The son of middle-class Norman parents, Becket rose against all odds to become the second most powerful man in England. As King Henry II’s chancellor, Becket charmed potentates and popes, tamed overmighty barons, and even personally led knights into battle. After his royal patron elevated him to archbishop of Canterbury in 1162, however, Becket clashed with the King. Forced to choose between fealty to the crown and the values of his faith, he repeatedly challenged Henry’s authority to bring the church to heel. Drawing on the full panoply of medieval sources, Guy sheds new light on the relationship between the two men, separates truth from centuries of mythmaking, and casts doubt on the long-held assumption that the headstrong rivals were once close friends. He also provides the fullest accounting yet for Becket’s seemingly radical transformation from worldly bureaucrat to devout man of God.   Here is a Becket seldom glimpsed in any previous biography, a man of many facets and faces: the skilled warrior as comfortable unhorsing an opponent in single combat as he was negotiating terms of surrender; the canny diplomat “with the appetite of a wolf” who unexpectedly became the spiritual paragon of the English church; and the ascetic rebel who waged a high-stakes contest of wills with one of the most volcanic monarchs of the Middle Ages. Driven into exile, derided by his enemies as an ungrateful upstart, Becket returned to Canterbury in the unlikeliest guise of all: as an avenging angel of God, wielding his power of excommunication like a sword. It is this last apparition, the one for which history remembers him best, that will lead to his martyrdom at the hands of the king’s minions—a grisly episode that Guy recounts in chilling and dramatic detail.   An uncommonly intimate portrait of one of the medieval world’s most magnetic figures, Thomas Becket breathes new life into its subject—cementing for all time his place as an enduring icon of resistance to the abuse of power.NAMED ONE OF THE BEST BOOKS OF THE YEAR BYKansas City Star • Bloomberg

    They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.Paris, 1490.  A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter, servant, and lady-in-waiting—before taking his designs north to the Brussels workshop where the tapestries are to be woven. There, master weaver Georges de la Chapelle risks everything he has to finish the tapestries—his finest, most intricate work—on time for his exacting French client. The results change all their lives—lives that have been captured in the tapestries, for those who know where to look.In The Lady and the Unicorn, Tracy Chevalier weaves fact and fiction into a beautiful, timeless, and intriguing literary tapestry—an extraordinary story exquisitely told.

    For years, Isabella is a loyal wife, who repeatedly salvages her husband's kingship, even as she endures his neglect. When she finally speaks out against Edward's favorite, Lord Hugh Despenser, her income, lands and children are taken from her. In an age when women are not supposed to openly defy their husbands, Isabella vows to get her children back and have her revenge on Despenser - no matter what the cost.Imprisoned in the Tower of London for leading a rebellion against King Edward, Mortimer escapes with Isabella's help and finds refuge in the French court. But when Isabella arrives in Paris to negotiate a peace treaty, it is a temptation the ambitious Mortimer cannot resist.

    Eleanor Cobham has married into the highest ranks of the aristocracy – she is now the Duchess of Gloucester. She and her husband, the Duke Humphrey, set up a court of their own to rival the royal court in London, surrounding themselves with fascinating and influential people.But Eleanor craves the one thing she lacks: a son and heir, and with him a possible route to the throne of England. Desperate, Eleanor turns to the one person she believes can help her: Margery Jourdemayne, a woman now remembered as the infamous Witch of Eye. Such help comes at a high price …

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.

    To send a clear message to the fallen monarch, the rebels executed four of the senior officers captured at the castle. Yet still, the king refused to accept he had lost the war. As France and other allies mobilized in support of Charles, a tribunal was hastily gathered and a death sentence was passed. On January 30, 1649, the King of England was executed. This is the account of the fifty-nine regicides, the men who signed Charles I’s death warrant. Recounting a little-known corner of British history, Charles Spencer explores what happened when the Restoration arrived. From George Downing, the chief plotter, to Richard Ingoldsby, who claimed he was forced to sign his name by his cousin Oliver Cromwell, and from those who returned to the monarchist cause and betrayed their fellow regicides to those that fled the country in an attempt to escape their punishment, Spencer examines the long-lasting, far-reaching consequences not only for those who signed the warrant, but also for those who were present at the trial and for England itself. A powerful tale of revenge from the dark heart of England’s past, and a unique contribution to seventeenth-century history, Killers of the King tells the incredible story of the men who dared to assassinate a monarch.

    This rich tapestry weaves a compelling saga of five families—the Wilsons, the Masons, the family of Porteus, the Shockleys, and the Godfreys—who reflect the changing character of Britain. As their fates and fortunes intertwine over the course of the centuries, their greater destinies offer a fascinating glimpse into the future. An absorbing historical chronicle, Sarum is a keen tale of struggle and adventure, a profound human drama, and a magnificent work of sheer storytelling.

    A stirring tale of romance and intrigue.

    A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his tale not one of a monster but of a man... and a contradiction.His tale is told by those who knew him best. The only woman he ever loved...and whom he had to sacrifice. His closest comrade...and traitor. And his priest, betraying the secrets of the confessional to reveal the mind of the man history would forever remember as The Impaler. This is the story of the man behind the legend...as it has never been told before.

