Pitch-perfect and hilarious role-reversal featuring Hollywood Bliss Winterman, daughter of a pop idol - enormously rich, hugely famous and impressively high maintenance

    With unprecedented access to the Lee family and new interviews with stars and celebrities—including Denzel Washington, Halle Berry, Rosie Perez, Adrien Brody, John Turturro, and many others—film critic Kaleem Aftab chronicles Spike Lee's explosive rise to stardom, exploring such important issues as Black Nationalism, Hollywood stereotyping, and the rise of a powerful black middle class. Lee's prominence in American culture continues in 2006 with the release of The Inside Man and a forthcoming documentary on Hurricane Katrina. Spike Lee tells us as much about the last two decades of American social history as it does about the life of this fascinating director.

    The higher she climbs, however, the more her jealous, controlling husband tries to pull her back down. Desperate to hold onto the things she loves, yet driven to achieve more, Ginger must make choices that are both extraordinary difficult--and ultimately freeing.

    What really attracts women? How do you ask for her phone number without getting rejected? Which first dates really work, and which are a one way ticket to rejection? What exactly is the friend zone, and how can you get out of it? Tynan, also known as Herbal, is one of the most well known pickup artists in the world, made famous by the New York Times Bestseller, The Game. Taught by the greatest pickup artists in the world, including Mystery from The Pick Up Artist on VH1, Tynan has developed his own style which focuses on authenticity, building relationships, and integrating pickup with normal life.

    Offered for free by Apple and Touchstone, a trademark of Simon & Schuster Inc., contains selections from the two books mentioned in the title.

    Fearing her father's wrath, Coreen is sent to a relative's house--with her mother's consent--until she's able to delivery the baby. A cruel woman, Coreen's aunt emotionally and physically abuses her; relieved when the baby is born so she can finally leave her aunt's home, Coreen gives the baby up for adoption and in her haste, knows nothing about the child--even its own gender. Thirty years later, as an adult, Coreen Holmes Treadwll is married and the mother to two stepsons; now head of a social welfare agency and an expert on the welfare of women and girls, she is distressed at the prospect of appearing a friendly witness before a senate investigating committee. Fearful that her past will be exposed--something her family knows nothing about--Coreen must deal with her past head on, before it's too late.

    The book gives readers a whole new set of subjects to see through her sophisticated, sardonic eyes. Sandra Bernhard is the author of Confessions of a Pretty Lady.

    Then sixth grade happened. Suddenly finding herself a favorite target of bullies, Rachel endures an endless year of escalating abuse. Adults turn a blind eye, or worse, blame her. At the end of that year, she vows to forget what happened at George Washington Elementary and move on with her life. Unfortunately, this is easier said than done, as she finds herself caught in a life long trap, continuously seeking validation from abusive men who remind her of her long gone bullies. The Playground illustrates the lasting trauma caused by childhood bullying, demonstrating how it continues to adversely affect the life of its victims many years after the bullies have vanished. Note: This book contains some sexually explicit scenes. It is intended for mature audiences only.

    In fact, she may even be a lot like you. In her fast-moving world, she might be called on as a friend, coworker, daughter, girlfriend, confidante, brat, cynic, or domestic-goddess-in-training. She's willing to juggle pretty much anything that gets thrown her way, but the one label she simply won't embrace is ma'am.Like so many bright-eyed college graduates before her, Mitchael begins her twenties armed with the conviction that the world is hers for the taking. And she discovers that it is, mostly—only no one told her just how often she’d have to pick herself up off the floor along the way.Written for every woman who’s experienced the ups and downs of trying to figure out who you’re really meant to be, Just Don’t Call Me Ma’am is a story of one woman and the choices that add up to be her twentysomething life—and of how sometimes you have to remember where you came from before you can figure out where you’re going.

