She finds herself both loving and being terrified by all the Australian outback has to offer, the country, the wildlife, but mostly the people. She meets the love of her life, but she must fight against an undercurrent of evil just to survive, let alone live happily ever after.Tom's a young jackeroo and heir to a large station. His first love was mysteriously murdered, and he's spent two years rebuilding his life and relationships, after spiralling into depression, drinking, fighting and risking being locked up for good. Could Maysa be his saviour?Tom and Maysa's romance is haunted by their recent past. When old demons re-emerge for Tom after a violent assault at the shearers camp, can he keep it together long enough to stay out of jail, to protect the woman he loves, and be the man he knows he can be.This is a dramatic outback romance in a real setting with colourful characters.

    In If You Were Here, the bestselling author of Red Dust and Crimson Falls reveals the events of thirty-five years ago, which led up to the mysterious disappearance of Brianna Donahue's mother from their family farm. Brianna is three years old and very much loved by her mother, Josie, and her father, Russell. What seems like an ordinary work day on the farm becomes a nightmare when Josie vanishes without a trace. Do the travellers found camping on their property have something to do with her disappearance or is it something more sinister?This original SHORT STORY by Fleur McDonald includes a sneak peek of her forthcoming novel Suddenly One Summer.

     Sick of being broke, vet nurse Kylie Douglas is intent on selling the outback homestead she inherited so she can get back to her normal life in Brisbane with some cash to burn. She has never really been attracted to the strong silent type, but when she meets Jack she senses there is something different about him.Still grieving for his wife and unborn child, Jack Lawson is intent on buying the outback homestead to keep their memories close. Jack knows he needs to move on with his life, but can he if he has to leave the homestead behind?When the homestead starts to unearth its many secrets, Kylie and Jack's worlds collide as the past comes back to haunt them. Will her grandmother's biggest secret tear both their worlds apart?

    A one-night stand with Natasha Peters has got her pregnant. Now he has two options: give up on his dream as a comedian and get a day job or abandon his responsibility and be a total dick. Only when Tash tells the full truth does a third possibility emerge...This story recounts the all too relatable experience of a fleeting sexual encounter and the hilarious mess it can create. It details all the things you think you know about safe sex and is inspired by the true story of a comedian in crisis.'The honesty shines through this funny, poignant page-turner. Finished it in one sitting. I just had to know!' — Dave Hughes'Simon is one of the top comedy writers out there.' — Jay Leno'This book will enable you to enter the mind of a comedian, but then you may have to call someone to help you get out.' — Akmal Saleh

    A cloudy autumn sky. The day started with 362 students and seventeen teachers. It ended with three people missing. ​Lisa and Jacob Johnstone had suffered a well-documented childhood of neglect and abuse. Everyone agreed that it needed to end. ​Jessica Bell was a kind and well-respected teacher. A strong and motivated woman, she only wanted the best for her students. Her own history of damage and pain had her believing that running away was the solution they had all been searching for. ​And so ensued a battle between right and wrong, good and evil, and common sense and the law. ​Miss Bell was not a bad woman. She was a good teacher. ​This is her story.

    Her estranged uncle Palmer may be dying, but he is the last person she wants to see, not when she’s made a new life far away from where she lost so much. But on his deathbed he utters a few enigmatic words about a secret locked away and a clue as to its whereabouts. Intrigued, Orla decides to stay, reconnecting with old friends and taking a chance on a long-time dream of opening the homestead to tourists. Continuing the search for her uncle’s elusive secret, she discovers far more than she bargained for – a shocking truth about her parents’ marriage, and the confession of a chilling murder. Set in the stunning countryside north of the Barrier Ranges near Broken Hill, this is an authentic tale of life on the land and a gripping mystery about old family secrets and finding love in the harsh Australian bush.

    Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    My tribe are aqua crew-cut goddesses who smell like samosas. My tribe are neurotic corporate banshees with white knuckles on Goldman Sachs water bottles. My tribe are seven different lineages that all lead to the same destination.’When Alice Williams gets ‘phased out’ of her dream job, all the demons she usually silences with food start to get too loud to ignore. Unemployed and depressed, she makes the ultimate middle-class, white-girl life change: she signs up to become a yoga teacher.Bad Yogi is the ‘healing’ memoir for people who hate healing memoirs, a delightful peek at the life-changing truth that lies behind all the gurus and jargon.

    So soon Chris finds herself in the country. Where the neighbours have deep secrets, her teenage daughter is bent on world domination, the bookkeeper is bent on revenge, and the alpaca is psychotic. By flying the coop she may have put all her eggs in one basket. And they’re each about to hatch.

    With these characters William will make us laugh and cry. And never again will we think that someone is just a regular bloke - everyone can be a king or a queen in their own suburb.

    But her sanctuary is shattered when a child goes missing and she becomes involved in the life and death search.Reed Kapua is also looking for a simpler life when he starts work as the new cop on the island, returning to the force after an on-the-job tragedy. But when he investigates a robbery at the home of the intriguing Sierra, complications start to multiply.Reed recruits Sierra after she revels she investigated a story on two child abductions years ago, believing there might be similarities to this new case. Sierra and Reed work together, racing to figure out the link, their sizzling attraction never far from the surface. When the bones of a second child are uncovered, Sierra becomes the next target of the predator. Then Reed discovers a terrible truth that will tear them apart. Can Reed and Sierra uncover the killer hiding in plain sight and heal their own shattered hearts before time runs out?

    By daybreak, her world has shifted. Max Carlisle, a troubled AFL star, can't stop what comes next. And Ruby, a single woman from the apartment block, is left with questions when she sees Jordi leave.In this remarkable novel, Rachel Matthews captures the characters of Jordi and her family, the players, and the often loveable inhabitants of a big city with a deceptive lightness of touch that seduces the reader. Siren reveals the often unnoticed life of a city while simultaneously drawing us deep into a dark and troubling world. What happens has an unexpected effect on all those who are both directly and indirectly involved.The result is a powerful and haunting novel about cultural stereotypes and expectations, love, loneliness, family and our struggle to connect. In so many ways, Matthews subtly sounds the siren on sexual violence and its prevalence in our culture.

    She's an icon to her fans, a darling of the media, schmoozed by television networks and an A-list guest at festivals abroad. She's a month and three countries into her current tour, a week away from home – through what exactly 'home' means is problematic these days. On a flight between gigs, a recurring dream raises disturbing questions. Haunting flashbacks provide clues to a past long ago buried – a secret life in another time, a life of lies, pacts and forbidden alliances. Then there's her relationship with Murray and where it went wrong. Out of the spotlight and beneath the punchlines, Meg discovers that memory will find a way to break the surface . . .