The renowned recording artist shares a half-century of personal memories, from his childhood in Depression-era Queens, to the New York jazz scene of the 1940s, to his successes with a new generation of fans in the 1990s.

    But, in fact, record stores served as community centers, information exchanges, clubs, art galleries, and launching pads for numerous bands and record labels. Record Store Days takes a long, loving look back at the retail refuges that enthralled at least three generations of music lovers, providing a glimpse into the special alchemy that makes a great record store. Written and compiled by two record store veterans, this lively and nostalgic anthology includes photographs and reminiscences from musicians, music industry executives, former record store clerks, and, of course, avid fans.

    In conversation with legendary rock critics and authors he respected, Reed’s interviews are as pithy and brilliant as the man himself.

    At the heart of the saga is Syd Barrett, the group's brilliant founder, whose public decline into shattered incoherence--attributable in part to his marathon use of LSD--is one of the tragedies of rock history. The making of Dark Side of the Moon and Floyd's other great albums is recounted in detail, as are the mounting of "The Wall"  and the creation of the flying pigs, crashing  planes, "Mr. Screen" and the other elements of their spectacular stage shows. The book also explores the many battles between bass player/song writer Roger Waters and the rest of the group, leading up to Water's acrimonious departure for a solo  career in 1984 and his unsuccessful attempt to disolve the group he had left behind.Saucerful of Secrets is an electrifying account of this ground-breaking, mind-bending group, covering every period of their career from  earliest days to latest recordings. It is full of  revealing information that will be treasured by all who love Pink Floyd's music.

    He has been lauded by everyone from Prince ('His album Replicas never left my turntable . . . There are people still trying to work out what a genius he was') through the Foo Fighters and Nine Inch Nails to Lady Gaga ('[He] proves music has always been really inventive for the masses'). (R)evolution is Numan's long-awaited memoir; one that charts his two lives. The first: from growing up in west London, where he was expelled from school and beaten up daily for looking different, before discovering his first synthesiser and conquering the music world in rapid time; to the extravagance, the undiagnosed Asperger's and the slow decline of a career that faded into near obscurity. The second: a twenty-plus year renaissance, catalysed by the date with a super-fan, which has allowed Gary to rediscover his creativity, produce some of his best music and become the true Godfather of electro-pop. This will be the story of one man, several dozen synthesisers, multiple issues and two desperately different lives.

    It follows Holzman on his journey from overseein

    Along the way, Ted details his late ’60s stint as an unlikely star with the sunshine pop outfit Harpers Bizarre and his grind-it-out days as a Warner Bros. tape listener, including the life-altering moment that launched his career as a producer: his discovery of the Doobie Brothers. Ted Templeman: A Platinum Producer’s Life in Music takes us into the studio sessions of No. 1 hits like “Black Water” by the Doobie Brothers and “Jump” by Van Halen, as Ted recounts memories and the behind-the-scene dramas that engulfed both massively successful acts. Throughout, Ted also reveals the inner workings of his professional and personal relationships with some of the most talented and successful recording artists in history, including Steven Tyler and Joe Perry of Aerosmith, Eric Clapton, Lowell George, Sammy Hagar, Linda Ronstadt, David Lee Roth, and Carly Simon.

    Instead, he gives you a jaw-dropping, uncensored insider’s look into the world of music, movies, and television and its biggest stars, starting in the sixties and continuing through to the new century. Richard takes you on a journey that few have experienced: from his early days as a student at Oxford to the wild, lascivious nights of being a disco DJ touring the clubs of Europe, to coming to America and working with Michael Jackson, Barbra Streisand, and Sarah Jessica Parker and finally breaking through into the L.A. radio scene and becoming the number one morning drive personality in California. From his TV and radio shows to his feature films and live gigs, Richard shares stories that have until now remained secret. His unique perspective will take you on the road with Depeche Mode, to Australia with Spandau Ballet, into the recording studio with Morrissey, and onto the main stage at Live Aid with Duran Duran. He opens up about his friendships with Michael Hutchence and George Michael, as well as his passionate love affair with Terri Nunn of Berlin. This is a no-holds-barred look at life, sex, and death, set to a pulsing backbeat of music. For the first time, Richard Blade shares his extraordinary story, allowing us to see the world through his eyes.