    Charles Goodwin, the garden committee president, would like the garden to stay just the way it is. Lord Vernon of Barnstable, the appalling life peer, has plans for the garden. Bryony Mullins, the gusset-mouthed harridan, doesn't give a flying knicker elastic what happens to the garden as long as it's not what Vernon wants. Angel Tenby, the sexually organic gardener, wants the garden to run free. Mrs Kotzen, the neighbour, wants the garden to be chic. The vicar wants the garden to be accessible and relevant. Lily Ng, the teenage daily, would probably think the garden silly if she thought about it at all; she wants to offer sex in lieu of ironing. Mona Corinth, the Hollywood legend, is dead and may be about to become part of the garden. Iona Wallace is the obligatory love interest. She would like to be a garden: laid, forked, plucked, seeded, mulched, vigorously pollarded, bedded and admired for her natural beauty. The garden wants absolutely nothing at all.Sap Rising may well be a story about dark dank nature both human and vegetable and our uneasy relationship with the mystic natural forces that move the earth. It may be a parable on the fragile consensus that maintains and tends green England. On the other hand, it might just be a farcical love story set in a garden about nothing of any consequence performed by comic grotesques with a lot of swearing and unnatural sex.

    An aspiring artist who is living in New York State and discovers a mystery unfolding around her when a letter from her deceased mother shatters everything she has ever believed about herself. When Lily opens the package left to her by her mom, she finds an ornate key, a careworn journal, old photos, and a peculiar letter with curious instructions to head to Sweet Briar, Georgia. Lily not only discovers her birthplace, and a plethora of new relatives but also come to realize they are all witches. She is, in fact, a witch herself. A dark one. As she humorously wanders her way through discovering her new reality, Lily manages to find a place to call home, makes a new best friend, meets a bevy of great looking men to keep her distracted and learns to deal with her whacky relations. Throw in a decades-old murder along with a new body to cross her path, and Lily is embroiled in a tale that tests her resolve and has her questioning whether or not being a little wicked can make everything right in her world! Book one of the Lily Sweet Mysteries is here for you to enjoy...with many more in the series to follow!

    Johnson’s hard-hitting investigative series won a Pulitzer Prize, inspired a screenplay by Arthur Miller, and prompted Elia Kazan’s Oscar-winning film On the Waterfront. And yet J. Edgar Hoover denied the existence of organized crime - even as the government’s dramatic hearings into waterfront misdeeds became mustsee television.Nathan Ward tells this archetypal crime story as if for the first time, taking the reader back to a city, and an era, at once more corrupt and more innocent than our own.

    Hoping for a new start, the Islanders swapped out their distinctive logo, which featured the letters NY and a map of Long Island, for a cartoon fisherman wearing a rain slicker and gripping a hockey stick. The new logo immediately drew comparisons to the mascot for Gorton’s frozen seafood, and opposing fans taunted the team with chants of “We want fish sticks!” During a rebranding process that lasted three torturous seasons, the Islanders unveiled a new mascot, new uniforms, new players, a new coach, and a new owner that were supposed to signal a return to championship glory. Instead, the team and its fans endured a twenty-eight-month span more humiliating than what most franchises witness over twenty-eight years. The Islanders thought they had traded for a star player to inaugurate the fisherman era, but he initially refused to report and sulked until the general manager banished him. Fans beat up the new mascot in the stands. The new coach shoved and spit at players. The Islanders were sold to a supposed billionaire who promised to buy elite players; he turned out to be a con artist and was sent to prison. We Want Fish Sticks examines this era through period sources and interviews with the people who lived it.

    Hold your breath. Justin wants a sex life, not a sex death. Rebecca has breasts but doesn't understand them. She needs to talk to Dostoevsky about erections, hairy armpits and firing squads. Life is difficult. Steve wants cash so he can enjoy his trendy body. He wants Carly too, but she just wants a never-ending orgasm. Johnny wants to be touched and, if possible, he'd like to seem happy. Colin wants to know why tits make his fists clench.This is their story. They try their best. They drag their feet through the fashions, the foul, the famous and the drunk of twenty-first century Britain. They're looking for happiness. What they find is friction.

    The central characters of this play portray the modern, middle-class, Indian family: a daughter who lives inAustralia with her husband and children, a son who is a media professional, a younger daughter who is willing to marry a 'suitable' boy from the US whom she has never met, a doting mother, an ageing father rapidly losing his authority, and a loyal cook. Wedding Album operates at two levels: it explores the traditional Indian wedding in a globalized, technologically-advanced India even as it juxtaposes the very different life experiences and expectations of the family and the loyal cook. By doing this, Karnad reveals how particular notions ofwealth, well-being, sexual propriety, tradition, and modernity form the basis of middle-class society in contemporary India. This play has already been staged at numerous venues and was translated by Karnad himself from Kannada into English. An outstanding addition to OUP's corpus of plays by Girish Karnad, this volume will be of value not only to students and teachers of modern Indian drama, but also to general readers.