In his "daring and urgent" (The New York Times Book Review) memoir, My Bright Abyss, he asks, "What is poetry's role when the world is burning?" Hammer Is the Prayer: Selected Poems might be read as an answer to that question.From the taut forms of his first book to the darker, more jagged fluencies of his second, into the bold and pathbreaking poems of his last two collections, Hammer Is the Prayer bears the reckless, restless interrogations and the slashing lyric intensity that distinguish Wiman's verse. But it also reveals the dramatic and narrative abilities for which he has been widely praised--the junkyard man in "Five Houses Down" with his "wonder-cluttered porch" and "the eyesore opulence / of his five partial cars," or the tragicomic character in "Being Serious" who suffers "the world's idiocy / like a saint its pains."Hammer Is the Prayer brings together three decades of Wiman's acclaimed poetry. Selected by the author, these poems reveal the singular music and metaphysical urgency that have attracted so many readers to his work and firmly assert his place as one of the most essential poets of our time.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    His fear of commitment doesn’t allow him to settle in one place until he loses everything.Whether it’s lost love, finding yourself or seeking companionship in lonely places ― this is for you.Delivered with witty metaphors, Malanda allows for his readers to embark on a journey with him. Every page is a layer of truth as he fights to understand himself and his counterparts redefining what it is to be a man in a ‘stoic-male’ society.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.

    I disagree. We are made up of stories. The stories we hear from our mothers, the ones we tell our daughters. The tales we share with sisters and friends. The ones we never say out loud, but are heavy on our minds and run like a fever in our blood.There are a multitude of great divides between us; race, religion, cultures, the way we dress, the languages we speak, but the stories we tell bridge us together in the universal tongue of smiles, tears, pain and laughter. They remind us that, as women, we’re all chasing similar fairy-tales.This book is a call to celebrate the bridges, delight in our stories and to focus on the joy in our lives right now, rather than racing behind the happily-ever-after. That will come in it’s own time.

    You can experience salvation and receive a new heart but still miss receiving your full spiritual inheritance. Juanita Bynum, best-selling author of Matters of the Heart, minces no words in explaining the scriptural significance for believers to understand the role spiritual authority plays in your inheriting all God destines for you. Your Spiritual inheritance comes only from submission. Looking in-depth at the lives of Samson, Saul, Uzziah, and Jesus, as well as her own life, Bynum explains the pattern for receiving - and not squandering - the mantle of anointing from God. Discover how submission to instruction and receiving correction from spiritual authority can draw you into destiny. The Bible's pattern is clear - spiritual leaders are to lead, and believers are to submit to their leadership for spiritual direction. Your spiritual inheritance - reserved especially for you - is awaiting your full obedience. Will you embrace the greatness God has put within you?

    Attempting to come to terms with it, he creates the Soundloft, a device that turns dreams into music. Helping him out are three of his best friends - Cantona, a promising Bangladeshi artist on the run from a construction company; Tights, a Chinese illegal immigrant with a pop culture fascination; and Shanti, a gifted lab technician hiding from her abusive husband. But when a powerful metaphysical entity begins haunting them, looking to find her way in the world of the living, he and his friends find themselves embroiled in a supernatural showdown that will result in either cartharsis, or the end of the world.

    They vowed to be friends forever, but Peaches, Sally Mae, Jan, and Roach drifted apart. It is Peaches's sudden death that brings them together again. The hip-swinging Sally Mae is a new grandmother; the beautiful and once-shy Roach has become a devout Muslim named Rasheeda; and the levelheaded Jan has launched her own business.Troubles like ours.The Justus Girls soon find out that they need each other now just as much as in the old days. Jan's husband has died and her business is faltering. Rasheeda faces the battle of her life, trying to keep custody of her two sons. And though Sally Mae doesn't know it yet, her past is about to catch up with her.Friendship we could all use.The JG's make a pact to find out what happened to Peaches, to meet once a week, and to reclaim their own lives. It's a pact that will take them through the old neighborhood, with all its characters, and reveal secrets that have remained unspoken for too long. Through it all, the Justus Girls rediscover the love, laughter, and support they had forgotten, but that rescues them just in the nick of time.

    The selection spans Thomas's writing lifetime, and it shows the full range of this tempestuous and meticulous artist who once cheerfully claimed that he had beast, angel and madman within him.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    And here, for the first time, is an anthology of poems from the show, chosen by Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

    Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community.