The Tear-Drop Prince is his only children's story and is popular throughout Romania. This is the tale of the Prince searching for true love, adventure and honour. Eminescu was born in 1850 and died in 1889. As a Romantic poet, his language reflects the sweetness in his language. The cover is illustrated by Emil Childescu and translated into English by A.I. Marin in 2011.

    It contains some of the most characteristic examples of first-person narrative of Romanian literature, is considered by critics Creangă's masterpiece.

    As night falls and she gets lost in the woods, she finds shelter in a burrow in a tree.She dreams then of fairies and other wood folk and then wakes up at her grandparents house. She learns that her mom came to claim her but while arguing with her grandfather she annoyed the bees that stung her in the eye.

    Originally published in Romanian in 1933, this semiautobiographical novel by the world renowned scholar Mircea Eliade details the passionate awakenings of Alain, an ambitious young French engineer flush with colonial pride and prejudice and full of a European fascination with the mysterious subcontinent. Offered the hospitality of a senior Indian colleague, Alain grasps at the chance to discover the authentic India firsthand. He soon finds himself enchanted by his host's daughter, the lovely and inscrutable Maitreyi, a precocious young poet and former student of Tagore. What follows is a charming, tentative flirtation that soon, against all the proprieties and precepts of Indian society, blossoms into a love affair both impossible and ultimately tragic. This erotic passion plays itself out in Alain's thoughts long after its bitter conclusion. In hindsight he sets down the story, quoting from the diaries of his disordered days, and trying to make sense of the sad affair. A vibrantly poetic love story, Bengal Nights is also a cruel account of the wreckage left in the wake of a young man's self discovery. At once horrifying and deeply moving, Eliade's story repeats the patterns of European engagement with India even as it exposes and condemns them. Invaluable for the insight it offers into Eliade's life and thought, it is a work of great intellectual and emotional power. "Bengal Nights is forceful and harshly poignant, written with a great love of India informed by clear-eyed understanding. But do not open it if you prefer to remain unmoved by your reading matter.It is enough to make stones weep." — Literary ReviewMircea Eliade (1907-1986) was the Sewell L. Avery Distinguished Service Professor in the Divinity School and the Committee on Social Thought at the University of Chicago. Many of his scholarly works, as well as his two-volume autobiography and four-volume journal, are published by the University of Chicago Press. Translated into French in 1950, Bengal Nights was an immediate critical success. The film, Les Nuits Bengali, appeared in 1987.

    It premiered in 1884, and arguably represents the high point of his career.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    The translators of this volume have endeavored not only to convey the spirit of the original Romanian, but to find an English equivalent for its sound. The English verse, printed facing the Romanian, conveys the distilled, metaphorical nature of a poetry that expresses a strong sense of ancestral continuity and apocalyptic visions of the world.Originally published in 1976.

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

    People consider her guilty of spreading a disease, and during one single torrid summer, she turns into public enemy no. 1. At first she attracts the attention of the villagers, and afterwards, through mass-media, she becomes a national sensation. As this character develops, hunted, blamed and adored at the same time, various secrets, more or less important, are revealed, gradually turning the story into the chronicle of this small rural community. Hypocrisy, humiliation, cruelty and murder. Each character had contributed one way or another to the change of mentality in society. All these old occurrences actually represent the underground of the contemporary world, and once disclosed, the history of the last 60 years is recomposed in detail, unveiling how the east-European village has been undergoing a sustained downfall. The 13 stories (forming Lizoanca’s story) all lead to a single character, a certain Crone Petrache Notaru (80 years old). He is the one who committed all these landmark acts changing the life of the village, and all the other characters are built around him, weaving, one way or another, Lizoanca’s biography. Notaru ruined Tori’s life (Lizoanca’s grandmother). He is also responsible for Greblă’s fixations, who is a paedophile. Notaru fed Sanitara’s fears, embittering her. And he rewrites the history of an antic ring which he had found when he was a child. Notaru is the unknown architect of a world which can synthetically be named Lizoanca.Based on a true story, the novel represents the radiography of the contemporary society, during its last moments.

    Its author, Hans Christian Andersen, made the literary fairy tale so much his own that even today no writer has surpassed him.This collection, with an introduction and fresh new renderings of the tales by Neil Philip, includes not just "The Little Mermaid" but also such favorites as "The Tinderbox," "The Emperor's New Clothes," "The Steadfast Tin Soldier," and "The Little Match Girl."Philip also includes some lesser known tales that reflect different facets of Andersen's genius, such as the tall tale "The Flying Trunk," with its witty story-within-a-story, the charming fantasy of "Little Ida's Flowers," the comic fable "The Collar," and a story about the magic of everyday reality, "The Gardener and His Master."A special feature of the book is the inclusion of several fairy tales of spiritual search and redemption, including "The Bell," "The Toad," and, of course, "The Little Mermaid."The book is illustrated throughout by Isabelle Brent's magical watercolors, lavishly embellished with gold leaf, making this handsome volume a book the whole family will treasure.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    A summer of green apple trees, mowed lawns, and new sneakers. Of half-burnt firecrackers, of gathering dandelions, of Grandma's belly-busting dinner. It was a summer of sorrows and marvels and gold-fuzzed bees. A magical, timeless summer in the life of a twelve-year-old boy named Douglas Spaulding—remembered forever by the incomparable Ray Bradbury.Woven into the novel are the following short stories: Illumination, Dandelion Wine, Summer in the Air, Season of Sitting, The Happiness Machine, The Night, The Lawns of Summer, Season of Disbelief, The Last--the Very Last, The Green Machine, The Trolley, Statues, The Window, The Swan, The Whole Town's Sleeping, Goodbye Grandma, The Tarot Witch, Hotter Than Summer, Dinner at Dawn, The Magical Kitchen, Green Wine for Dreaming.

    It demonstrates a commitment to surrealistic aesthetics, and has a clear lack of an obvious plot, minimal development of character, variations of time sequence, and experiments with vocabulary and punctuation.

    His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.