embrace the consolation, moral instruction, and spiritual guidance that these martyrdom stories provide.

    In her story, she speaks about her struggles after her marriage, her insecurities and her pious nature that challenged her husband's growing aspirations. She narrates the rise of Ravana's power and the blunders he made that ultimately caused the downfall of Lanka.Despite her husband's faults, Mandodari loved him and advised him to follow the path of righteousness. Ravana's defeat in a thirteen-day war turned him into a villain. But what if he were the real hero on his side of the war? What if his downfall was a result of scheming to push him out of power? This is Mandodari's story.

    The year 2012 does not indicate the end of the World, as said by Mayan Calendar, but as per Kalagnanam severe earthquakes and calamities are indicated in the Telugu year Nandana (2012–13) that takes millions of lives, and also revival of Mayan civilization(Mayan people are said to be the Descendants of Viswakarma/Viswabrahmin community of India, who have flown to North America for some reasons, a long ago). Possible reason behind the ending of Mayan Calendar on 21-12-2012 is, they might have noticed the advent of Lord Kalki/Lord Veera Bhoga Vasantha Raaya, change of velocity of planets, Stars and Milkyway/Galaxy, and as such they would have left the Calendar calculations and predictions to our fate. Surprisingly, it was clearly mentioned about the change of velocity of planets, etc. in Kalagnanam, and in particular, there is change in the velocity of Jupiter after Plavanga (2027–28) and suddenly from 2034 Jupiter will transit three Rasis a year.

    A Desperate Gamble. Centuries of isolation and self-denial have left Dorian Thorne a half-living shadow. He can’t survive without living blood. Yet all those who have given to him in the past three centuries have died from his kiss. Cora Shaw seems different. Another human, yes, like all the others. But she awakens sensations in him that he had given up for lost. And he almost dares to hope that she might be the one he has been waiting for all this time. Without his blood-kiss, she will be dead in a matter of months from her terminal disease. With it, she will die instantly…unless she bonds with him as his consort, making him whole again. Bonding is something he can’t control, but it’s the only thing that will save them both now. Cora can’t refuse him. And if she’s doomed, Dorian can’t save her. It’s the ultimate gamble, and the stakes are forever. Scroll up and grab a copy today.

    They exist under the sufferance of their brutal overlords. When a mysterious stranger saves a miller’s son from cruel punishment, the Sheriff of Nottingham sends the ruthless Sir Guy of Gisborne to hunt him down. His past life destroyed, Robin of Loxley must face his greatest challenge yet. Deadly with a longbow and a sword, he will fight tyranny and injustice, encounter allies and enemies old and new. The vast Sherwood Forest with its hidden glades and ancient pathways is the last refuge of wolfsheads. Here their bloody battles will be fought, friendships forged and loyalties tested. Loxley will become Robin Hood. Notorious leader of outlaws. Their daring deeds will become legend. This is the first in a four-part series "The Chronicles of Robin Hood", and includes an historical note on the origins of the famous outlaw.

    How important is a guest who visits one's home? What could be more important than achieving knowledge through meditation? These tales taken from the Mahabharata tell of age old values that emphasize the divine status of a guest and the importance of dharma or duty above all else and teaching these lessons are simple creatures like a mongoose, a crane and a pigeon.

    Following an enormous personal tragedy, he sets out on an introspective journey to the Himalayas. He is questioning the purpose of life when he comes across a mysterious 110-years old man. Thereby starts a journey of learning, unlearning and un raveling the secrets of ancient Indian wisdom that teach you how to live a blessed life. Among them, is the quest to find the inner swastika -one that holds the truth of the physical, the metaphysical and beyond. WRITTEN AS A WORK OF FICTION BUT BASED ON A TRUE ACCOUNT, THIS IS AN ENGAGING STORY OF A MAN TRYING TO FIND HIMSELF

    They don't want to send the Court back to the shadows, they want to kick off a final war between gods and man, and create a new pantheon. Hades and the Court are going to need allies to defeat what's coming, and they know just the family of powerful sorceresses that can help.

    Some people think the Bible is clear about hell, but what if they're mistaken? With gripping narrative and solid scholarship, Sweeney charts hell's "evolution" from the Old Testament underworld Sheol, through history and literature, to the greatest influencer of all: Dante's Inferno. He reveals how the modern idea of hell is based mostly on Dante's imaginative genius-but in the process, he offers a more constructive understanding of the afterlife than ever before. Disturbing and enthralling, Sweeney will forever alter what we think happens to us after we die-and more importantly, he will make us reconsider how we live.

    Gives some great insights into Gayatri mantra and how it can transform the life of a mortal.

    Originally published in 1948 as Dieu d'Eau, this near-classic offers a unique and first-hand account of the myth, religion, and philosophy of the Dogon.

