Roman Britain is seen not as a unique phenomenon but as similar to the other frontier regions of the Roman Empire. The Viking Age is viewed not only through the eyes of the invaded but from the standpoint of the invaders themselves—Norse, Danes, and Normans. In the later chapters, Davies follows the growth of the United Kingdom and charts the rise and fall of the main pillars of 'Britishness'—the Royal Navy, the Westminster Parliament, the Constitutional Monarchy, the Aristocracy, the British Empire, and the English Language.This holistic approach challenges the traditional nationalist picture of a thousand years of "eternal England"—a unique country formed at an early date by Anglo-Saxon kings which evolved in isolation and, except for the Norman Conquest, was only marginally affected by continental affairs. The result is a new picture of the Isles, one of four countries—England, Ireland, Scotland and Wales—constantly buffeted by continental storms and repeatedly transformed by them.

    Art

    A story that Jane Austen famously declined to tell, declaring: “I could no more write a romance than an epic poem.”Charlotte was the only legitimate royal child of her generation, and her death in childbirth resulted in a public outpouring of grief the like of which was not to be seen again until the death of Diana, over 150 years later. Charlotte’s death was followed by an unseemly scramble to produce a substitute heir. Queen Victoria was the product.James Chambers masterfully demonstrates how the personal and the political inevitably collide in scheming post-Napoleonic Europe, offering a vivid and sympathetic portrait of a couple whose lives are in many ways not their own. From the day she was born, Charlotte won the hearts of her subjects and yet, behind the scenes, she was used, abused, and victimized by rivalries—between her parents; between her father (the Prince Regent, later King George IV) and (Mad) King George III; between her tutors, governesses, and other members of her discordant household; and ultimately between the Whig opposition and the Tory government.Set in one of the most glamorous eras of British history, against the background of a famously dysfunctional royal family, Charlotte & Leopold: The True Story of The Original People’s Princess is an accessible, moving, funny, and entertaining royal biography with alluring contemporary resonance.James Chambers is a professional historian and author of many books on British and colonial history, including The Daily Telegraph History of the British Empire, which sold over 250,000 copies. He has also written extensively for television and made countless BBC TV and radio appearances.

    Between the death of Queen Victoria and the end of the Second World War, the nation was shaken by war and peace. The two wars were the worst we had ever known and the episodes of peace among the most turbulent and surprising. As the political forum moved from Edwardian smoking rooms to an increasingly democratic Westminster, the people of Britain experimented with extreme ideas as they struggled to answer the question "How should we live?" Socialism? Fascism? Feminism? Meanwhile, fads such as eugenics, vegetarianism, and nudism were gripping the nation, while the popularity of the music hall soared. It was also a time that witnessed the birth of the media as we know it today and the beginnings of the welfare state. Beyond trenches, flappers, and Spitfires, this is a story of strange cults and economic madness, of revolutionaries and heroic inventors, sexual experiments and raucous stage heroines. From organic food to drugs, nightclubs and celebrities to package holidays, crooked bankers to sleazy politicians, the echoes of today's Britain ring from almost every page.

    It was, however, a period when those who argued that a British empire would be a disaster for liberty were eventually squashed by imperialists, just as those who railed against mindless materialism were in the end rolled over by industrialists and the promoters of luxury goods. "The Making of Victorian Values" reveals an era when people were obsessed with the need to appear authentic, and yet forever had doubts about who was and who wasn't-concerns familiar to the "me" age we know so well. Wilson begins with the libertine spirit inspired by Byron, Shelley, and the Romantics; he ends with the rise and eventual victory of stolid middle-class values. The result is a radical tour de force, a brilliant reworking of the pre-Victorian age. Once portrayed by Paul Johnson in his bestselling "The Birth of the Modern" as the years when virtue finally trumped corruption, Wilson reveals a far more compelling story-and a more engrossing and scandalous one, too. It is a story about hypochondriacs and cranks, killjoys and dandies, rakes and priests, advocates of free-speech and those against it-people who were made awe struck by Britain's emerging role as the economic and political powerhouse of the world, but who were also deeply anxious about the responsibilities a vast empire might require. Wilson is heir to the great radical historians of the twentieth century, E. J. Hobsbawm and E. P. Thompson, among them. He brushes aside scholarly politesse and refuses to join in unnecessary academic point-settling, and his invigorating literary abilities will win many admirers who would otherwise know this history only through the works of nineteenth-century fiction.

    Born in obscurity in Putney, he became a fixer for Cardinal Wolsey in the 1520s. After Wolsey's fall, Henry VIII promoted him to a series of ever greater offices, such that in the 1530s he was effectively running the country for the King. That decade was one of the most momentous in English history: it saw a religious break with the Pope, unprecedented use of parliament, the dissolution of all monasteries, and the coming of the Protestantism. Cromwell was central to all this, but establishing his role with precision has been notoriously difficult.Diarmaid MacCulloch's biography is the most complete life ever written of this elusive figure, making connections not previously seen and revealing the channels through which power in early Tudor England flowed. It overturns many received interpretations, for example that Cromwell and Anne Boleyn were allies because of their common religious sympathies, showing how he in fact destroyed her. It introduces the many different personalities contributing to these foundational years, all worrying about what MacCulloch calls the 'terrifyingly unpredictable' Henry VIII, and allows readers to feel that they are immersed in all this, that it is going on around them. For a time, the self-made 'ruffian', as he described himself - ruthless, adept in the exercise of power, quietly determined in religious revolution - was master of events. MacCulloch's biography for the first time reveals his true place in the making of modern England and Ireland, for good and ill.

