Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

    Lesley Williams is forced to leave Cherbourg Aboriginal Settlement and her family at a young age to work as a domestic servant. Apart from a bit of pocket money, Lesley never sees her wages – they are kept ‘safe’ for her and for countless others just like her. She is taught not to question her life, until desperation makes her start to wonder, where is all that money she earned? So begins a nine-year journey for answers which will test every ounce of her resolve. Inspired by her mother’s quest, a teenage Tammy Williams enters a national writing competition with an essay about injustice. The winning prize takes Tammy and Lesley to Michael Jackson’s Neverland Ranch and ultimately to the United Nations in Geneva. Along the way, they find courage they never thought they had and friendship in the most unexpected places. Told with honesty and humor, Not Just Black and White is an extraordinary memoir about two women determined to make sure history is not forgotten.

    The time before the First Fleet is usually treated as a preface to the main story, a brief interlude that starts 50,000 years before the present and ends as sails are seen on an eastern horizon. But in 1787 the peoples of Australia were not simply living in a timeless ‘Dreamtime’, following the seasons, and waiting for colonisation by Britain in 1788.In 1787, Nick Brodie uses the sailors, writers, scientists, and other visitors to our shores to reassess neglected chapters of Australia’s early history, and place Australia and its peoples into the great story of human history. He turns the narratives of ‘exploration’ and ‘discovery’ around to take a closer look at the Indigenous peoples, the broader regional scene, and what these encounters collectively tell. 1787 does not stand for a year—it stands for an idea. This is the sweeping story of Greater Australasia and its peoples, a long-overdue challenge to the myth that Australia’s story started in 1788.Dr Nick Brodie is an historian, archaeologist, and writer. Nick’s previous book Kin was published to critical acclaim in 2015.

    Mia is a 13-year-old girl from a remote community in the Kimberley. She is saddened by the loss of her brother as he distances himself from the family. She feels powerless to change the things she sees around her, until one day she rescues her totem animal, the dirran black cockatoo, and soon discovers her own inner strength. A wonderful small tale on the power of standing up for yourself, culture and ever-present family ties.

    Born in England and emigrating to Queensland in 1883 in his early twenties, Morant was a charming but reckless man who established a reputation as a rider, polo player and writer. He submitted ballads to The Bulletin that were published under the name 'The Breaker' and counted Banjo Paterson as a friend. When appeals were made for horsemen to serve in the war in South Africa, Morant joined up, first with the South Australian Mounted Rifles and then with a South African irregular unit, the Bushveldt Carbineers.In October 1901 Morant and two other Australians, Lieutenants Peter Handcock and George Witton, were arrested for the murder of Boer prisoners. Morant and Handcock were court-martialled and executed in February 1902 as the Boer War was in its closing stages, but the debate over their convictions continues to this day.Does Breaker Morant deserve his iconic status? Who was Harry Morant? What events and passions led him to a conflict that was essentially an Imperial war, played out on a distant continent under a foreign flag? Was he a scapegoat for British war crimes or a criminal himself?With his trademark brilliant command of story, Peter FitzSimons unravels the many myths and fictions that surround the life of Harry Morant. The truths FitzSimons uncovers about 'The Breaker' and the part he played in the Boer War are astonishing - and, in the hands of this master storyteller, make compelling reading.

    The story begins by looking at European occupation through Aboriginal eyes, moving between the city slums and rural hovels of 18th-century Britain and the shores of Port Jackson. Readers spend time on the low-roofed convict decks of transports and see the bewilderment of the Eora people as they see the first ships of turaga, or "ghost people." They follow the daily round of Bennelong and his wife Barangaroo and the tribulations of warrior Windradyne. Convicts like Solomon Wiseman and John Wilson find their feet and even fortune, while Henry Parkes' arrival as a penniless immigrant gives few clues to the national statesman he was to become. Chinese diggers trek to the goldfields, and revolutionaries like Italian Raffaello Carboni and black American John Joseph bring readers the drama of the Eureka uprising. Tom Keneally has brought to life the high and the low, the convict and the free of early Australian society. This is truly a new history of Australia, by an author of outstanding literary skill and experience, whose own humanity permeates every page.

    This book is the first of its kind to address and educate a broad audience about our colonial contextual history, in a highly original way. It pulls apart the myths at the heart of our nationhood and challenges Australia to come to terms with its own past and its place within and on ‘Indigenous Countries’.This title speaks to many First Nations’ truths; stolen lands, sovereignties, time, decolonisation, First Nations perspectives, systemic bias and other constructs that inform our present discussions and ever-expanding understanding. This title is a timely, thought-provoking and accessible read.There is no part of this placethat was notis notcared forlovedby an Aboriginal or Torres Strait Islander nationThere are no treesrivershillsstarsthat were notare notsomeone’s kin

    Worker. Legend. The untold story of the dog's role in building our nation. The Dogs That Made Australia pays tribute to the dogs that gave their all for our prosperity: the fearless hounds that saved fledgling colonies from famine; the courageous heelers and tireless collies that powered the rise of beef and wool; the tough little home-grown terriers that protected the homestead and garden; and the extraordinary police dogs, ahead of their time, loved by the nation. The selfless exploits of our heroic dogs are writ indelibly in our nation's heritage and identity. The Dogs That Made Australia is a vivid and meticulously researched history of Australia told from the perspectives of the dingo and of the dogs that were imported and developed here, as well as the humans who loved, feared and worked them.PRAISE'A highly readable book about Australia's dog heroes and their contribution to Australia's development. This is a book for the ages. I loved every page!' Tony Parsons, OAM, author of The Kelpie

