Training as a nurse, she finds hope in the new friends she makes and the American G.I.s that arrive. But when a bomb lands close to home she'll need courage she never knew she had.

    Jem Phipps has always loved Katy. His proposal of marriage rescues her from scandal but after tragedy strikes, Jem becomes a reluctant soldier on the battlefields of The First World War, leaving Katy behind, restless and alone. Lionel White, the local curate, has just returned from India bringing a dash of colour to the small village and offers Katy a window on the wider world. Only when Katy joins up as a WAAC girl does she finally break free from the stifling class-ridden hierarchies that bind her but the brutality of 20th-century global war brings home the price she has paid for her search. Through the horrors of WW1, she discovers only love brings freedom. In essence, Daffodils is a love story, whose tender heart is almost torn apart through this tumultuous time. COMPLETELY REVISED EDITION

    The passengers were anxious. Germany had declared the seas around Britain to be a war zone, and for months, its U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era's great transatlantic "Greyhounds" and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. He knew, moreover, that his ship - the fastest then in service - could outrun any threat. Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger's U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small - hubris, a chance fog, a closely guarded secret, and more--all converged to produce one of the great disasters of history. It is a story that many of us think we know but don't, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour, mystery, and real-life suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope Riddle to President Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love. Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster that helped place America on the road to war.

    Since their parents drowned fleeing to America, Miri and Vanya have been raised by their babushka, a famous matchmaker who has taught them to protect themselves at all costs: to fight, to kill if necessary, and always to have an escape plan. Can they bear to leave the homeland that has given them so much?Before they have time to make their choice, war is declared and Vanya goes missing, along with Miri's fiancé. Miri braves the firing squad to go looking for them both. As the eclipse that will change history darkens skies across Russia, not only the safety of Miri's own family but the future of science itself hangs in the balance.

     When her father becomes ill, Emily Carter finds herself sent into service at Priorsfield Manor in order to provide the family with an income. He will be the Lord of the Manor... Emily strikes up an unlikely friendship with the daughters of the house, as well as Nicolas, son of the Earl. But as the threat of war comes ever closer, she becomes even more aware of the vast differences between upstairs and downstairs, servant and master... If you like Downton Abbey you’ll love this!

    For Edward and Beatrice Hunter, their children, servants and neighbours, life will never be the same again. For David, the eldest, war means a chance to do something noble; but enlisting will break his mother's heart. His sister Diana, nineteen and beautiful, longs for marriage. She has her heart set on Charles Wroughton, son of Earl Wroughton, but Charles will never be allowed to marry a banker's daughter. Below stairs, Cook and Ada, the head housemaid, grow more terrified of German invasion with every newspaper atrocity story. Ethel, under housemaid, can't help herself when it comes to men and now soldiers add to the temptation; yet there's more to this flighty girl than meets the eye. The once-tranquil village of Northcote reels under an influx of khaki volunteers, wounded soldiers and Belgian refugees. The war is becoming more dangerous and everyone must find a way to adapt to this rapidly changing world. Goodbye Piccadilly is the first book in the War at Home series by Cynthia Harrod-Eagles, author of the much-loved Morland Dynasty novels. Set against the real events of 1914, Goodbye Piccadilly is extraordinary in scope and imagination and is a compelling introduction to the Hunter family.

    No one he has ever known or loved has been born yet. Perhaps now they never will be.Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But can a single bullet truly corrupt an entire century?And, if so, could another single bullet save it?

    When Elizabeth Endicott arrives in Aleppo, Syria she has a diploma from Mount Holyoke, a crash course in nursing, and only the most basic grasp of the Armenian language. The year is 1915 and she has volunteered on behalf of the Boston-based Friends of Armenia to help deliver food and medical aid to refugees of the Armenian genocide. There Elizabeth becomes friendly with Armen, a young Armenian engineer who has already lost his wife and infant daughter. When Armen leaves Aleppo and travels south into Egypt to join the British army, he begins to write Elizabeth letters, and comes to realize that he has fallen in love with the wealthy, young American woman who is so different from the wife he lost. Fast forward to the present day, where we meet Laura Petrosian, a novelist living in suburban New York. Although her grandparents' ornate Pelham home was affectionately nicknamed "The Ottoman Annex," Laura has never really given her Armenian heritage much thought. But when an old friend calls, claiming to have seen a newspaper photo of Laura's grandmother promoting an exhibit at a Boston museum, Laura embarks on a journey back through her family's history that reveals love, loss - and a wrenching secret that has been buried for generations.

    Understandable perhaps from the point of view of the poet: readers on the other hand might wish to demur. The poems gathered here and chronologically ordered, thereby tracing the course of the war, are an extraordinary testimony to the almost unimaginable experiences of a combatant in that bitter conflict. Moving from the patriotic optimism of the first few poems (" ... fighting for our freedom, we are free") to the anguish and anger of the later work (where "hope, with furtive eyes and grappling fists / Flounders in mud ... "), there comes a point when the reality of trench-warfare and its aftershocks move beyond comprehension: Sassoon knows this, and it becomes a powerful element in his art. As a book, the images have a cumulative relentlessness that make it almost impossible to read more than a few poems in one sitting. Unlike the avant-garde experiments developing in Europe in the first decades of this century, Sassoon's verse is formally conservative--but this was perhaps necessary, for as one reads the poems, one feels that the form, the classically inflected tropes, the metre and rhyme, apart from ironising the rhetoric of glory and battle were necessary techniques for containing the emotion (and indeed, a tone of barely controlled irony may have been the only means by which these angry observations would have been considered publishable at the time). When Sassoon's line begins to fragment, as it does in several of the later poems, it is under the extreme pressure to express the inexpressible. Compassion and sympathy are omnipresent here, in their full etymological sense of suffering with or alongside others--something the higher echelons of command (those " ... old men who died / Slow, natural deaths--old men with ugly souls") were never able or willing to contemplate. But Sassoon intuited the future of warfare, could sense that this was not "the war to end all wars": the mock-religious invocation of the final poem prefigures the vicious euphemisms of more recent conflicts: "Grant us the power to prove, by poison gases, / The needlessness of shedding human blood." Sassoon's bile-black irony signals a deep-felt pessimism: it was with good reason. --Burhan Tufail

