With The Ruined Map, he crafted a mesmerizing literary crime novel that combines the narrative suspense of Chandler with the psychological depth of Dostoevsky.Mr. Nemuro, a respected salesman, disappeared over half a year ago, but only now does his alluring yet alcoholic wife hire a private eye. The nameless detective has but two clues: a photo and a matchbook. With these he embarks upon an ever more puzzling pursuit that leads him into the depths of Tokyo’s dangerous underworld, where he begins to lose the boundaries of his own identity. Surreal, fast-paced, and hauntingly dreamlike, Abe’s masterly novel delves into the unknowable mysteries of the human mind.Translated from the Japanese by E. Dale Saunders.

    But the apartment’s electricity hasn’t been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Yōko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and water and naming it Kin.Inhabitation unfolds from there, following the complications in Tetsuyuki’s relationship with Yōko, a friendship with his supervisor who hides his heart disease at work, and his father’s creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin’s peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki’s human relationships.For more than four decades, Teru Miyamoto’s gentle prose—which often explores a kind of spiritual isolation—has enthralled Japanese readers. Now, translator Roger K. Thomas brings one of Miyamoto’s most well-loved novels to an English-speaking audience for the first time.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

    Shimazaki's 1906 classic of modern Japanese literature portrays a young man born into the Burakumin outcaste class and his struggle against both social discrimination and his own hypocrisy.

    In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

    In this, his Mishima Prize-winning masterpiece, Masatsugu Ono considers a fishing village on the Japanese coast. Here a new police chief plays audience for the locals, who routinely approach him with bottles of liquor and stories to tell. As the city council election approaches, and as tongues are loosened by drink, evidence of rampant corruption piles up--and a long-held feud between the village's captains of industry, two brothers-in-law, threatens to boil over.Meanwhile, just out of frame, the chief's teenage daughter is listening, slowly piecing the locals' accounts together, reading into their words and poring over the silence they leave behind. As accounts of horrific violence--including a dangerous attempt to save some indentured Korean coal mine workers from the Japanese military police and the fate of a group of Chinese refugees--steadily come into focus, she sets out for the Bay, where the tide has recently turned red and an ominous boat from the past has suddenly reappeared.Populated by an infectious cast of characters that includes a solemn drunk with a burden to bear; a scarred woman constantly tormented by the local kids' fireworks; a lone communist; and the "Silica Four," a group of out-of-work men who love to gossip--Echo on the Bay is a quiet, masterful epic in village miniature. Proof again that there are no small stories--and that History's untreated wounds, no matter how well hidden, fester, always threatening to resurface.

    As Hiro tentatively decides to reenter the world, he spends his days observing life around him from a park bench. Gradually he makes friends with Ohara Tetsu, a middle-aged salaryman who has lost his job but can't bring himself to tell his wife, and shows up every day in a suit and tie to pass the time on a nearby bench. As Hiro and Tetsu cautiously open up to each other, they discover in their sadness a common bond. Regrets and disappointments, as well as hopes and dreams, come to the surface until both find the strength to somehow give a new start to their lives. This beautiful novel is moving, unforgettable, and full of surprises. The reader turns the last page feeling that a small triumph has occurred.

    Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    A keepsake enjoyed by tea lovers for over a hundred years, The Book of Tea Classic Edition will enhance your enjoyment and understanding of the seemingly simple act of making and drinking tea.In 1906 in turn-of-the-century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner, Boston's most notorious socialite. It was authored by Okakura Kakuzo, a Japanese philosopher, art expert, and curator. Little known at the time, Kakuzo would emerge as one of the great thinkers of the early 20th century, a genius who was insightful, witty—and greatly responsible for bridging Western and Eastern cultures. Okakura had been taught at a young age to speak English and was more than capable of expressing to Westerners the nuances of tea and the Japanese Tea Ceremony.In The Book of Tea Classic Edition, he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that tea-induced simplicity affected the culture, art and architecture of Japan.Nearly a century later, Kakuzo's The Book of Tea Classic Edition is still beloved the world over, making it an essential part of any tea enthusiast's collection. Interwoven with a rich history of Japanese tea and its place in Japanese society is a poignant commentary on Asian culture and our ongoing fascination with it, as well as illuminating essays on art, spirituality, poetry, and more. The Book of Tea Classic Edition is a delightful cup of enlightenment from a man far ahead of his time.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.

    Her family and friends are shocked and terrified. The pass—which tunnels through a mountainous region of southern Japan—has an eerie history: a hideout for robbers, murderers, and ghostly creatures lurking at night. Soon afterward, a young construction worker becomes the primary suspect. As the investigation unfolds, the events leading up to the murder come darkly into focus, revealing a troubled cast of characters: the victim, Yoshino, a woman much too eager for acceptance; the suspect, Yuichi, a car enthusiast misunderstood by everyone around him; the victim’s middle-aged father, a barber disappointed with his life; and the suspect’s aging grandmother, who survived the starvation of postwar Japan only to be tormented by local gangsters. And, finally, there is desperate Mitsuyo, the lonely woman who finds Yuichi online and makes the big mistake of falling for him.  A stunningly dark thriller and a tapestry of noir, Villain is the English-language debut for Shuichi Yoshida, one of Japan’s most acclaimed and accomplished writers. From desolate seaside towns and lighthouses to love hotels and online chat rooms, Villain reveals the inner lives of men and women who all have something to hide. Part police procedural, part gritty realism, Villain is a coolly seductive story of loneliness and alienation in the southernmost reaches of Japan.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    There’s Toshi, the dependable one; Terauchi, the great student; Yuzan, the sad one, grieving over the death of her mother—and trying to hide her sexual orientation from her friends; and Kirarin, the sweet one, whose late nights and reckless behavior remain a secret from those around her. When Toshi’s next-door neighbor is found brutally murdered, the girls suspect the killer is the neighbor’s son, a high school boy they nickname Worm. But when he flees, taking Toshi’s bike and cell phone with him, the four girls get caught up in a tempest of dangers—dangers they never could have even imagined—that rises from within them as well as from the world around them.Psychologically intricate and astute, dark and unflinching, Real World is a searing, eye-opening portrait of teenage life in Japan unlike any we have seen before.