This is the life of Mötley Crüe, the heaviest drinking, hardest fighting, most oversexed and arrogant band in the world. Their unbelievable exploits are the stuff of rock 'n' roll legend. They nailed the hottest chicks, started the bloodiest fights, partied with the biggest drug dealers, and got to know the inside of every jail cell from California to Japan. They have dedicated an entire career to living life to its extreme, from the greatest fantasies to the darkest tragedies. Tommy married two international sex symbols; Vince killed a man and lost a daughter to cancer; Nikki overdosed, rose from the dead, and then OD'd again the next day; and Mick shot a woman and tried to hang his own brother. But that's just the beginning. Fueled by every drug they could get their hands on and obscene amounts of alcohol, driven by fury and headed straight for hell, Mötley Crüe raged through two decades, leaving behind a trail of debauched women, trashed hotel rooms, crashed cars, psychotic managers, and broken bones that has left the music industry cringing to this day. All these unspeakable acts, not to mention their dire consequences, are laid bare in The Dirt.Here -- directly from Nikki, Vince, Tommy, and Mick -- is the unexpurgated version of the whole glorious, gut-wrenching story. In these pages, published for the first time anywhere, are Tommy Lee's letters to Pamela Anderson from prison: Mick's confession to having an incurable disease that is slowly killing him; Vince's experience burying his own daughter -- and the train wreck that his life became afterward; and Nikki's anguished struggle to deal with an entire life fueled by anger over his childhood abandonment, his discovery of the family he never knew he had -- and his subsequent loss of them. And all of it accompanied by scores of rare, never-before-published photographs, mug shots, and handwritten lyrics. No one is spared. Not David Lee Roth, Ozzy Osbourne, Vanity, Aerosmith, Heather Locklear, AC/DC, Lita Ford, Iron Maiden, Pamela Anderson, Guns N' Roses, Donna D'Errico, RATT, or those two girls from Dallas, Texas.Make no mistake about it: these guys are geniuses. They invented glam metal and then left it in the dust; sold more than forty million albums from Shout at the Devil to Dr. Feelgood; toured the world dozen times and have the scars to prove it; and maintained a rabid following in an era of throwaway pop stars. Mötley Crüe has done nothing less than tattoo the psyche of the entire MTV generation. They are the ultimate rock 'n' roll band. And if you don't believe it, read The Dirt. You don't know what decadence is...

    Written in a fantastic dream-language, forged from polyglot puns and portmanteau words, the Wake features some of Joyce's most hilarious characters: the Irish barkeep Humphrey Chimpden Earwicker, Shem the Penman, Shaun the Postman, and Anna Livia Plurabelle. Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.

    On a deeper, more profound level, it is the masterful portrayal of the society whose values both shape Clyde's ambitions and seal his fate; it is an unsurpassed depiction of the harsh realities of American life and of the dark side of the American dream. Extraordinary in scope and power, vivid in its sense of wholesale human waste, unceasing in its rich compassion, 'An American Tragedy' stands as Theodore Dreiser's supreme achievement.Based on an actual criminal case, 'An American Tragedy' was the inspiration for the film 'A Place in the Sun', which won six Academy Awards and starred Elizabeth Taylor and Montgomery Cliff.

    

    From Popeye, a moonshining racketeer with no conscience and Temple Drake, beautiful, bored and vulnerable, to Harace Benbow, a lawyer of honor and decency wishing for more in his life, and Gowan Stevens, college student with a weakness for drink, Faulkner writes of changing social values and order. A sinister cast peppered with social outcasts and perverts perform abduction, murder, and mayhem in this harsh and brutal story of sensational and motiveless evil. Students of Faulkner have found an allegorical interpretation of "Sanctuary" as a comment on the degradation of old South's social order by progressive modernism and materialistic exploitation. Popeye and his co-horts represent this hurling change that is corrupting the historic traditions of the South, symbolized by Horace Stevens, which are no longer able to protect the victimized Negro and poor white trash due to middle-class apathy and inbred violence.

    Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

    The wares of the poor little match girl illuminate her cold world, bringing some beauty to her brief, tragic life.

    A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.She vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent time in France politically.

    As a young man he was a maverick journalist; his many positions in politics before 1940 marked him as a courageous but foolhardy man. Yet it is Churchill’s record in war, which has recently been questioned, that confirms his genius as a military commander and national leader—someone who understood the dangers of Nazi Germany before 1939 and someone uniquely capable to lead the empire through the turmoil of the Second World War. Christopher Catherwood argues that it was Churchill’s stand in 1940-41 that saved Britain and that only he was able to bring together the allies that eventually defeated Hitler in 1945. Catherwood has produced a challenging yet lively reassessment of the life and career of Winston Churchill, lion of British history and flawed hero.

    His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region, and involve him in a strange and unlikely love affair.Harshly realistic, yet with one of the most subtle and moving relationships in the Hemingway oeuvre, To Have and Have Not is literary high adventure at its finest.

    Somehow, the case never appears on the police blotter - although Russell saw his former colleague, homicide chief Marty Parish, leaving the scene of the crime - and soon all evidence of the death disappears. Meanwhile, a string of killings continues in the same gruesome style, and Russell becomes the contact of the deranged man responsible. As Monroe gets dangerously entangled in this deadly intrigue, he must fight for his life while watching his wife fight for hers against a terminal brain tumor.

    What happened during those blackouts has made Sybil's experience one of the most famous psychological cases in the world.

    When she sees the brace for the first time, she wants to scream.But the words won't come out. And Deenie, beautiful Deenie, who everyone says should be a model, is stuck wearing a brace from her neck to her hips. For four years—or longer. She never worried about how she looked before—how will she ever face the hard times ahead?

    In Grealy’s critically acclaimed memoir Autobiography of a Face, she wrote about losing part of her jaw to childhood cancer, years of chemotherapy and radiation, and endless reconstructive surgeries. In Truth and Beauty, the story isn’t Lucy’s life or Ann’s life but the parts of their lives they shared. This is a portrait of unwavering commitment that spans twenty years, from the long winters of the Midwest to surgical wards to book parties in New York. Through love, fame, drugs, and despair, this is what it means to be part of two lives that are intertwined--and what happens when one is left behind.

    A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art--an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."