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    Songspirals are the essence of people in this land, the essence of every clan. We belong to the land and it belongs to us. We sing to the land, sing about the land. We are that land. It sings to us.' Aboriginal Australian cultures are the oldest living cultures on earth and at the heart of Aboriginal cultures is song. These ancient narratives of landscape have often been described as a means of navigating across vast distances without a map, but they are much, much more than this. Songspirals are sung by Aboriginal people to awaken Country, to make and remake the life-giving connections between people and place. Songspirals are radically different ways of understanding the relationship people can have with the landscape.For Yolngu people from North East Arnhem Land, women and men play different roles in bringing songlines to life, yet the vast majority of what has been published is about men's place in songlines. Songspirals is a rare opportunity for outsiders to experience Aboriginal women's role in crying the songlines in a very authentic and direct form.'Songspirals are Life. These are cultural words from wise women. As an Aboriginal woman this is profound to learn. As a human being Songspirals is an absolute privilege to read.' - Ali Cobby Eckermann, Yankunytjatjara poet 'To read Songspirals is to change the way you see, think and feel this country.' - Clare Wright, award-winning historian and author 'A rare and intimate window into traditional women's cultural life and their visceral connection to Country. A generous invitation for the rest of us.' - Kerry O'Brien, Walkley Award-winning journalist

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    But drought grips the land, and the shearers are on strike. Her father has turned swaggie and he's wanted by the troopers. In front of his terrified daughter, he makes a stand against them, defiant to the last. ′You′ll never catch me alive, said he...′Set against a backdrop of bushfire, flood, war and jubilation, this is the story of one girl's journey towards independence. It is also the story of others who had no vote and very little but their dreams. Drawing on the well-known poem by A.B. Paterson and from events rooted in actual history, this is the untold story behind Australia′s early years as an emerging nation.

    As a child, Cassandra didn't know this woman was Truganini, and that she was walking over the country of her clan, the Nuenonne, of whom she was the last.The name of Truganini is vaguely familiar to most Australians as 'the last of her race'. She has become an international icon for a monumental tragedy: the extinction of the original people of Tasmania within her lifetime. For nearly seven decades she lived through a psychological and cultural shift more extreme than most human imaginations could conjure. She is a hugely significant figure in Australian history and we should know about how she lived, not simply that she died. Her life was much more than a regrettable tragedy. Now Cassandra has examined the original eyewitness accounts to write Truganini's extraordinary story.A lively, intelligent, sensual young woman, Truganini managed to survive the devastating decade of the 1820s when the clans of south-eastern Tasmania were all but extinguished. Taken away from Bruny Island in 1830, she spent five years on a journey around Tasmania, across rugged highland and through barely penetrable forests, with the self-styled missionary George Augustus Robinson, who was collecting all the surviving people to send them into exile on Flinders Island. She managed to avoid a long incarceration on Flinders Island when Robinson took her to Victoria where she was implicated in the murder of two white men. Acquitted of murder, she was returned to Tasmania where she lived for another thirty-five years. Her story is both inspiring and heart-wrenching, and it is told in full in this book for the first time.‘For the first time a biographer who treats her with the insight and empathy she deserves. The result is a book of unquestionable national importance.’—Professor Henry Reynolds, University of Tasmania

    This sun-baked coast was innocently proud, too, of its tranquillity and friendliness. Then a man he knew murdered a boy he also knew. The murderer randomly killed eight strangers - variously shooting, strangling, stabbing, bludgeoning and hacking his victims and running them down with cars - an innocent Perth was changed forever. In the middle-class suburbs which were the killer's main stalking grounds, the mysterious murders created widespread anxiety and instant local myth. 'The murders and their aftermath have both intrigued me and weighed heavily on me for three decades. To try to make sense of this time and place, and of my own childhood and adolescence, I had, finally, to write about it.' The result is 'The Shark Net', a vibrant and haunting memoir that reaches beyond the dark recesses of murder and chaos to encompass their ordinary suburban backdrop.

    Here you'll find a number of places to eat and drink. Settle yourself in the window of one, shut your eyes, and picture this scene of yore ..." In this much-loved book, Robyn Annear resurrects the village that was early Melbourne - from the arrival of white settlers in 1835 until the first gold rushes shook the town - and brings it to life in vivid colour. Bearbrass was one of the local names by which Melbourne was known and Annear provides a fascinating living portrait of the streetlife of this town. In a lively and engaging style, she overlays her reinvention of Bearbrass with her own impressions and experiences of the modern city, enabling Melburnians and visitors to imagine the early township and remind themselves of the rich history that lies beneath today's modern metropolis. The original "Bearbrass" won the A.A. Phillips Award for Australian Studies in the 1995 Victorian Premier's Literary Awards. ..". [Annear] writes with an historian's eye for detail and a flair for ironic observation. An affectionate journey, rich in detail and character." - "The Age" Robyn Annear is an ex-typist who lives in country Victoria with somebody else's husband. She is the author of "A City Lost and Found, Bearbrass, Nothing But Gold, The Man Who Lost Himself," and "Fly a Rebel Flag." She has also written several pieces for "The Monthly" magazine.