    It consists of two books.In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space.Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves.CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.

    While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

    A wunderkind on Madison Avenue in the swinging sixties, Cherry soon found fame as a DJ in clubs in Manhattan and on the French Riviera. She starred in Andy Warhol’s play Pork in London while gaining notoriety as a groupie, sleeping with musicians ranging from Leon Russell to Kris Kristofferson. Working as David Bowie’s PR lady (and occasional lover), she played a major part in introducing him to the U.S. market. She was on the front lines when punk broke, one of the few successful women in the genre; her backing band was the Police, and she released two insouciant albums on RCA. Cherry’s memoir takes us on a journey from the birth of rock to the explosion of punk, exploring every aspect of the music industry during its most electrifying era, with memorable detours through the sexual revolution, the women’s liberation movement, and the theater of the ridiculous. But Cherry’s life wasn’t all excitement and high times. From unwanted pregnancies to poverty and public ridicule, Lick Me also takes us through Cherry’s own problems, including sex addiction and OCD, and reveals how she dealt with them. Lick Me reveals the thrilling life of a woman who pulled herself up from humble beginnings and fearlessly lived her dreams.

    Influenced in equal parts by the consciousness-expanding ambitions of Timothy Leary and the cerebral humor of Douglas Adams, in "Infinite Tuesday," Nesmith spins a spellbinding tale of an unexpected life, in which stories about meeting John Lennon, or recording with Nashville greats, or inventing the music video trace an arc from Hollywood to Silicon Valley, illuminating a remarkable mind along the way.

     As an up-and-coming young model, Jenny found herself at the heart of Carnaby Street in London, immersed in the fashion and pop culture of the Swinging 60s. With boyfriend Mick Fleetwood, sister Pattie, George Harrison and the rest of the Beatles, she lived the London scene. But as a natural Flower Child, Jenny soon became part of the counter-culture in San Francisco during the Flower Power era, witnessing the Summer of Love; she was the inspiration for Donovan's famous song, Jennifer Juniper, and her photograph was featured inside the box set of his eponymous album A Gift from a Flower to a Garden. After working in The Beatles shop, Apple, the first of its kind, Jenny attended Maharishi Mahesh Yogi's ashram in India to study meditation with her sister and the Beatles, witnessing their creativity and the genesis of songs that would later appear on the White Album. Despite being attuned to the spiritual bloom and innocence of the 60s, Jenny also experienced first-hand the turmoil and decadence of the 70s and 80s. Her two marriages to Mick Fleetwood, founder member of Fleetwood Mac, brought her to the forefront of the world of rock and roll - and its fame, money, drugs and heartache. Struggling in the darkness to find and develop her own voice and identity, Jenny went to college, achieving a Masters in Counseling Psychology and a PhD in Humanities - her dissertation on musicians and creativity became the critically-acclaimed book Musicians in Tune. Jenny has spent her life in the company of some of the greatest musical and cultural influencers of the last 50 years - and the journey she takes to finding her own sense of self and creative ability makes Jennifer Juniper a truly captivating and inspiring story.

    This new edition has been updated by his friend and former Rolling Stone comrade Mitch Glazer and includes an epilogue about the memorial concerts for Timothy that James Taylor helped organize.

     On Friday, April 8, 1994, a body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew then, however, is that the deceased -- Kurt Cobain, the superstar frontman of Nirvana -- had been murdered. Drawing on case tapes made by a P.I. hired by Courtney Love when her husband escaped from drug rehab and went missing -- and on new forensic evidence and police reports obtained under the Freedom of Information Act -- Love & Death explodes the long-standing theory that Kurt Cobain took his own life. Award-winning investigative journalists Max Wallace and Ian Halperin have conducted a ten-year crusade for the truth, and in Love & Death they present a stunning, convincing argument that the whole truth has yet to be revealed.