Plus the scars on his chest and a prescription for testosterone. Because Ren is transgender: assigned female at birth, living now as male. He films his transition and shares it bravely with the world; his fans love his honesty and positivity.But Ren has been living a double life.Off-camera, he’s Cane, the muscle-bound enforcer for social justice vigilante group Black Iris. As Cane, he lets his dark side loose. Hurts those who prey on the disempowered. Indulges in the ugly side of masculinity. And his new partner, Tamsin Baylor, is a girl as rough and relentless as him. Together, they terrorize the trolls into silence.But when a routine Black Iris job goes south, Ren is put in the crosshairs. Someone is out to ruin his life. He’s a bad boy, they say, guilty of what he punishes others for.Just like every other guy: at heart, he’s a monster, too.Now Ren’s got everything to prove. He has to clear his name, and show the world he’s a good man. But that requires facing demons he’s locked away for years. And it might mean discovering he’s not such a good guy after all.

    She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?Gala writes letters to B—- that shed light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.Summer Fun is an epic and magical work of trans literature that marks Thornton as one of our most exciting and original novelists.

    There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.August is convinced he can play the part his parents want while acting cool and confident in the company of his talented new friends.But who is August when the lights go down? And where will he turn when the roles start hitting a little too close to home?

    His new relationship with gruff, gentle Magnus Cassidy is at risk, and Owen isn’t going back into the closet without a fight.When a photo circulating online threatens his squeaky-clean image, Owen seizes his opportunity to lash out, not realising he’s hurting the man he’s doing it all for.Can Owen find a way to reconcile his public and private lives, or has he already blown it? Contents: passive tops and slutty bottoms, bitchy best friends, bad jokes, sexy underwear, an excess of beards, and a smattering of angst. May contain nuts. Word Count: 83,500 THE BLOWING IT SERIES:BLOWING ITBALLS UPBOTTOMS UP (Expected release Autumn 2016)Spin-off: Ryan’s Story:DOM ON THE SIDESUB ON TOP (Expected release May 2016)

    But Charlie couldn't help falling head over heels—and out of a window—for the handsome lord. Of course, that was only the beginning; Lord Radcliffe insisted on showing "him" and her lovely sister to London. But how could he do that? With every touch, Radcliffe seemed unknowingly to incite indecent desires in Charlie, and his fraternal intent was certain to land her in a fine mess. Though it was a great game to play a boy, there was more fun in being female. And after one brush of his fiery lips when her guise was gone, Charlie swore to be nothing but his woman forevermore.

    A child alone in the nineteenth-century French countryside, she makes her way to the secluded convent, where she is taken in as a foundling orphan and raised by nuns who teach the children of the privileged to fear a wrathful God. But shy, unworldly Herculine is not like the others in this cold, forebidding place. And when she is led down a dark path by a rebellious fellow student, she soon finds herself convicted of crimes unimaginable.But death at the hands of the ignorant and falsely pious is not to be Herculine's lot. Held captive in the convent library, she is visited by four unexpected saviors with timeless needs of their own: the incubus priest Father Louis; the tragic, damned beauty Madeleine; the demonic Asmodei; and Sebastiana d'Azur, a witch. By dawn, Herculine is free yet forever changed as she follows her liberators into a world of sensuous pleasures and great mysteries both wondrous and strange.Secreted away in Sebastiana's once-grand manor high above the Breton sands, Herculine sets out to find out why she has been "chosen" and for what purpose. Her quest - ripe with erotic discovery, dark magic, heresy, and blood - propels her headlong through the perils of the age, across borders between the living and the dead, and back through a time when hysteria and madness reigned, when noble heads were impaled and paraded through the streets of Paris. For only when her mysterious mission is completed - and the terrible, otherworldly roots of a gruesome Revolution are finally revealed - can she understand who and what she truly is. Until then, she must simply trust...and learn.

    Her whole life is leading up to the day she decides to become Grady, a guy. While coming out as transgender feels right to Grady, he isn't prepared for the reaction he gets from everyone else. His mother is upset, his younger sister is mortified, and his best friend, Eve, won't acknowledge him in public. Why can't people just let Grady be himself? Grady's life is miserable until he finds friends in some unexpected places -- like the school geek, Sebastian, who explains that there is precedent in the natural world (parrotfish change gender when they need to, and the newly male fish are the alpha males), and Kita, a senior who might just be Grady's first love. From acclaimed writer Ellen Wittlinger, this is the groundbreaking story of one teen's search for self and his struggle for acceptance.