    Add in a measure of danger and attraction. Heat over the warmth of humor and friendship, and the result is more than simple chemistry—it's elemental.Lady Violet Hughes is keeping secrets. First, she founded a clandestine sanctuary for England's most brilliant female scientists. Second, she is using her genius on a confidential mission for the Crown. But the biggest secret of all? Her feelings for protection officer Arthur Kneland.Solitary and reserved, Arthur learned the hard way to put duty first. But the more time he spends in the company of Violet and the eccentric club members, the more his best intentions go up in flames. Literally.When a shadowy threat infiltrates Violet's laboratories, endangering her life and her work, scientist and bodyguard will find all their theories put to the test—and learn that the most important discoveries are those of the heart.

     The first in an exciting new Mayfair 100 series of nostalgic crime sagas. Set against the backdrop of WW1, Mayfair 100 is the telephone number for a small specially-formed crimebusting team based in a house in Mayfair. London, 1915. Just 10 months into the First World War, the City is flooded with women taking over the work vacated by men in the Armed Services. Chief Inspector Peter Beech, a young man invalided out of the war in one of the first battles, is faced with investigating the murder of an aristocrat and the man’s wife, a key witness and suspect, will only speak to a woman about the unpleasant details of the case. After persuading the Chief Commissioner to allow him to set up a clandestine team to deal with such situations, Beech puts together a small motley crew of well-educated women and professional policemen. As Beech, Victoria, Caroline, Rigsby and Tollman investigate the murder, they delve into the seedier parts of WWI London, taking them from criminal gangs to brothels and underground drug rings supplying heroin to the upper classes. Will the Mayfair 100 team solve the murder? And if they do, will they be allowed to continue working as a team? ABOUT THE AUTHOR Lynn Brittney, a writer for almost 30 years, had her first novel shortlisted for the Waterstone’s Book Prize; Brandford Boase Award and Doncaster Book Prize.

    But as an unlicensed magic user, her gift is a crime. Commissioned by an underground group known as the Cowls, Elsie uses her spellbreaking to push back against the aristocrats and help the common man. She always did love the tale of Robin Hood.Elite magic user Bacchus Kelsey is one elusive spell away from his mastership when he catches Elsie breaking an enchantment. To protect her secret, Elsie strikes a bargain. She’ll help Bacchus fix unruly spells around his estate if he doesn’t turn her in. Working together, Elsie’s trust in—and fondness for—the handsome stranger grows. So does her trepidation about the rise in the murders of wizards and the theft of the spellbooks their bodies leave behind.For a rogue spellbreaker like Elsie, there’s so much to learn about her powers, her family, the intriguing Bacchus, and the untold dangers shadowing every step of a journey she’s destined to complete. But will she uncover the mystery before it’s too late to save everything she loves?

    But Kitty was in no hurry to conclude such a contract. By hook or by crook she meant to go to London, where anything might happen and very often did...

    One summer. A lifetime of secrets. When fifteen-year-old Margot and her three sisters arrive at Applecote Manor in June 1959, they expect a quiet English country summer. Instead, they find their aunt and uncle still reeling from the disappearance of their daughter, Audrey, five years before. As the sisters become divided by new tensions when two handsome neighbors drop by, Margot finds herself drawn into the life Audrey left behind. When the summer takes a deadly turn, the girls must unite behind an unthinkable choice or find themselves torn apart forever.Fifty years later, Jesse is desperate to move her family out of their London home, where signs of her widower husband’s previous wife are around every corner. Gorgeous Applecote Manor, nestled in the English countryside, seems the perfect solution. But Jesse finds herself increasingly isolated in their new sprawling home, at odds with her fifteen-year-old stepdaughter, and haunted by the strange rumors that surround the manor.

    Married to three brothers in a single ceremony, she and her now-sisters spend their days hard at work in the family's "china room," sequestered from contact with the men--except when their domineering mother-in-law, Mai, summons them to a darkened chamber at night. Curious and strong willed, Mehar tries to piece together what Mai doesn't want her to know. From beneath her veil, she studies the sounds of the men's voices, the calluses on their fingers as she serves them tea. Soon she glimpses something that seems to confirm which of the brothers is her husband, and a series of events is set in motion that will put more than one life at risk. As the early stirrings of the Indian independence movement rise around her, Mehar must weigh her own desires against the reality--and danger--of her situation.Spiraling around Mehar's story is that of a young man who arrives at his uncle's house in Punjab in the summer of 1999, hoping to shake an addiction that has held him in its grip for more than two years. Growing up in small-town England as the son of an immigrant shopkeeper, his experiences of racism, violence, and estrangement from the culture of his birth led him to seek a dangerous form of escape. As he rides out his withdrawal at his family's ancestral home--an abandoned farmstead, its china room mysteriously locked and barred--he begins to knit himself back together, gathering strength for the journey home.Partly inspired by award-winning author Sunjeev Sahota's family history, China Room is at once a deft exploration of how systems of power circumscribe individual lives and a deeply moving portrait of the unconquerable human capacity to resist them. At once sweeping and intimate, lush and propulsive, it is a stunning achievement from a contemporary master.