In the ruined abbeys and elaborately decorated caves of England, the notorious Hellfire Club held meetings that shocked and terrified the countryside. London madams scoured the city for young girls to supply the club. Rakes flocked to meetings. Yet it was typical of late eighteenth century England that the club's members included famous men from the worlds of art and politics, even the then-Prime Minister. The list of members could almost be mistaken for the honours list of the most eminent men of the day and when news of the clubs activities leaked out, it caused the biggest political scandal in British history. Brilliant, perverse, equally capable of elaborately obscene jests and the intricacies of parliamentary politics, the members of the Hellfire Club were the most astonishing men of their time. Since its inception over two hundred years ago, the record of their revels has fascinated and repulsed the world.

    "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    How long would this religion take to spread across the globe and even be perceived as a threat to Christianity, Judaism and Islam? In the age of the Internet, certainly less than 2000 years.Set in 1970s London and present-day Marrakech, Etc Etc Amen is a conspiracy thriller and a murder mystery in which people make gods out of men and gods out of thin air, and the destructive power of both religious faith and obsessive love has fatal consequences.'It's a wonderful book! I am even more awestruck the second time around.. Very few novelists get it right when they use Rock as the context for a novel. Howard Male got it right.' Tony Visconti, record producer (David Bowie, Morrissey, U2)'A highly original, artfully constructed and deliciously ironic tale.' Mick Brown (author of 'The Spiritual Tourist' and 'The Rise and Fall of Phil Spector') 'A finely crafted novel that seems destined to become a cult book about a cult.' Peter Culshaw (author of Clandestino: In Search of Manu Chao)'I really enjoyed Etc Etc Amen. At last a novel about a musician that didn't make me want to punch the author.' Jim Bob (Carter USM and author of Storage Stories)

    Believed to be cursed by those who embrace ignorance and superstition, Auda's very survival is a testament to the strength of her spirit. But this is an age of Inquisition and intolerance, when difference and defiance are punishable "sins" and new ideas are considered damnable heresy. When darkness descends upon her world, Auda, newly grown to womanhood, is forced to flee, setting off on a remarkable quest to discover love and a new sense of self . . . and to reclaim her heritage and the small glory of her father's art.

    Their conversation, one of the most illuminating and insightful looks into MirO's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of MirO's ideas on art." This beautiful new edition presents an updated English translation of MirO's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent MirO scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan MirO I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.

    In her voyage from atheist to believer, she gradually discovers that while God's face may not be clearly seen, the brush of His fingertips is often felt. In a personal treasure hunt for infinite value, the search for God in the everyday occurrences of life is humorously depicted in sometimes eerily strange situations.The stories unfold from seemingly commonplace events to miraculous conclusions. Most of us won't find God in a burning bush, like Moses did, but like the author, we may find Him in a burning house...or perhaps, even driving a tow truck.

    From creating free-flowing lines and swirls to shading in intricate patterns, every illustration in this book has been carefully crafted so that even amateur artists can enjoy the satisfaction of creating something of exceptional beauty. Everyone will benefit from the stress-relieving effect that increased focus and creativity can provide. There are no rules or complicated step-by-step instructions in these pages and no need for expensive art and craft supplies. Readers can simply scribble, scrawl and shade to their hearts' content.

    Jessa Crispin guides you through the intuitive world of the tarot to get those creative juices flowing again. Thought to be esoteric and mystical, tarot cards are approachable and endlessly helpful to overcoming creative blocks. Crispin offers spiritual readings of the cards, practical information for the uninspired artist, and a wealth of fascinating anecdotes about famous artists including Virginia Woolf, Rembrandt, and David Bowie, and how they found inspiration. With five original tarot spreads and beautiful illustrations throughout, The Creative Tarot is an accessible, colorful guide that demystifies both the tarot and the creative process.

    This devotional ebook provides story after story of God's care for women both in Bible times and in modern day life. You will be reminded of God's love as you daily read this collection of Our Daily Bread devotions written by female authors. And you will know the warm presence of your heavenly Father as each article reassures you that God sees you, God knows you by name, and God cares about every detail of your life.

    Perfect for long-time fans, new readers, and anyone needing a heavy object with which to fend off the walking dead!

    He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again.? It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot?one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it.? He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life.? Merton's thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O'Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.

    Dorie is eager to introduce her sister’s genius to the public, but Catherine is a cloistered nun with a vow of silence who adamantly refuses to show or sell the paintings she dedicates to God. Hoping to get to know her sister and research the potential story, Dorie poses as an aspiring nun at the convent where Catherine lives. Her growing relationship with Catherine helps Dorie come to terms with her adoption, but soon the sisters’ shared biological past and uncertain futures collide as they clash over the meaning and purpose of art. Will they remain side-by-side for the rest of their lives, or will their conflicts change the course of the future?

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Wesselman reveals what it means to be a mystic and a medicine man in an age of high technology and super science. His spiritual quest continues to unfold, illuminating the emergence of a modern Western shamanism, the phenomenon of spirit possession, the conveyance of the souls of the dead, and the true nature of the human spirit.

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.