Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    From a young child up until his teenage years, Frank struggles to find love and was lucky to find it in Alexandria Ware. While the secretive Frank doesn’t make her privy to his past, he loves Alex in his own way and plans to make her part of his future. Frank is convinced that after five years of being together, Alex is the one for him, but little does he know, she has an agenda of her own. While dealing with Frank’s emotionally unavailable nature, Alex’s love for him is purely conditional and has an expiration date set on whenever her boyfriend is finished stacking his money. Despite her fleeting feelings for Frank, she has no problem using him as an ATM, but when her boyfriend comes up with a plan for the perfect payday for them, will she end up on the wrong side of Frank’s love story? 
While Frank is building with Alex, Taiwan is living in Italy with her sugar daddy of over a decade, Romero Santiago. Being the sugar baby of a well-known cartel leader has its perks, and while Taiwan is enjoying the perks of her lifestyle, she finds herself craving more. As she approaches thirty, expensive trips and shopping trips courtesy of AMEX no longer enthrall her the way they did in her younger years. What Taiwan wants is one of the few things the happily married Romero can’t buy: a family. With a desire to stop sharing someone else’s husband and have one of her own, Taiwan tenders her resignation to a less than pleased Romero. But as a man of means with an endless amount of resources, Romero is able to offer her the deal of a lifetime. The question is, will Taiwan accept?
 Former gang member Rubee Bailey changed her life for the better when she becomes a mother to her daughter, Raylee, and couldn’t have a better father in Bash James. Rubee loves Bash with all her heart, but Bash has some hidden motives of his own when it comes to being with a Bailey. A secret from his pre-Rubee life almost catches up to him, causing him to move differently. When Bash breaks one straw too many, Rubee is sent straight into the arms of another man, with no feelings of remorse. This leaves Rubee asking herself if she’s willing to leave Bash or continue fighting for a lopsided love?

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.

    

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    It can be downloaded as an electronic book OR you can order it in BOOK form that will be mailed to you.It can be purchased using Debit/Credit Card or PayPal account. CAUGHT SCREAMING includes over 140 pages of previously unpublished poems, private illustrations, & a blank diary section at the end of the book for buyers to add their own thoughts, poems, dreams, rants, & raves.BUY YOUR COPY TODAY!

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    This action changes the course of her reality and now has Rhyon contemplating if it all was worth it. On top of her new issue, she’s still separated from Santana, and that leaves her heart fractured. She yearns for him, but she could ruin everything she’s worked so hard for if she was to pursue the very man who’s captured her heart. Santana is saddened that the woman he so desperately wants has shunned him from her life. Rhyon left him hanging with no explanation for her bizarre behavior. Santana tried to figure out where they went wrong, but when Rhyon continues to keep him in the dark, he gives up his quest to keep her in his life. Unknowingly, he has no idea that his new interest may be the reason why the woman he longs for refuses to accept him. Will Santana realize that he’s been entertaining the enemy all along or will Rhyon come to her senses and fight for the man she’s deemed hers?

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    They realize too late that this is no ordinary plague...and that the enemy they have to fight may not be the only thing they need to worry about.Book One of The Salvation Plague series.The Turning includes foul language, graphic violence, and some mature themes.

    And this tree, so complete in itself, Is only part of the mountain. And the mountain runs down to the sea. And the sea, so complete in itself, Rests like a raindrop On the hand of God. Ruskin Bond's Book of Verse brings together the poetry of one of India's best-loved writers. This charming collector's edition is a treasury of poems on love and nature, travel, humour and childhood, and will be a lasting source of delight to readers.

    He is quickly disappointed when a dead body turns up floating in the Great Dismal Swamp. And this is not just any dead body. Ashley Myrtle was the wife of a prominent local politician. Greg soon discovers that Ashley, an apparent drowning victim, may have been murdered. Unfortunately, no one wants to believe him. The mayor, the woman's husband, an old boyfriend and even her coworkers seem eager to rule her death an accidental drowning. With help from a reluctant FBI agent, Greg follows a trail of small town secrets and lies to discover what really happened on that cold spring day. Refusing to give up, he discovers a vital clue deep in the swamp that leads to the killer. But justice won't be served until he can prove it was a case of murder.

    But instead of taking off with his fishing buddy, James put down his rod and surrendered. It was a move that would change his life forever. Expecting a small fine and a lecture, James instead received enough knowledge about fishing and the great outdoors to last a lifetime.The story of an unlikely friendship, Joe and Me is a book for those who remember the mentor in their life, the one who changed the way they look at the world.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.