Sybylla rejects the opportunity to marry a wealthy young man in order to maintain her independence. As a consequence she must take a job as a governess to a local family to which her father is indebted. "My Brilliant Career" is an early romantic novel by this popular Australian author.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.

    Horace Croft after losing her parents to a deadly pandemic, the orphan Nora Beady knows little about conventional life. While other young ladies were raised to busy themselves with needlework and watercolors, Nora was trained to perfect her suturing and anatomical illustrations of dissections.Women face dire consequences if caught practicing medicine, but in Croft's private clinic Nora is his most trusted--and secret--assistant. That is until the new surgical resident Dr. Daniel Gibson arrives. Dr. Gibson has no idea that Horace's bright and quiet young ward is a surgeon more qualified and ingenuitive than even himself. In order to protect Dr. Croft and his practice from scandal and collapse Nora must learn to play a new and uncomfortable role--that of a proper young lady.But pretense has its limits. Nora cannot turn away and ignore the suffering of patients even if it means giving Gibson the power to ruin everything she's worked for. And when she makes a discovery that could change the field forever, Nora faces an impossible choice. Remain invisible and let the men around her take credit for her work, or let the world see her for what she is--even if it means being destroyed by her own legacy.

    The secret marriage of Cymbeline’s daughter, Imogen, triggers much of the action, which includes villainous slander, homicidal jealousy, cross-gender disguise, a deathlike trance, and the appearance of Jupiter in a vision.Cymbeline displays unusually powerful emotions with a tremendous charge. Like some of Shakespeare’s other late work—especially The Winter’s Tale and The Tempest—it is an improbable story lifted into a nearly mythic realm.

    Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended. Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic—into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars—and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.

    The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

    Their handsome widower father, Rupert Carrington, too occupied with his London business to see very much of them, merely provides for them generously and leaves them to cultivate their talents -- which they energetically do. Richard, the eldest, is a composer; Clare, whose true talent (if it can be called that) has never disclosed itself, attempts to paint; Drew is collecting material for a novel to be set in the Edwardian era; and Merry, still at school, already works hard towards a stage career. Jane Minton, warmly welcomed into this happy household, feels her luck is too good to be true. And it is certainly too good to last. The delightful private world of Dome House is fated to break up. It is Jane who learns from Rupert Carrington that he is in danger of prosectuion for fraud and must leave England. He asks her to break the news to his children -- who must now fend completely for themselves -- and do what she can to help. She is very willing to, for his sake as well as theirs, as she is greatly attracted by him. What happens then makes an engrossing and unpredicable story, for the Carringtons are not usual young people, and it is, perhaps, their own basic originality which draws to them unusual adventures, in which humor and more than a touch of strangeness are often inextricably blended.

    In her daring autobiographical novel, originally published in Yiddish as Der Sheydim Tanz in 1936, Kreitman vividly and lovingly depicts the world of Polish shtetls and Jewish Warsaw that many have come to know through the books of her famous literary brothers, Israel Joshua and Nobel-Prize winner Isaac Bashevis Singer. Replete with rabbis, yeshiva students, beggars, farmers, gangsters, seamstresses, and socialists, this world looks radically different through the eyes of a sister, who was I. B. Singer's inspiration for the story "Yentl, the Yeshiva Boy."Deborah (Kreitman's fictional self) is barred from the studies at which her idealistic rabbi father and precocious brother excel. She revels in the books she hides behind the kitchen stove, in her brief forays outside the household, and in her clandestine attraction to a young Warsaw rebel. But her family confines and blunts her dreams, as they navigate the constraints of Jewish life in a world that tolerates, but does not approve, their presence. Forced into an arranged marriage, Deborah runs away from her new home on the eve of World War I. Epic in scope, this neglected youthful masterpiece provides a shattering vision of a lost world, and reveals the fate of women in a contradictory time, where age-old tradition scraped against modernity.Originally published in the United States as Deborah, The Dance of the Demons now includes memorial pieces by Kreitman's son and granddaughter.