This is a women’s world: the mother, Fatma, nurtures her three children, with the grandmother Ayşe and the “aunties” of the neighbourhood, while Mustafa, the often unemployed father, recites Orhan Veli and drinks copious rakı, dreaming of building a larger family home. Here is the Turkey of the 1950s and early 1960s, with its political struggles, growing urbanisation, the Korean War, American comic books and the departure of the first wave of workers to Germany. The Anatolian grandparents carry with them their sagas of the war and the nascent Turkish Republic, enriched by wisdom, humour and village folklore. The author’s wonderful use of local narrative, storytelling, proverbs and prayers, and a prose that moves from the lyrical to gritty humour, re-creates this microcosm of neighbourhoods from a young girl’s intimate perspective. We follow her as she sits in school, visits relatives, dreams, listens to stories and experiments with early passions. Reality merges into mythological visions as, naïve, witty and explorative, she absorbs the colourful world around her.

    After he marries a woman he had seen eight years earlier, the story becomes, on one level, an analogy between his temporary sexual impotence and the position of intellectuals. A year later he is ready to abandon his wife and escape from the camp. Cameo appearances by philosophic and literary figures (Marx and Meng-tz, Othello and Song Ji) and discussing China and sex allow the incorporation of non-novelistic elements while indulging in gallows humor.

    Official circles perceived "Sobor" sharply negatively, because the novel, rejecting the dogmatism of class ideas, affirmed universal, humanistic values.The Council is a philosophical novel that examines important social and national issues in terms of the eternal humanistic truths that human civilization must be guided by in order to avoid destruction and annihilation.

    Now they meet as old friends at a glittering New Year's Eve party to welcome in the 1980s. It is the dawn of the Thatcher era, and Britain is on the brink of great social and political upheaval. How will these three ambitious and confident middle-aged women survive the personal and professional challenges, and the changing values of the next decade? The Radiant Way brilliantly explores their loves, losses, hopes and fears, and the strength of their friendship.

    The aftermath of Armageddon, of course, is the world's glorious opportunity to embrace Russia's New Theology, guaranteed to cure or kill. - The American Mercury, December 1936. (http://www.unz.org/Pub/AmMercury-1936...)

    It is an autobiographical novel of Lowry's return to Mexico to look for his friend Marquez. The main character, an alcoholic writer, has problems finishing his books and with his publishers.

    Charles is a modern libertine, dedicated to vice and depravity, while his twin Robert is a priest so devout that he is nicknamed L'Abbé'. When the sexually wild Eponine intrudes upon their suffocating relationship, anguish, delirium, and death ensue.Other works by Georges Bataille published by Marion Boyars include Blue of Noon and My Mother Madame Edwarda and the Dead Man.

    Winner of the Egon Hostovský Prize as the best Czech book of the year, this epic novel powerfully captures the sense of dislocation that followed the Czechs’ newfound freedom in 1989. More than just the story of its young protagonist—who is part businessman, part gang member, part drifter—it is a novel that includes terrifying dream scenes, Czech and American Indian legends, a nightmarish Eastern European flea market, comic scenes about the literary world, and an oddly tender story of the love between the protagonist and his spiritual sister.

    Matigari is in search of his family to rebuild his home and start a new and peaceful future. But his search becomes a quest for truth and justice as he finds the people still dispossessed and the land he loves ruled by corruption, fear, and misery. Rumors spring up that a man with superhuman qualities has risen to renew the freedom struggle. The novel races toward its climax as Matigari realizes that words alone cannot defeat the enemy. He vows to use the force of arms to achieve his true liberation. Lyrical and hilarious in turn, Matigari is a memorable satire on the betrayal of human ideals and on the bitter experience of post-independence African society.

    Upon their return to England, Amy is ungratefully reluctant to maintain their friendship, but the skeins of their existence seem inextricably linked as grief gives way to resilience and again to tragedy. Reversals of fortune and a compelling cast of characters, including Ernie, ex-sailor turned housekeeper, and Amy's wonderfully precocious granddaughters, add spice to a novel that delights even as it unveils the most uncomfortable human emotions.

    But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

    Hatterr is one of the most perfectly eccentric and strangely absorbing works modern English has produced. H. Hatterr is the son of a European merchant officer and a lady from Penang who has been raised and educated in missionary schools in Calcutta. His story is of his search for enlightenment as, in the course of visiting seven Oriental cities, he consults with seven sages, each of whom specializes in a different aspect of “Living.” Each teacher delivers himself of a great “Generality,” each great Generality launches a new great “Adventure,” from each of which Hatter escapes not so much greatly edified as by the skin of his teeth. The book is a comic extravaganza, but as Anthony Burgess writes in his introduction, “it is the language that makes the book. . . . It is not pure English; it is like Shakespeare, Joyce, and Kipling, gloriously impure.”

    His peaceful routine is disrupted by Madam Jeanne and Lise. In love with the former and loved by the latter, Bedros must reconcile his Armenian background with his Parisian lifestyle.

    Her memories of her childhood in Innisfail, New York are by turns romantic and traumatic. The early violent death of her father and abandonment by her mother have left her with a permanent sense of dislocation and loss. After decades apart, Marya becomes determined to find the mother who gave her away. In searching for her past, Marya changes her present life more than she could ever have imagined. Vividly evoking the natural beauty of rural upstate New York, and the complex emotions of a woman artist, Marya: A Life is one of Joyce Carol Oates's most deeply personal and fully-realized novels.

    But in this city redolent of timeworn customs, where pilgrims bathe in the sacred Ganges and breathe in smoke from burning ghats along the shore, Samar is offered entirely different perspectives on his country. Miss West and her circle, indifferent to the reality around them, represent those drawn to India as a respite from the material world. And Rajesh, a sometimes violent, sometimes mystical leader of student malcontents, presents a more jaundiced view. More than merely illustrating the clash of cultures, Mishra presents the universal truth that our desire for the other is our most painful joy.