    Without delving into either mythological or God-centric discourse, the book attempts to understand and explain various insights from the Gita through, in the author's words, derived theory and application. The Gita Way attempts to shed light on matters of self-realisation, and identifying and following the path to achieve the purpose of life. Within the framework of Vedic philosophy represented by Gita, this book explores:How to discover the swa-bhava, the inherent natural strength of our real-self?Is my profession aligned with my swa-bhava? What is my purpose of life?What is the real meaning of moksha, the liberation? How the realization of individual purpose leads us to attain supreme purpose we are born to achieve? Using the principles of Gita, this book presents innovative findings on theory of prarabdha, the luck or destiny, role of knowledge and karma, continuous improvement, yoga of universal harmony and yoga of devotion. To highlight few, in chapter combined discipline of knowledge and karma, authors introduce most important part of their research—Centring. Centring summarizes power of combined application of yoga of knowledge and karma along with simplified theory of spirit and supreme spirit. Chapter Vision of Universal Form and Yoga of Liberation simplifies the meaning of moksha, the state of liberation by linking it to the attainment of supreme purpose of life. Chapters on Yoga of Devotion and Continuous improvement focus on recipe of staying on the unique path of achieving individual goal. Unlike other books on Bhagavad Gita, the Gita Way is not a chapter wise discourse. Instead it presents deduced concepts in first place supported with relevant reference from the whole Gita. For example, in the first chapter of the Gita Way, you may get a reference of last chapter of Gita relevant to the topic of discussion.Contents:1. INTRODUCTION TO ‘THE GITA WAY’ 11Development of ‘The Gita Way’ 17 2. DEVELOPING A SENSE OF PURPOSE IN LIFE 25Goal 28Finding Unique Strength and Developing It 32Joy of the Self-Hobby vs Profession 35How to Set a Goal? 39Doubt in any form is the Biggest Enemyto Self-realisation 45The Story of Barbarika: Why was Barbarika Sacrificed? 47 3. YOGA OF KNOWLEDGE 51Knowledge of Self 54Elements of Self 56Consciousness of Self-Identity 57Intellect 60Primordial Matter 62Source of Perception and Action, One Mind and Five Senses 63Physical Body and Fitness 63False Goals such as Desire, Aversion and Pleasure 64Required Qualities in Self 64How Does One Achieve ‘Absolute Knowledge’? 67Lack of Knowledge is Ignorance which creates Fear 71 4. KARMA YOGA 74Prescribed Act and Prohibited Act 76Yoga and the Attributes of a Yogi 79How does One Achieve Equipoise? 80Desire-Entrap 84Hierarchy of Control 86Theory of Prarabdha or Destiny 88Butterfly Effect 90Hurdles in the Path of Karma-Yoga 93Vikarma 95Law of Growth 96Ultimate Dispassion: Nishkam Karma 97How to stay on the Path of Karma-Yoga? 99 5. COMBINED DISCIPLINE OF KNOWLEDGE AND KARMA 101Self-Realisation 102Wisdom 104Sacrifice 108Centring and Power of Real-Self 112Power of Real-self 113Centring 116Yoga of Self-Control 119 6. YOGA OF DEVOTION 121 The Cycle of Liberation 123How does devotion come to us? 127Devotion to Tame the Mind 129Relevance of Devotion to the Theory of Prarabdha 130Symptoms of Lack of Devotion 134 7. VISION OF THE UNIVERSAL FORM 136Universal Form of Goal 140Concept of Self 147Redirecting the Purpose of Desire 150 8. CONTINUOUS IMPROVEMENT ON THREE MODES OF NATURE 152Inner Purification by Knowing Sattva, Rajas and Tamas 159Sattva 159Rajas 161Tamas 164The Gita Way of Continuous Improvement 165Elimination of Waste 166 9. YOGA OF LIBERATION 170How is Sattva linked with the Supreme Goal? 173How does one attain sattva? 174Non-violence in thoughts and Action. 175Absence of Pride 175Internal and External Purity 176Steadfastness of Mind 176Control of Body, Mind and Senses 176Sincerity 177Forbearance 177Uprightness of Speech and Mind 177Devout Service to the Preceptor 177 Austerity of Mind 178Sattvika Intellect 178Sattvika Sacrifice 179Leadership by Creating Order Around 180 Yoga of Liberation 182

    New York Times bestselling author and Pulitzer Prize winner Wills interprets the four Gospels, brilliantly examining the goals, methods, and styles of the evangelists and discussing how these shaped their messages.

    The popular tellings of the Mahabharata are about Duryodhana'sdeviousness, obstinacy and greed for power that would bring about thebattle of Kurukshetra between the Kauravas and the Pandavas, and hisown downfall. But was there more to him? Was he all black, or was it a matter ofshades of grey? What was he? True heir or pretender to the throne?Arch villain or brave prince defending his rajadharma?Ace strategist or wicked schemer? History, they say, is written by the victors. So we have never heard theside that Duryodhana presents. The epic's enigmatic villain finally hashis say -- on people, their motives and their machinations. For the firsttime we read a different meaning into episodes we may be familiar with --be it the attempted killing of Bhima, the burning of the wax house, thefamous game of dice or even Draupadi's vastraharan -- and get insightsinto the story we may not have come across before. Here is the crownprince of Hastinapura as we have never known him, adding yet anotherdimension to the labyrinth that is the Mahabharata.