    Jackson Bate delves deep into the character that formed Johnson's awesome intellect and fueled his prodigious output. The first great modern biography of Johnson, it confirms that his statements and judgments on literature, politics, religion, behavior - on all human experience - are as relevant in our age as when they were first uttered. This new edition brings a modern classic back into print and includes a new preface from the author.

    In Samuel Pepys, Claire Tomalin offers us a fully realized and richly nuanced portrait of this man, whose inadvertent masterpiece would establish him as the greatest diarist in the English language.Against the backdrop of plague, civil war, and regicide, with John Milton composing diplomatic correspondence for Oliver Cromwell, Christopher Wren drawing up plans to rebuild London, and Isaac Newton advancing the empirical study of the world around us, Tomalin weaves a breathtaking account of a figure who has passed on to us much of what we know about seventeenth-century London. We witness Pepys’s early life and education, see him advising King Charles II before running to watch the great fire consume London, learn about the great events of the day as well as the most intimate personal details that Pepys encrypted in the Diary, follow him through his later years as a powerful naval administrator, and come to appreciate how Pepys’s singular literary enterprise would in many ways prefigure our modern selves. With exquisite insight and compassion, Samuel Pepys captures the uniquely fascinating figure whose legacy lives on more than three hundred years after his death.

    England had been ravaged for decades by conspiracy, violence, murders, coups and countercoups. Through luck, guile and ruthlessness, Henry VII, the first of the Tudor kings, had clambered to the top of the heap--a fugitive with a flimsy claim to England's throne. For many he remained a usurper, a false king.But Henry had a crucial asset: his queen and their children, the living embodiment of his hoped-for dynasty. Queen Elizabeth was a member of the House of York. Henry himself was from the House of Lancaster, so between them they united the warring parties that had fought the bloody century-long War of the Roses. Now their older son, Arthur, was about to marry a Spanish princess. On a cold November day sixteen-year-old Catherine of Aragon arrived in London for a wedding that would mark a triumphal moment in Henry's reign.In this remarkable book, Thomas Penn re-creates the story of the tragic, magnetic Henry VII--a controlling, paranoid, avaricious monarch who was entering the most perilous years of his long reign.Rich with drama and insight, Winter King is an astonishing story of pageantry, treachery, intrigue and incident--and the fraught, dangerous birth of Tudor England.

    Then she is publicly hanged alongside her attacker. These events took place in 1644, in Boston, where today they would beviewed with horror. How--and when--did such a complete transformation of our culture's attitudes toward sex occur?In The Origins of Sex, Faramerz Dabhoiwala provides a landmark history, one that will revolutionize our understanding of the origins of sexuality in modern Western culture. For millennia, sex had been strictly regulated by the Church, the state, and society, who vigorously and brutally attempted topunish any sex outside of marriage. But by 1800, everything had changed. Drawing on vast research--from canon law to court cases, from novels to pornography, not to mention the diaries and letters of people great and ordinary--Dabhoiwala shows how this dramatic change came about, tracing theinterplay of intellectual trends, religious and cultural shifts, and politics and demographics. The Enlightenment led to the presumption that sex was a private matter; that morality could not be imposed; that men, not women, were the more lustful gender. Moreover, the rise of cities erodedcommunity-based moral policing, and religious divisions undermined both church authority and fear of divine punishment. Sex became a central topic in poetry, drama, and fiction; diarists such as Samuel Pepys obsessed over it. In the 1700s, it became possible for a Church of Scotland leader tocommend complete sexual liberty for both men and women. Arguing that the sexual revolution that really counted occurred long before the cultural movement of the 1960s, Dabhoiwala offers readers an engaging and wholly original look at the Western world's relationship to sex.Deeply researched and powerfully argued, The Origins of Sex is a major work of history.

    With a wealth of detail, "A Journal of the Plague Year" seems almost a firsthand account, taking readers through the neighborhoods, houses, and streets that have drastically changed with the rising death toll. The bustle of business and errands gives way to doors marked with the cross to signify a house of death, as well as the dead-carts transporting those struck down to the mass graves as the dead rise in number to nearly 100,000. As the epidemic progresses and the narrator encounters more stories of isolation and horror, Defoe reveals his masterful balance as both a historical and imaginative writer.

    From York to Whitby, from London to Sutton Hoo, from Edinburgh to Anglesey, and from Hadrian's Wall to Loch Tay, each of his ten walking narratives form free-standing chapters as well as parts of a wider portrait of a Britain of fort and fyrd, crypt and crannog, church and causeway, holy well and memorial stone.Part travelogue, part expert reconstruction, In the Land of Giants offers a beautifully written insight into the lives of peasants, drengs, ceorls, thanes, monks, knights, and kings during an enigmatic but richly exciting period of Britain’s history.

    A compassionate and discerning exploration of the complex relationship between the server, the served, and the world they lived in, Servants opens a window onto British society from the Edwardian period to the present.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    Chief among them was Harriette Wilson, whose patrons included most of the distinguished men of the day, from the Duke of Wellington to Lord Byron. She held court in a box at the opera, attended by statesmen, poets, national heroes, aristocrats, members of the beau monde, and students who hoped to be immortalized by her glance. She wrote these memoirs in middle age, when she had fallen out of favor, and she advised her former lovers that 200 of them would be edited out. The result is an elegant, zestful, unrepentant memoir, which offers intimately detailed portraits of the Regency demimonde.