(Nancy Pearl)After eleven years of marriage to an egocentric opera singer, Pat Murray packs up her daughter and leaves, regaining control of her life and approaching single parenthood bravely until she meets Roland and his pregnant wife.

    A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.

     Her two daughters, from a previous relationship, are now both adult. Jo, ambitious and independent, is pursuing a career as a barrister. Jo’s younger sister is very different. Shelley, just 20, sweet natured, trusting and innocent, still lives at home and works at a local animal clinic. They are a normal, happy family - and then Shelley meets Sam on the street and everything changes. Martha struggles to accept Shelley’s choice of boyfriend as, with increasing anger, she witnesses the erosion of all Shelley’s values under Sam’s influence. When Martha’s efforts to persuade Shelley to give Sam up fail, she decides on a more direct approach. The consequences of her actions are devastating for everyone and change the course of Martha’s life forever. “After I’d gone up to bed that night, leaving Gabe amidst the carnage I had created in the living room, I formulated my plan. But it was pure chance that I met Sam on Putney Bridge some three weeks later and I went ahead with it.”

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    [Penguin Readers Level 6]

    It is 1989 and Community Care is about to reboot the industry of psychiatry. In a soon-to-be-closed asylum a bruised nurse, Adam Sands, is feeling less like a purveyor of kindness and more like a concentration camp guard with every passing drink. Many years later Adam has got used to the quiet life when his past finds him. Maybe this time he can do some good. Even make a diference. But redemption, like magic, can come from the strangest of places.

    

    But there he is, sexy as ever, sitting at her table. He’s even got a pretty impressive job; security guard to the stars. Wishing her writing career that she always dreamed of had ever taken off, Rachel concocts a plan. What if she can use some of Jayden’s insider information to write a bestselling book? She’ll only have to use him a little bit to get what she needs, what harm can there be? Except she never expected to begin to fall for him again…when she does can she still go through with her plan? Part 2 Max is the carefree younger brother of broken hearted Reid. He tries to keep his sarcasm in check and his jokes on point. Very little could ever get in the way of his jovial mood. Except the assignment Salvatore just gave him. Max’s new long term job is to work security for a pop-up fashion boutique series, which doesn’t sound all that bad if the pop-ups weren’t being opened by the one person he can’t stand - Reid’s ex-girlfriend Hannah. As he expects the two can’t seem to get along, there’s fireworks as usual when they’re around each other as they fight. But soon those fireworks turn from fighting into passion and something that could ruin his relationship with his brother forever. Part 3 Heartbroken after his breakup with Hannah, and confused by his brother’s new relationship with her, Reid has decided that romance isn’t in the cards. Not unless it's truly real. But does that even exist? He’s challenged by his new job from Spotlight, guarding the infamous and gorgeous Jennifer White from her wreck of an ex-boyfriend, also infamous Ian. How can Reid keep her protected from her ex when she is required to keep up appearances with Ian for publicity of their new movie? And what is he supposed to do when he believes that what he feels for her is real, but she’s too tied up with another man? Part 4 As the only female guard at Spotlight, Ireland has her work cut out for her among the boys, but this girl can hold her own. Her newest job is to help protect child star Kelly while she’s at school as there seems to be a stalker on the loose. Until she’s safe, Ireland will be reporting to elementary school every day to watch this spunky little girl. It seems like an easy task, though reliving the memories of her childhood feels haunting, Ireland tries to stay focused. But it’s hard to stay focused when Kelly’s newly single father is just so irresistible. Part 5 Salvatore has never recovered from the pain of his little sister’s unsolved murder when he was only a kid, and that’s why he began Spotlight to begin with. As new information comes to light for the police, her cold case is reopened, and with it all of Salvatore’s wounds. One misstep has landed him in court ordered counseling where he can’t stop fighting with his perky, perfect blonde counselor Ginny. Salvatore has a past he has to deal with and a future he needs to begin to make. If only he could stop fighting with, or kissing, his counselor, maybe he could find a way to work through his pain and see there’s more to the world.

    Anne Tyler is both literary and popular, one of the few writers whose high sales match her critical acclaim. Now you can enjoy three of her more recent bestsellers in one low-priced, attractively packaged hardcover.

    A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

    Duncan loves Annie, but then, all of a sudden, he doesn’t. Duncan really loves Tucker Crowe, a reclusive Dylanish singer-songwriter who stopped making music ten years ago. Annie stops loving Duncan, and starts getting her own life.In doing so, she initiates an e-mail correspondence with Tucker, and a connection is forged between two lonely people who are looking for more out of what they’ve got. Tucker’s been languishing (and he’s unnervingly aware of it), living in rural Pennsylvania with what he sees as his one hope for redemption amid a life of emotional and artistic ruin—his young son, Jackson. But then there’s also the new material he’s about to release to the world: an acoustic, stripped-down version of his greatest album, Juliet—entitled, Juliet, Naked.What happens when a washed-up musician looks for another chance? And miles away, a restless, childless woman looks for a change? Juliet, Naked is a powerfully engrossing, humblingly humorous novel about music, love, loneliness, and the struggle to live up to one’s promise.

    But when his son is taken away from him, he's left with nothing but the Memphis bar he manages. Then he hires Fay, a young white waitress, who has a volatile brother named Carl in tow. Nickel finds himself consumed with the idea of Taft -- Fay and Carl's dead father -- and begins to reconstruct the life of a man he never met. But his sympathies for these lost souls soon take him down a twisting path into the lives of strangers...

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.