Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Everytime, he looked at me, it broke my heart a little bit more.Everytime he went away, I wrote.When he came back, I lived again.And in the end it fell apart.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    eastern seaboard at once, the Eastern Power Grid fails and plunges half of the country into a complete blackout--no power, no phones, and no cellphones. Hospitals, banks, and grocery stores stop running, and chaos rules. Cities are controlled by gangs, and citizens have two choices: leave their homes or fight for what supplies are left. Luckily some people are ready. Four families from Pittsburgh flee the city and join together to live in a cabin in the middle of the forest and try to wait it out. But when IS the power coming back on? What will happen to a recession-era United States when half the country doesn’t have power?

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    

    Bereft and alone, a small madness fell upon William. Fleeing to his flat in London, he locked himself away and grew a beard. Some months later, whilst reluctantly attending a dinner party, William saw her, and felt that perhaps Providence had plans for him after all. Jennifer, however, saw things differently. Quite by chance, although nothing is by chance, William came to live in Suffolk, in the house by the marsh, and here a sense of ease slowly enveloped him. With each ebbing of the tide, his madness seemed to diminish. And yes, Providence did have other plans for him, plans which set tongues wagging in the village. But some saw the deep sadness that William carried, and they opened their arms to him, challenging preconceptions of love, friendship and community. The House by the Marsh by William Blyghton lays bare the almost taboo subjects of grief, love and hope for men and women in their later years. With humour and compassion the author peels back the defensive layers of apparent competence to reveal a vulnerable humanity, and shows the miraculous effect of Love in all her guises.

    This is the poetry of a beautiful life.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]