D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging from the examination of the intertextual relationship between The Catcher in the Rye and Cormac McCarthy's All the Pretty Horses, to the evaluation of Salinger's mythic place in American film and popular culture, to the interrogation of what it means for a reader to claim that a novel such as The Catcher in the Rye has changed his or her life. These essays provide new commentary and new insights, and demonstrate the continuing relevance of Salinger, The Catcher in the Rye, and Holden Caulfield to American culture and literature and, in turn, to American cultural and literary studies.

    . . the most brutal and authentic account of a road gang that we have had." —New York TimesOut of his experiences working on a chain gang, Donn Pearce created Cool Hand Luke, the larger-than-life war hero—Good Guy Number One—turned drunkard, vandal, and convict. A blasphemer and "pretty evil feller" who "could work the hardest, eat the mostest, and tell the biggest lies." Luke's outsized feats of gambling and gluttony—he bets Society Red, a college man from Boston, that he can eat fifty eggs—and his harrowing escapes and recaptures are recounted by Dragline, who followed Luke in his last, fatal escape attempt and who basks in Luke's reflected glory. To the convicts left behind on the chain gang, Luke has become the hope of freedom and defiance that they dare not act upon themselves. Luke's refusal to "git his mind right" and submit to the sadistic discipline of the Walking Boss becomes part of their mythology of survival.

    You play the part of Emily's friend to whom she confides the story of her life and gradually exposes the secrets of her mind.The play is a journey through human consciousness, and through time. As Emily tells you about her life, we are introduced to a host of striking characters. We see sharp vignettes of a period in Singapore which is no longer familiar. And when we have heard her story, we ask: Who is Emily? Is she a nurturer or a destroyer, a domestic tyrant or a frightened child? Is she a traditional Asian wife, or Singapore's first truly liberated lady? Can we really understand her? Does she understand herself?The play leaves us fascinated. It enlarges our experience of life.Since its award-winning appearance in 1985, Emily of Emerald Hill has become an icon of the English-language theatre in Singapore and Malaysia. Many different actresses have played the role, and it has been seen by more people than any other locally-written play.

    Everything about her is so different from the rest of her family. She is big-haired, brown skinned, and clumsy in a family of cream-colored beauties who are all popular and Good At Sports. She closely resembles a father she has never known, and about whom her mother never speaks, and no one wants to tell her why. She turns to books and other things in her quest to find answers, and as a way to cope with her loneliness. When she learns the truth about her father, she must decide whether or not she will let the differences in her life define her forever.A unique coming-of-age story unfolding through dictionary-style chapters, What Things Mean takes a closer look at the things that define a life, and the many ways in which we find meaning.*Grand Prize Winner, Scholastic Asian Book Award 2014

    All her life she kept herself pure for her faith and her future husband. Although having never had experienced love, and occasionally doubting whether she will, Safia feels herself growing impatient being single. She then sends her family to search for 'the one.' Trusting her family, she decides to say yes to the first person her family finds for her. She believes she will get married and face all her problems with her husband by her side. Is it really as simple as that?Yusuf feels a void in his heart. He tries to deny it, but he knows his mother's not proud of him. He knows she wishes he could be a little more modern like his brother. He wanted his family to find him a wife while he could focus on his deen (faith), but his idea of a wife clashes with his mother's. Seeing that his family were struggling to find him someone he likes, he decides to take matters into his own hands. But is he rushing into decisions without thinking?

    But when he steps off the plane from the Philippines, she cannot believe her eyes. She hasn't seen him for ten years, but even so, how did he get to be EIGHT FOOT TALL? An eight-foot tall boy who is about to crash into her life with his size 22 feet.But Bernardo is not what he seems. Bernardo is a hero, Bernardo works miracles, and Bernardo has an amazing story to tell.A bittersweet story, funny, sad, and magical.

    But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted and the rats began to prey on the human population.