    This is the story of the infamous Dreyfus affair told as a chillingly dark, hard-edged novel of conspiracy and espionage. Paris in 1895. Alfred Dreyfus, a young Jewish officer, has just been convicted of treason, sentenced to life imprisonment at Devil’s Island, and stripped of his rank in front of a baying crowd of twenty-thousand. Among the witnesses to his humiliation is Georges Picquart, the ambitious, intellectual, recently promoted head of the counterespionage agency that “proved” Dreyfus had passed secrets to the Germans. At first, Picquart firmly believes in Dreyfus’s guilt. But it is not long after Dreyfus is delivered to his desolate prison that Picquart stumbles on information that leads him to suspect that there is still a spy at large in the French military. As evidence of the most malignant deceit mounts and spirals inexorably toward the uppermost levels of government, Picquart is compelled to question not only the case against Dreyfus but also his most deeply held beliefs about his country, and about himself. Bringing to life the scandal that mesmerized the world at the turn of the twentieth century, Robert Harris tells a tale of uncanny timeliness––a witch hunt, secret tribunals, out-of-control intelligence agencies, the fate of a whistle-blower--richly dramatized with the singular storytelling mastery that has marked all of his internationally best-selling novels.

    Believed to be cursed by those who embrace ignorance and superstition, Auda's very survival is a testament to the strength of her spirit. But this is an age of Inquisition and intolerance, when difference and defiance are punishable "sins" and new ideas are considered damnable heresy. When darkness descends upon her world, Auda, newly grown to womanhood, is forced to flee, setting off on a remarkable quest to discover love and a new sense of self . . . and to reclaim her heritage and the small glory of her father's art.

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    Here, brought vividly to life in this most moving novel, is a man who inspired loyalty and hatred in almost equal measure, until at last the implacable enmity of one woman brought about his downfall.

    From the author of Imperial Governor. Normandy: 11th century: Young Walter has grown up at the abbey of Evreux, believing himself the son of the abbey’s superintendent Dean Fulk, and earns the nickname Tirel for his skill at archery. An unfortunate incident leads to him being sent away to endure the rigorous training of a squire in William the Conqueror’s household. At the same time he learns his true lineage, and how he has been deprived of his inheritance. He finds a friend in the Conqueror’s second son William Rufus, but is disgusted by certain aspects of his behaviour. He must also attach himself to Rufus’s feckless elder brother Robert Curthose in the hope of making his fortune and regaining his inheritance, but this leads him to make new enemies, and brings him together with his childhood sweetheart, the warrior-lady Isabel of Conches. ‘George Shipway’s progress as an historical novelist has established him in the enviable position of matching such masters of the genre as Harrison Ainsworth. No sloppy romantic make-believe; instead, Mr Shipway creates a vivid, definitive adventure story of the period.’ Sunday Telegraph ‘You could easily vaunt George Shipway’s latest novel as a saga of nymphomania, homosexuality, torture, witchcraft and bloodshed. But that would be to do it a great deal less than justice, for THE PALADIN blends its … ingredients into a very civilized novel. Mr Shipway promises a sequel, which softens the blow of reaching the final pages of this story.’ Daily Mail ‘Here is a rattling good yarn in the form of a historical novel. .. the details of life in castle and countryside are animated and evocative.’ Evening Standard ‘Vivid reconstruction of violent period of history probably nearer the truth than conventional notions of romantic chivalry.’ The Evening News ‘As delectable a piece of historical collage as you could wish for.’ Liverpool Daily Post ‘Power passion rather than rosy romance is the preoccupation of the giant Norman knights who stalk the pages of THE PALADIN by George Shipway . . . Its earthy often horrific images have a great physical presence...His sheer professionalism is a joy.’ Eastern Daily Press ‘This “account” of the young Norman lord’s (Tirel’s) earlier life is so vividly told that one waits eagerly the culmination in a second novel.’ Western Mail ‘George Shipway’s new book.… should make you late for dinner….In diamond-hard style he tells a meaty tale of bad barons, sadistic soldiery and persecuted peasants in post-Conquest Normandy. A disturbing picture of the so-called Age of Chivalry.’ Coventry Evening Telegraph This book was first published in the 1970s and has since been out of print. Contains passages which may be offensive to LGBT readers. ABOUT THE AUTHOR George Frederick Morgan Shipway was in 1908 in India and was educated at Clifton. He then attended the Royal Military College, Sandhurst and was commissioned into the Indian Army in 1928. He was attached the 2nd Battalion The Prince of Wales's Volunteers (South Lancashire), for one. After his year Shipway was posted to the 13th Duke of Connaught's Own Lancers. He spent two years (1936-1938) as Adjutant of the Mekran Levy Corps. In 1940-41 he became a General Staff Officer, at General Headquarters, India. He remained on the staff until 1944 when he was posted to serve with the Hyderabad Lancers.

    Queen. Saint. In eleventh-century Scotland, a young woman strives to fulfill her destiny despite the risks . . . Shipwrecked on the Scottish coast, a young Saxon princess and her family—including the outlawed Edgar of England—ask sanctuary of the warrior-king Malcolm Canmore, who shrewdly sees the political advantage. He promises to aid Edgar and the Saxon cause in return for the hand of Edgar’s sister, Margaret, in marriage.A foreign queen in a strange land, Margaret adapts to life among the barbarian Scots, bears princes, and shapes the fierce warrior Malcolm into a sophisticated ruler. Yet even as the king and queen build a passionate and tempestuous partnership, the Scots distrust her. When her husband brings Eva, a Celtic bard, to court as a hostage for the good behavior of the formidable Lady Macbeth, Margaret expects trouble. Instead, an unlikely friendship grows between the queen and her bard, though one has a wild Celtic nature and the other follows the demanding path of obligation. Torn between old and new loyalties, Eva is bound by a vow to betray the king and his Saxon queen. Soon imprisoned and charged with witchcraft and treason, Eva learns that Queen Margaret—counseled by the furious king and his powerful priests—will decide her fate and that of her kinswoman Lady Macbeth. But can the proud queen forgive such deep treachery?Impeccably researched, a dramatic page-turner, Queen Hereafter is an unforgettable story of shifting alliances and the tension between fear and trust as a young woman finds her way in a dangerous world.From the Hardcover edition.