His subsequent works, from Nights in Aruba and The Beauty of Men to the essays in Ground Zero, established Holleran as the preeminent voice in the contemporary gay literary canon. His fiction has earned comparisons to that of Guy de Maupassant, Somerset Maugham, and E Scott Fitzgerald, and now Holleran returns with a collection of sixteen powerful short stories. Exploring the lives and times of those who have lived past the exuberance of youth, these tales make for a moving journey across landscapes of regret and loss, shame and pride, loneliness and love. With a surprising yet sensitive comic touch, Andrew Holleran has written his most mature work to date -- a poignant, polished collection.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    "We have traded tales, my buddies and I; of affairs, encounters, secrets, fears, self-promotion-of fantasies that we make real in the telling." In this, the first volume in Ethan Mordden's acclaimed trilogy on Manhattan gay life, he introduces a small group of friends-Dennis Savage, Little Kiwi, Carlos, and the narrator, Bud-and chronicles their exploration of the new world of gay life and the new people they are in the process of becoming.In a voice at once ironic, wistful, witty, and profound, Mordden investigates his suspicion that all of gay life is stories and that, somehow or other, all these stories are about love.

     Featuring fourteen short stories, The Life to Come spans six decades of E. M. Forster's literary career, tracking every phase of his development. Never having sought publication for most of the stories--only two were published in his lifetime--Forster worried his career would suffer because of their overtly homosexual themes. Instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey, and T. E. Lawrence. With stories that are lively and amusing ("What Does It Matter?"; "The Obelisk"), and others that are more somber and thought-provoking ("Dr Woolacott"; "Arthur Snatchfold"), The Life to Come sheds a light on Forster's powerful but suppressed explorations beyond the strictures of conventional society.- Ansell- Albergo Empedocle- The Purple Envelope- The Helping Hand- The Rock- The Life to Come- Dr. Woolacott- Arthur Snatchfold- The Obelisk- What Does It Matter? A Morality- The Classical Annex- The Torque- The Other Boat- Three Courses and a Dessert: Being a New and Gastronomic Version of the Game of Consequences

    This collection of stories provides an overview of his evolution and, as William T. Vollmann wrote in The New York Times Book Review, a portrait of “our soulless and decaying society.”

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    Each of the stories illuminates a dark corner of human existance. Some are amusing and some are tragic. The author also wrote "Family Dancing", "The Lost Language of Cranes" and "Equal Affections".Contents:A place I've never been --Spouse night --My marriage to vengeance --Ayor --Gravity --Houses --When you grow to adultery --I see London, I see France --Chips is here --Roads to Rome.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    Dominic is probably dying in Los Angeles. Jasper, older by almost a generation, was for many years Timothy's lover. Among Jasper's infidelities was a brisk fling with Dominic. Timothy and Dominic are having dinner in Los Angeles after viewing Dominic's taped appearance on a nationally televised quiz show. They have maintained their ambivalent friendship for twenty years. Tonight their conversation is lively but guarded. Timothy has not told Dominic of Jasper's death; Dominic doesn't inquire into Timothy's own state, and this is a question Timothy is in no hurry to answer. Through Timothy's eyes, we see that though AIDS can be deadly, it can also be taken, as Timothy chooses to, as a challenge to live. His thoughts are filled by memories of Jasper, and he takes the reader on a vivid tour of male sex at its most untamed - as it was in the seventies and the eighties - when the explosion of AIDS forced thousands of men to take a new direction. We feel the press of bodies along the waterfront of Manhattan, in the boites, and even the streets of Paris. It is possible Timothy will even come away from this dinner with a heightened understanding of Jasper, and of their long and lost romance. It is certain that the reader will be rewarded by the deeper insights of this harrowing (and often hilarious) account of love between men in such times.

    Meanwhile, in 'Erlinda and Mr Coffin', Southern etiquette is unashamedly turned upside down in a tale of amateur theatricals reminiscent of Dickens and Victorian melodrama. Yet it is in 'Three Stratagems', 'The Zenner Trophy', 'Pages from an Abandoned Journal' and 'The Ladies in the Library' (with more than a hint of Thomas Mann's Death in Venice in the latter) that we see Vidal as we know him best: cynical and provocative in these subtle tales of what was known in those days as 'sexual inversion'.

    Here are 18 stories, all about love, and about all kinds of love. From the aching for the one you pine for, to standing up and speaking up for the one you love, to pure joy and happiness, these love stories run the gamut of that emotion that at some point has turned every one of us inside out and upside down. What is love? With this original story collection David Levithan proves that love is a many splendored thing, a varied, complicated, addictive, wonderful thing.

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    Sarcastic, satiric, violent, and exhilarating, "Tim & Pete" is a fiercely imagined, boldly realized vision of the cultural war raging in the hearts of the disenfranchised and in the streets of America.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.