    He heads for the cathedral town or Torminster, where he recovers his love of life in the invigorating company of his cousin, Hugh Anthony, his grandfather, the Canon and Henrietta.When Jocelyn moved into the little house where Ferranti once had lived, a dark Byronic spirit haunted its rooms. Was Ferranti alive or dead? Until they knew, Jocelyn and Felicity must reach out to him. Until Ferranti no longer needed them, they must yield slowly to the madness of love. So the ghost of Gabriel Ferranti guided their lives in surprising ways, and more than one bewildered heart was restored to the wonder and magic of living.

    It is the story of his life which encompasses love, dedication, eccentricity, friendship and overall his discovery of his true love and also the anguish of losing it due to his obstinacy and self-centeredness. It is a repertoire of moments coated with velvetiness of love and bruised by the thorns of betrayal. It highlights the situations which ultimately turns him into a devil, who wants to annihilate the whole world with his impiety, consequences being the least he cares about; and eventually loses his happiness, identity and even himself in this process.I could neither speak in words, nor could ever write it downThe loneliness, the emptiness your absence left behind....Those moments spent in the warmth of your cuddleStill linger in a cruel heart...... in a guilty mind!!!Whenever I dream, I see you so tranquilCan I trace the reason of my going away and getting back never?If by closing my eyes I see you happy sweetheart,I promise I shall close my eyes FOREVER!

    The 'holiday orphans' who dread Christmas and Easter, and Valentine's Day...The unsuspecting wives and the forgiving wives...And the one industry that has risen to the challenge to provide mistresses a safety net...

    Add to it a close set of friends and love for arts and her life was complete. She was beautiful inside out, with her doe-like olive green eyes mature beyond their years. Her life was not perfect but she was not the one to complain for she lived it to the fullest. She made the best out of the situations and believed in moving on. Her smiles and chitter-chatter were the life of Raizada Mansion. Everyone loved her dearly.Everyone, but Avish Singh Raizada. He arrived in her world claiming his stake on two things that Khushi held very dear to her heart. Her home and her bade papa's love. Sharing was an alien concept to that cynical arrogant man, who was unhappy with pretty much everything around him. And unfortunately Khushi became one more reason of his displeasure. Forgetting her own sadness, she tried to be reasonable and friendly towards him but he refused to warm up to her. So like any other intelligent being she decided to pretend that he does not exist and went on with her life.It worked, but not for long. The people and the ties binding them were very important, very strong, whether they liked it or not. Their lives touched each other's on daily basis. So overtime, living under the same roof, sharing the same family forced them into an understanding, a friendship of the sorts.But like it happened with other people, Avish too found his life revolving around Khushi one fine day. She was not someone you can resent for long and he had understood that slowly. They way she saw his pain through the facade of anger broke his resolve to stay away from her. Her heart warming smiles that he had started discreetly capturing in his camera, thawed his frozen heart bit by bit. But his silent admiration and complex nature did not help the matter. To add to his woes, Khushi was obliviously happy in her own world, where Avish was her friend, just a friend. She sincerely believed in love, but for others not herself. He had always mocked the idea of love, but it was his only salvation now.Second chances are rare in life but he got one, and thus began his quest to bridge the distances between himself and her, distances created by the society, distances created by the age difference, but most importantly distances created by themselves. To make her his for eternity, only his.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.

    Hard-backed with brown and pale yellow marbling on the cover, like chocolate in cream.'I want you to write something for me,' said Jonathan, his dark eyes locking onto mine. 'I want you to write your story, Mam.'Peggy's story is the story of her Snowdonia village – of a community that that shares its joys and its woes across floured kitchen tables and scrubbed shop counters.Throughout Peggy's life food looms large – the lack of it, the sharing of it, the eating of it – from gingerbread to cawl, ce-cream to bara-brith. Her recipes are well-used and much ppreciated, but no one is quite sure where her inspiration comes from, why she is the way she is.Not until everyone's tale is told does Peggy's story unfold... as thick, dark and sticky as treacle.