Released after eight long years he is finally able to recount the experience of being transported to and between prisons, interactions and friendships with other prisoners, the day to day drudgery of trying to stay alive under horrendous conditions which involved trying to meet ridiculously high work quotas for extremely strenuous jobs while in a constant state of starvation and often, sickness.

    Whenever America wanted to peer inside the Soviet Union, it launched a U-2, which flew too high to be shot down. But Sergei Korolev, Russia's chief rocket designer, had a riposte: an artificial satellite that would orbit the earth and cross American skies at will. On October 4, 1957, the launch of Korolev's satellite, Sputnik, stunned the world.In Red Moon Rising, Matthew Brzezinski takes us inside the Kremlin, the White House, secret military facilities, and the halls of Congress to bring to life the Russians and Americans who feared and distrusted their compatriots as much as their superpower rivals. Drawing on original interviews and new documentary sources from both sides of the Cold War divide, he shows how Khrushchev and Dwight Eisenhower were buffeted by crises of their own creation, leaving the door open to ambitious politicians and scientists to squabble over the heavens and the earth. It is a story rich in the paranoia of the time, with combatants that included two future presidents, survivors of the gulag, corporate chieftains, rehabilitated Nazis, and a general who won the day by refusing to follow orders.Sputnik set in motion events that led not only to the moon landing but also to cell phones, federally guaranteed student loans, and the wireless Internet. Red Moon Rising recounts the true story of the birth of the space age in dramatic detail, bringing it to life as never before.

    Yet it is a history which for a long time proved impossible to write, not simply due to the lack of accessible documentation, but also because it lay at the heart of an ideological confrontation which obscured the reality of the Soviet regime.In The Soviet Century, Moshe Lewin traces this history in all its complexity, drawing widely upon archive material previously unavailable. Highlighting key factors such as demography, economics, culture and political repression, Lewin guides us through the inner workings of a system which is still barely understood. In the process he overturns widely held beliefs about the USSR’s leaders, the State-Party system and the Soviet bureaucracy, the “tentacled octopus” which held the real power.Departing from a simple linear history, The Soviet Century takes in all the continuities and ruptures that led, via a complex route, from the founding revolution of October 1917 to the final collapse of the late 1980s and early 1990s, passing through the Stalinist dictatorship and the impossible reforms of the Khrushchev years.

    Thompson also covers controversial topics including the impact of the Mongol conquest, the paradoxes of Peter the Great, the “inevitability” of the 1917 Revolution, the Stalinist terror, and the Gorbachev reform effort. This thoroughly revised and updated edition includes additional treatment of social and cultural issues as well as a new chapter on post-Soviet Russia and the Yeltsin and Putin eras. Distinguished by its brevity, it provides balanced coverage of all periods of Russian history and incorporates economic, social, and cultural developments as well as treating politics and foreign policy. The text is supplemented with maps and illustrations and includes a list of suggested readings at the end of each chapter.

    From the time of the Tsars to the waning days of Communist regime, Russian leaders tried to control the flow of ideas by controlling its citizens' movements. They believed strict limits on travel combined with censorship was the best way to escape the influence of subversive Western ideologies. Yet Russians continued to emigrate westward, both to seek new opportunities and to flee political crises at home.Throughout the 19th and 20th centuries, Russians' presence in Western countries - particularly the United States - has been for the Kremlin both the biggest threat and the biggest opportunity. It sought for years to use the Russian emigre community to achieve Russia's goals - espionage to be sure, but also to influence policies and public opinion. Russia's exiles are a potent mix of the very rich and the very driven, some deeply hostile to their homeland and others deeply patriotic. Russia, a vast, insular nation, depends on its emigres - but it cannot always count on them.Celebrated Moscow-based journalists Andrei Soldatov and Irina Borogan masterfully look at the complex, ever-shifting role of Russian émigrés from the October Revolution to present day. From comely secret agents to tragically doomed dissidents, the story of Russian émigrés is at times thrilling, at times touching, and always full of intrigue. But their influence and importance is an invaluable angle through which to understand Russia in the modern world.The Compatriots provides an intriguing and thought provoking gripping history of Russian score settling around the globe.©2019 Andrei Soldatov and Irina Borogan (P)2019 Hachette Audio

    Almost entirely informal photos.Copyright 1982 in Great Britain, printed and bound in Italy

    Mikhail Gorbachev, a sophisticated and urbane reformer, sought to modernize and preserve the USSR; Boris Yeltsin, a coarse and a hard drinking “bulldozer,” wished to destroy the union and create a capitalist Russia. The defeat of the August 1991 coup attempt, carried out by hardline communists, shook Gorbachev’s authority and was a triumph for Yeltsin. But it took four months of intrigue and double-dealing before the Soviet Union finally collapsed, and the day arrived when Yeltsin could hustle Gorbachev out of the Kremlin, and move in as ruler of Russia.Conor O’Clery has written a unique and truly suspenseful thriller of the day the Soviet Union died. The internal power plays, the shifting alliances, the betrayals, the mysterious three colonels carrying the briefcase with the nuclear codes, and the jockeying to exploit the future are worthy of John Le Carré or Alan Furst. The Cold War’s last act was a magnificent dark drama played out in the shadows of the Kremlin.