    was supposed to give Nic Montero a fresh start. After escaping his family, coming out as a gay trans man, and excelling in computer programming out of desperation to get financially stable or die, everything should be easy. But joining gay culture now, post-transition, feels impossible... until he runs into the force of nature that is Kyle. Everything Nic isn't, Kyle embodies. Green hair, garters and cut-off shorts, sports jerseys, and all, brash Kyle is the most gorgeous man he's ever laid eyes on, and he pulls Nic headlong into the center of his world. If only Nic felt like enough for a man like Kyle. “One-night stands are my only option.” Loud, loving, and too much for most men to handle, Kyle Everett catches eyes and occasionally scorn... even at his job at the local HIV charity, Plus. His days and nights are spent at work, his precious spare moments spent with his son, Kevin, when it's his turn to co-parent, or his best friend, drag queen River. He only has money or time for cheap flings, but the lanky otter who walks into his life makes Kyle want to hold him for longer than a night. He knows what it's like for Nic to be without a family, but he isn't brave enough to let this man into his life... until his charity is targeted by bigots, and Nic's there for him. “I'll stay with you if you're brave enough to be you.” Nic spent his twenties avoiding family and even his own femininity, but his yearning is impossible to ignore. Kyle's used to flying solo, but Nic offers him safety and fills gaps in his life he never realized existed and now can't stand. Living in close proximity, they can't run from their attraction, but they're each used to being rejected, with the emotional scars to prove it. Can two men who feel like they're not enough and too much find something just right? Flaunt is a standalone gay romance novel with a happily ever after ending.

    Right before spring break. What rotten timing! But since the trip to Key West is already paid for, Oliver decides that he'll go anyway. Who knows? Maybe he'll meet a hot guy to make him forget his woes. Little does he expect to be drawn to both a gorgeous local and a sultry drag queen that turn out to be one and the same.Drew knows he has what it takes to be a star. If he has to wear a skirt and stilettos to make it happen, so be it. He looks good as a woman. But then he meets Oliver and has his doubts. He can't tell this terrific new guy what he does with his evenings. Not when they're having such a great time and not when Oliver will be gone in a week. Given the circumstances, where's the harm in a little white lie?But plans and hearts have a way of changing. When both men’s secrets come to light, their hidden desires become their greatest thrills.

    Giving birth to his son Samson clarified his gender identity and allowed him to project a more masculine self. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is a visual memoir-in-lyric-essays, an archive of Belc’s queerness. By engaging directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—Belc creates a new kind of life record, one that addresses his own ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own.The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

    Any gamer with an immersion rig can enter the world of sword and sorcery, of goblins and dragons, and they can hack and slash their way to glory. But the game is too real for some, and after an epidemic of real-life fatalities, public use of the immersion technology has been banned, causing the game to be shut down. Jonah wakes to find himself in-game, level one, with no memory of how he arrived and no way to eject. With only two companions, trapped in a world that once hosted millions, Jonah must battle his way across a treacherous landscape, fighting virtual monsters, all-too-real pain, and a very human enemy in a desperate bid to survive.

    But what happens when the apples fall somewhere else—sometimes a couple of orchards away, sometimes on the other side of the world?In this young adult edition, Andrew Solomon profiles how families accommodate children who have a variety of differences: families of people who are deaf, who are dwarfs, who have Down syndrome, who have autism, who have schizophrenia, who have multiple severe disabilities, who are prodigies, who commit crimes, and more.Elegantly reported by a spectacularly original and compassionate thinker, Far From the Tree explores how people who love each other must struggle to accept each other—a theme in every family’s life. The New York Times calls the adult edition a “wise and beautiful” volume, that “will shake up your preconceptions and leave you in a better place.”

    He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

    She doesn’t need people. Which is a good thing, because she’s on her own: she had to move into her own apartment so her mother’s boyfriend won’t have to deal with her. Then she meets Frank, the guy who lives next door. He’s older and has a girlfriend, but Elle can’t stop thinking about him. Frank isn’t like anyone Elle has ever met. He listens to her. He’s gentle. And Elle is falling for him, hard. But Frank is different in a way that Elle was never prepared for: he’s transgender. And when Elle learns the truth, her world is turned upside down.  Now she’ll have to search inside herself to find not only the true meaning of friendship but her own role in jumpstarting the world. Tender, honest, and compassionate, Jumpstart the World is a stunning story to make you laugh, cry, and honor the power of love.

    The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things—obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father—long estranged and living in Hungary—had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful—and virulent—nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.Faludi’s struggle to come to grips with her father’s metamorphosis self takes her across borders—historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?