The worst was bad enough to get him fired - but the best landed him a new job, penning lurid articles for Real Detective magazine, one of the last of the true-crime pulps. Only the case they've got him working on, involving a beauty pageant contestant found dead on an Atlantic City beach, is one some very powerful men would rather see covered up than covered. And if Adam keeps digging, he may find he's digging his own grave...

    From the first to the last page, the ruthlessness of an inhuman killer is set down with stark realism. Chase's second book.A cold, ruthless racketeer, Dillon had risen from lackey gunman to Kansas City boss. Now he was big time, big money.But then Dillon started living it up with two young beauties - and began to make mistakes. And once Dillon's guard was down, an outsider got his chance to pull a gruesome doubletake.Death was right around the corner... Dillon didn't take his eyes off the exit to the dark alley. He went on, keeping his gun ready. The open street ahead of him, the deep shadows, and the knowledge that death was waiting for him made his nerves tingle.Quite suddenly two men sprang into the alley. Dillon could see them outlined against a street light. Instantly, he started firing before his brain telegraphed to his hand.One of the men tossed up his hands and fell forward, but the other ducked out of sight - now more determined than ever to see Dillon dead.Dillon has been out of the rackets for some time ; now he was ready to carve his way back in. Ambitious, cold-blooded, impatient, he just needed a start, and one or two unlucky people to help him on his way. He found them. Like Nick Gurney and Roxy, small-time operators who reckoned Dillon was the coming man...Myra, the curvaceous boxer's daughter tired of small-town life and reckless for excitement... and Hurst, the racketeer who ruled half a city. One way and another, they all helped Dillon, while Dillon helped himself. He didn't hear any complaints either, for a long time...

    For his centennial, The Library of America inaugurates its Macdonald edition with four classic novels from the 1950s, all featuring his incomparable protagonist, private investigator Lew Archer.Set against the background of a glittering yet darkly enigmatic Southern California, Macdonald’s books are both unsurpassed entertainments and emotionally powerful evocations of an outwardly prosperous, inwardly turbulent America. Macdonald mastered the hard-boiled detective form early on and brought to it a prose style of extraordinary beauty. The four novels collected in this volume reveal him broadening the genre into an intensely personal means of expression, transforming the tragedies and dislocations of his own life into haunting fiction. “My interest,” he wrote to his publisher, “is the exploration of lives.”In The Way Some People Die, Lew Archer embarks on a missing persons case that starts at a house in Santa Monica “within earshot of the coast highway and rifleshot of the sea,” and takes him on a violent and twisted journey through Los Angeles high and low. The Barbarous Coast exposes a world of hidden crime and corruption in the movie business, as Archer intrudes on the well-protected secrets of a studio head. A gripping and tightly knit drama of madness and self-destruction, The Doomsters signaled a breakthrough in the Archer novels with its exploration of “an alternating current of guilt” within a family, a theme to which Macdonald would often return. The Galton Case, one of the standout masterpieces of the detective form, is a mythically charged and deeply personal book that traces the calamitous consequences of a young man’s claim to be the lost heir to a fortune. For Macdonald The Galton Case marked a turning point in his career, the realization of his quest to create fiction from “some of the more complicated facts of my experience.”As a special feature, this volume includes five important statements—among them the famous essay “Writing The Galton Case”—in which Macdonald reveals the autobiographical background of his books and his understanding of his own contribution to the evolving genre of detective fiction.

    She owns a small motor-inn motel on a major highway in South Georgia. The summer heat is still strong in the waning days of October, and she is tired from a long summer season. As the evening progresses, Ginny’s motel begins to fill-up. There is Johnny Benton, a strange motel guest who insists on parking his car behind the motel, a would-be suitor named Don Ferris, a guest that is the catalyst for a long and frightening night, and then there is the dead husband whose long shadow is cast across Ginny’s life like a long heavy rain...

    But it's all the money in the world to the struggling Cuban exiles of Miami who rescued Morgan the Raider. So when it's snatched by a man the Cubans trusted, Morgan sets out to get it back.A simple favor but as the bodies pile up - dead men and beautiful women - the Raider wonders what kind of Latin hell he's gotten himself into, and just who or what is the mysterious Consummata?Begun by mystery master Mickey Spillane in the late 1960s and completed four decades later by his friend Max Allan Collins (Road to Perdition), The Consummata is the long-awaited follow-up to Spillane's bestseller The Delta Factor - a breathtaking tale of treachery, sensuality, and violence, showcasing two giants of crime fiction at their pulse-pounding, two-fisted best.

    It begins with a beautiful woman dead, murdered—Vassilia Caroline Baird, known to all simply as V. That’s where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, SO MANY DOORS is Hall’s masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.

    ...and two robbers hired by a local crime boss manage to heist half a million dollars from an armored car. But getting the money and getting away with it are two different things, especially with a blizzard coming down, the cops in hot pursuit, and a double-crossing gambler and a murderous park ranger threatening to turn this white Christmas blood red.

    But no one knows THE SHADOW. Cloaked in darkness and mystery, the man in black is a legend to those who have felt his remorseless hand: The Underworld. One step outside the law and many leagues ahead of the police in the battle against crime, he haunts the forbidding canyons of Manhattan with a mocking laugh that strikes terror into the souls of the guilty everywhere.With his invisible network of crimefighters who have pledged him their loyalty--and their lives, THE SHADOW stalks a trial of blood that begins with a strange Chinese coin and ends with a king's ransom in jewels. A fortune leading straight into the trap of a brilliant master criminal who has just pulled the job of a lifetime--in another man's skin! Has THE SHADOW met his match at last?(Originally published in The Shadow Magazine, Volume I, April/June 1931.)

    This text shows how The Big Sleep signalled a change in the nature of Hollywood cinema, as the director Howard Hawks shot extra scenes, "fun" scenes, to replace the ones in which the murders are explained, and in so doing left the plot unresolved.

    Leaming chronicles the Academy Award-winner's work in such memorable films as Of Human Bondage, Jezebel, Dark Victory, All About Eve, and Whatever Happened to Baby Jane?, as well as her four unhappy marriages, her notorious legal battle with Warner Bros., and her struggles with both alcoholism and mental illness.

    But few contemporary fans of this story of a woman’s self-realization know its source. Olive Higgins Prouty’s 1941 novel Now, Voyager provides an even richer, deeper portrait of the inner life of its protagonist and the society she inhabits. Viewed from a distance of more than 60 years, it also offers fresh and quietly radical takes on psychiatric treatment, traditional family life, female desire, and women’s agency.Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise—and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself. While Now, Voyager is a tear-jerking romance, it is at the same time the empowering story of a woman who finds the strength to chart her own course in life; who discovers love, sex, and even motherhood outside of marriage; and who learns that men are, ultimately, dispensable in the quest for happiness and fulfillment.Olive Higgins Prouty (1882–1974), like many of her characters a wealthy Bostonian, was the author of ten novels, including Stella Dallas (1923), which became the basis for three films and a long-running radio serial. A graduate of Smith College, Prouty endowed a writer’s scholarship at Smith that was received by Sylvia Plath, who later portrayed her patron unflatteringly in The Bell Jar.

    Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to 82 of its best films.Into the Dark is the first book to tell the story of film noir in its own voice. Author Mark A. Vieira quotes the artists who made these movies and the journalists and critics who wrote about them, taking readers on a year-by-year tour of the exciting nights when movies like Double Indemnity, Mildred Pierce, and Sunset Boulevard were sprung on an unsuspecting public. For the first time, we hear the voices of film noir artists speak from the sets and offices of the studios, explaining the dark genre, even before it had a name. Those voices tell how the genre was born and how it thrived in an industry devoted to sweetness and light.Into the Dark is a ticket to a smoky, glamorous world. You enter a story conference with Raymond Chandler, visit the set of Laura, and watch Detour with a Midwest audience. This volume recreates the environment that spawned film noir. It also displays the wit and warmth of the genre's artists. Hedda Hopper reports on Citizen Kane, calling Orson Welles "Little Orson Annie." Lauren Bacall says she enjoys playing a bad girl in To Have and Have Not. Bosley Crowther calls Joan Crawford in Possessed a "ghost wailing for a demon lover beneath a waning moon." An Indiana exhibitor rates the classic Murder, My Sweet a "passable program picture." Illustrated by hundreds of rare still photographs, Into the Dark conveys the mystery, glamour, and irony that make film noir surpassingly popular.About TCM:Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.

    Three little children, found abandoned in different parts of the country. Three wonderfully sweet and startlingly gifted children who won the hearts of the grown-ups who adopted them.But now all three children were gone. Had they run away or been stolen? Their foster parents had to find them to find out. And on a rescue search that led them across America and into a world-within-a-world ruled by a psychically terrifying envoy of evil, little did they realize that the young ones they loved so briefly were now the unwitting possessors of a deadly power to harm.

    David Young is a lieutenant in the United States Naval Reserve, returning to active duty. On his way to Norfolk Naval Base in the middle of the night, Young hitches a ride with Lawrence Wilson, an ill-tempered man who explains how he was recently fired from the Navy Department for alleged seditious activities. Young is suddenly attacked by the stranger and loses consciousness. When he awakens, he is laying in a hospital bed with his head wrapped in bandages. The nurse calls him "Mr. Wilson" and informs him that he is lucky to be alive after such a horrific car accident. Things get even stranger when his supposed wife -- a brunette bombshell named Elizabeth -- checks the still-sedated Young out of the hospital and takes him home. Without even realizing it, Young becomes the main target of a killer -- or killers -- involved in an intricate Communist plot that threatens the security of the nation. It's a testament to Hamilton's narrative brilliance that Night Walker is just as wildly compelling today as it was when it was originally released in 1954. This timeless pulp classic has it all: down-and-dirty fall guys, sexy damsels in distress, sadistic villains, elaborate conspiracies -- an absolute must-read for any and all discerning connoisseurs of mystery. Paul Goat AllenCover art for Dell First Edition 27 by Carl Bobertz

    Leaving a trail of bodies in his wake, Bill Wayne journeys across the West to discover which one of his former army buddies shot him in the back and left him for dead.