"Benito Cereno" -- a subversive satire -- of grows out of a true story of mutiny among the enslaved . . .1."The Piazza"2."Bartleby the Scrivener" (first published in Putnam's November and December 1853)3."Benito Cereno" (first published in Putnam's October, November and December 1855)4."The Lightning-Rod Man" (first published in Putnam's August 1854)5."The Encantadas or Enchanted Isles" (first published in Putnam's March, April, and May 1854)6."The Bell-Tower" (first published in Putnam's August 1855)

    He questions her and finds she thought she was in the apartment of his neighbor, Morris Barnes, who lives above him. While he is on the telephone, she quietly slips out of his flat and heads to Barnes’ abode. A few hours later, she is once again at his door – this time looking scared and faint. She asks Wrayson to escort her downstairs as the hallway is unlit. As they emerge, a hansom sits at the doorway with Morris Barnes in it. But, they discover that Barnes has been strangled. Wrayson soon learns that the young lady is the estranged older daughter of a club acquaintance, retired Colonel Fitzmaurice. He also discovers that he has fallen in love with her. The big question however, has he fallen for a murderess? How can he discover the truth? In typical Oppenheim style, this “whodunit” weaves a tangled web and one must wait until the end to discover the surprising truth. (Summary by Tom Weiss)

    There have also been questions posted on Ask.com and other places regarding the veracity of the events in this book. Reece writes for therapy. After an unusual and generally unhappy childhood, writing is all he has - apart from work. After his ninth book he is still getting rejection slips from publishers. No one likes rejection, least of all Reece. He hits on a plan, write a first person account on the inner workings of a Serial Killer's mind. Especially while the memory of the killing is still fresh. All it takes is Research! See for yourself why this book has had so many positive reviews - you will either love it or hate it but you won't forget it. Reece rocks!

    

    Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

    Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, Lovecraft saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he died at the age of 46.

    

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    heroin trade. Mark Hardin... He'd learned how in Vietnam: Infiltrate the enemy's position, determine the plan of action and then strike swiftly, taking out as many key men as possible, wreaking destruction, leaving chaos in your wake. He is a new breed of warrior, without uniform, without rank - dedicated to the American way of life, and pledged to fight anyone who seeks to destroy it. On either side of the law. That's why he's in Los Angeles. Just the beginning of a long and lonely series of brush fire wars.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.