She had the radio on as she danced around the kitchen waiting for Karl to get back from his business trip in New Orleans. They were married almost 2 months and she had missed him. That is when it happened. There was a knock at the door; she almost didn’t hear it as she sang along to the latest catchy tune that was sure to get annoying in the next few days. She ran from the kitchen thinking Karl was going to be his usual sweet self and try to surprise her with a grand entrance – or maybe he had left his keys. She opened the door with excitement only to see two police officers with solemn faces. Her world came crashing down around her as she invited them in and continued cooking. She couldn’t believe it, Karl was going to come through that door any minute and tell them it was all a mistake. He would want dinner when he got back. She needed to keep cooking so he wouldn’t go hungry. Jessica came around and talked her down, told her that she needed to go with the police officers to identify the body. She would be with her every step of the way. What followed was the realization that her husband was dead and their future was no more. All the things they were going to do; getting a chateaux in France, having a family, getting a cat when they moved to the suburbs and bought their own place. The future was full of life and in a split second it became a blank canvas; all because of a stupid accident.

    He was born in 1804 in Salem, Massachusetts to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge involved in the Salem witch trials who never repented of his actions. Nathaniel later added a "w" to make his name "Hawthorne" in order to hide this relation. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. Hawthorne published his first work, a novel titled Fanshawe, in 1828; he later tried to suppress it, feeling it was not equal to the standard of his later work. He published several short stories in various periodicals which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at a Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment took Hawthorne and family to Europe before their return to The Wayside in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children. Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his friend Franklin Pierce.

    Their home. Her sanctuary. When Prue Bridgewater first glimpses the abandoned old house, it's love at first sight. Her husband Ray is not so sure. The property has been neglected for decades, and Ray can’t help wondering why. But with Prue on the brink of a nervous breakdown, he’ll do whatever it takes to keep her sane, even if it means he has to live there. Once ensconced in their new home, Prue begins fixing up the place while Ray is away at work. But after a series of disturbing discoveries, she fears she's losing her mind. She hears things and sees people who couldn’t possibly be there, and she can’t shake the feeling she’s being watched. As Prue’s hold on reality begins to disintegrate, along with her marriage, she struggles to tell truth from delusion. But things go from bad to worse, and soon not just her sanity, but her survival hinges upon the long-buried secrets of THE HOUSE. This is a novella of approximately 27,287 words

    In eight vivid tales of real life in the west, Harty reminds us that life's greatest challenge may be to find the fine balance between desire and obligation.A high school football player must make a choice between family and friends when his older brother commits an act of senseless violence. A middle-aged man must fly to Las Vegas to settle his dead sister's estate, only to discover that he must first confront his guilt over his sister's death. A young teacher tries to help a homeless girl, but, as their lives intertwine, he begins to understand that his generosity is motivated by his own relenting sense of lonliness. Well-intentioned but ultimately human, the characters in these stories often fall short of achieving grace. But the possibility of redemption, like the Sonoran Desert at the edge of Bring Me Your Saddest Arizona's suburban landscapes, is never far off. Harty's characters are as complicated as the people we know, and his vision of life in the west is as hopeful as it is strikingly real.

    A mysterious lump on her throat is making it hard. Handsome Dr. Jeremy Nelson is making it harder.

    Now, two years later, he reaffirms his mastery of shorter fiction with his first collection since the widely acclaimed Rock Springs, published a decade ago.The landscape of Women with Men ranges from the northern plains of Montana to the streets of Paris and the suburbs of Chicago, where Mr. Ford's various characters experience the consolations and complications that prevail in matters of passion, romance and love. A seventeen-year-old boy starting adulthood in the shadow of his parents' estrangement, a survivor of three marriages now struggling with cancer, an ostensibly devoted salesman in early middle age, an aspiring writer, a woman scandalously betrayed by her husband--they each of them contend with the vast distances that exist between those who are closest together. Whether alone, long married or newly met, they confront the obscure difference between privacy and intimacy, the fine distinction of pleasing another as opposed to oneself, and a need for reliance that is tempered by fearful vulnerability.In three long stories, Richard Ford captures men and women at this complex and essential moment of truth--in the course of everyday life, or during a bleak Thanksgiving journey, seismic arguments, Christmas abroad, the sudden disappearance of a child, even a barroom shooting. And with peerless emotional nuance and authority he once again demonstrates, as Elizabeth Hardwick has written, "a talent as strong and varied as American fiction has to offer."

    Since the 1950s Peter Matthiessen has written fiction and nonfiction of elemental power and moral vision, including the acclaimed novels At Play in the Fields of the Lord and Far Tortuga and works of naturalism and exploration like the National Book Award-winning The Snow Leopard.This stunning collection of short stories, available for the first time in paperback, spans more than three decades of writing by one of the most acclaimed literary voices of our time.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    Originally published in 1924 and long out of print, these tales are vintage Wharton, dealing boldly with such themes as infidelity, illegitimacy, jealousy, the class system, and the condition of women in society Included in this remarkable quartet are False Dawn, The Old Maid, The Spark, and New Year's Day.

    Features a full-color foil binding attractive enough to leave unwrapped, an inscribed removable bookmark, ribbon tie, and delicate full-color illustrations--all enhancing a classic and enduring short story.

    It was subsequently included in The Son of the Wolf, a story collection published in 1900.The White Silence is set in the unforgiving winter landscape of Yukon Territory, Canada. The story chronicles the travels of three people across the Northland Trail on the Yukon, as they try to reach civilization before spring. The story deals with the fragile relationship between man and nature, and also between man and animal. Its title is a phrase that London used frequently in his descriptions of the frozen northern landscapes in his stories.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars. But as his tenure at the bar continues, he begins to serve himself more often than his customers, and the moments he lives outside the bar become more and more painful: he loses his wife, his way, himself. Trapped by his habits and his loneliness, he realizes he will not survive if he doesn't break free. And so he hatches a terrible, but necessary plan of escape and his only chance for redemption. Step into Ablutions and step behind the bar, below rock bottom, and beyond the everyday take on storytelling for a brilliant, new twist on the classic tale of addiction and its consequences.

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    The tale revolves around three characters: two humans and one duck. Jim Dodge is the author of "Not Fade Away" and "Stone Junction".