The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also—according to the police, according to her parents, according to everyone—a murderer.Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    While she cleans and organizes, she makes puzzling discoveries: expensive liquor that's not her mother's brand, a new flat-screen TV on the wall. Where is the money coming from?Evie will find an unlikely ally in Mina Yetner, her mother's ninety-year-old neighbor, who has noticed mysterious changes to the neighborhood herself. As the two women dig deeper into the past few months of Evie's mother's life, a larger, more sinister picture begins to emerge.

    A name, a time, a place.Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard.Late one night in April 1958, a filing assistant for Miss Brickett’s named Michelle White receives a letter warning her that a heinous act is about to occur. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect.Almost unwillingly, Marion Lane, a first-year Inquirer-in-training, finds herself being drawn ever deeper into the investigation. When her friend and mentor is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie—style locked-room mystery with an exciting new heroine detective at the helm.

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    Others are unspeakable . . .August 1939.Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realizes that she’s taken on more than she’d bargained for.Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone – or something – is stalking her through the darkened corridors of the house.As the disasters mount, Hetty finds herself falling under the spell of Lucy, Lord Lockwood’s beautiful but clearly haunted daughter. But why is Lucy so traumatized? Does she know something she’s not telling? And is there any truth to local rumours of ghosts and curses?Part love story, part mystery, The Animals at Lockwood Manor by Jane Healey is a gripping and atmospheric tale of family madness, long-buried secrets and hidden desires.

    When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    A highly skilled pyschometrist, he uses his talents to find and sell valuable antiques, but his quiet life in New Orleans is about to change. Stuart, a fellow pyschometrist and Roan’s close friend, has used his own abilities to unearth several out-of-place-artifacts or “ooparts”—like a ring that once belonged to the seventeenth-century mathematician and philosopher René Descartes, but was found buried in prehistoric bedrock.The relics challenge recorded history, but soon after the discovery, Stuart disappears, making him one of several psychometrists who have recently died or vanished without a trace. When Roan comes across a viral video of a young woman who has discovered a priceless pocket watch just by “sensing” it, he knows he has to warn her—but will Melicent Tilpin listen? And can Roan find Stuart before it’s too late?The quest for answers will lead Roan and Melicent around the world—before it brings them closer to each other and a startling truth—in the latest romantic thriller from Gwendolyn Womack, the bestselling, PRISM Award-winning author of The Memory Painter and The Fortune Teller.

    It’s where reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool… The dead woman had a red-hot secret about up-and-coming leading man Nick Tremayne, a scoop that Irene couldn’t resist—especially since she’s just a rookie at a third-rate gossip rag. But now Irene’s investigation into the drowning threatens to tear down the wall of illusion that is so deftly built around the famous actor, and there are powerful men willing to do anything to protect their investment. Seeking the truth, Irene finds herself drawn to a master of deception. Oliver Ward was once a world-famous magician—until he was mysteriously injured during his last performance. Now the owner of the Burning Cove Hotel, he can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago… With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under…

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .