Orchard, owns that home. Around the time of Rose's disappearance, Mrs. Orchard was sent for a short stay in hospital, and Clara promised to keep an eye on the house and its remaining occupant, Mrs. Orchard's cat, Moses. As the novel unfolds, so does the mystery of what has transpired between Mrs Orchard and the newly arrived stranger.Told through three distinct, compelling points of view--Clara's, Mrs. Orchard's, and Liam Kane's--the novel cuts back and forth among these unforgettable characters to uncover the layers of grief, remorse, and love that connect families, both the ones we're born into and the ones we choose. A Town Called Solace is a masterful, suspenseful and deeply humane novel by one of our great storytellers.

    But then an unexpected gift wins him a scholarship to an exclusive boys’ school, and his life will never be the same again.As he enters into adulthood, Harry finally learns how his father really died, but the awful truth only leads him to question, was he even his father? Is he the son of Arthur Clifton, a stevedore who spent his whole life on the docks, or the firstborn son of a scion of West Country society, whose family owns a shipping line?This introductory novel in Archer’s ambitious series The Clifton Chronicles includes a cast of colorful characters and takes us from the ravages of the Great War to the outbreak of the Second World War, when Harry must decide whether to take up a place at Oxford or join the navy and go to war with Hitler’s Germany. From the docks of working-class England to the bustling streets of 1940 New York City, Only Time Will Tell takes readers on a journey through to future volumes, which will bring to life one hundred years of recent history to reveal a family story that neither the reader nor Harry Clifton himself could ever have imagined.

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    Slowly her parents, Paddy and Kit, begin to accept that she’s gone forever. But she returns, changed, and with a few surprises for her family and neighbours.Nothing is ever the same again for the Gladneys, who learn that fate cares little for duty, that life rarely conforms to expectation, that God can’t be relied upon to heed any prayer.A story of exile and return, of loss and discovery, of retreat from grief and the saving power of love.

    A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    But the trophy home in Shadow Ridge Estates, a new development in sleepy Round Hill, North Carolina, will always hold tragic memories. But when she is confronted by an odd, older woman telling her not to move in, she almost agrees. It's clear this woman has some kind of connection to the area...and a connection to Kayla herself. Kayla's elderly new neighbor, Ellie Hockley, is more welcoming, but it's clear she, too, has secrets that stretch back almost fifty years. Is Ellie on a quest to right the wrongs of the past? And does the house at the end of the street hold the key? Told in dual time periods, The Last House on the Street is a novel of shocking prejudice and violence, forbidden love, the search for justice, and the tangled vines of two families.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    Defying her father’s orders to remain at home, she travels to Tidepool, the last place Henry is known to have visited. Residents of the small, shabby oceanside town can’t quite meet Sorrow’s eyes when she asks about her brother.When corpses wash up on shore looking as if they’ve been torn apart by something not quite human, Sorrow is ready to return to Baltimore and let her father send in the professional detectives.However, after meeting Ada Oliver, a widow whose black silk dresses and elegant manners set her apart from other Tidepool residents, Sorrow discovers Tidepool’s dark, deadly secret.With this discovery, some denizens of Tidepool—human and otherwise—are hell-bent on making sure Sorrow never leaves their forsaken town.Lovecraftian dark fantasy gets a modern treatment in this terrifying debut novel.

    Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car — strange for a frigid night. Her husband and daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away. The puzzle of those missing eleven days has persisted. With her trademark exploration into the shadows of history, acclaimed author Marie Benedict brings us into the world of Agatha Christie, imagining why such a brilliant woman would find herself at the center of such a murky story. What is real, and what is mystery? What role did her unfaithful husband play, and what was he not telling investigators? A master storyteller whose clever mind may never be matched, Agatha Christie’s untold history offers perhaps her greatest mystery of all.

    Next door, Lorrie, a working single mother, struggles with a heinous act committed by her own teenage son. Separated by only a silvery stretch of trees, the two parents are emotionally stranded, isolated by their great losses--until an unfamiliar sixteen-year-old girl shows up, bridges the gap, and changes everything.Evangeline's arrival at first feels like a blessing, but she is also clearly hiding something. When Isaac, who has retreated into his Quaker faith, isn't equipped to handle her alone, Lorrie forges her own relationship with the girl. Soon all three characters are forced to examine what really happened in their overlapping pasts, and what it all possibly means for a shared future.With a propulsive mystery at its core, What Comes After offers an unforgettable story of loss and anger, but also of kindness and hope, courage and forgiveness. It is a deeply moving account of strangers and friends not only helping each other forward after tragedy, but inspiring a new kind of family.

    Exactly what happens in the two years before its recovery is a mystery. Many replicas of the Mona Lisa exist, and more than one historian has wondered if the painting now in the Louvre is a fake, switched in 1911.Present day: art professor Luke Perrone digs for the truth behind his most famous ancestor: Peruggia. His search attracts an Interpol detective with something to prove and an unfamiliar but curiously helpful woman. Soon, Luke tumbles deep into the world of art and forgery, a land of obsession and danger.A gripping novel exploring the 1911 theft and the present underbelly of the art world, The Last Mona Lisa is a suspenseful tale, tapping into our universal fascination with da Vinci's enigma, why people are driven to possess certain works of art, and our fascination with the authentic and the fake.

    At the heart of the novel is dutiful Asta, the middle daughter who lives in the shadow of her siblings—fiery Signy, headstrong Leifur and sweet, naive Freyja. When Freyja goes missing, Asta embarks on a quest to bring her sister home. She tells the family’s story some seventy years later, while on her deathbed, finally discovering the truth of what happened on those fateful days that set the course for her life and the lives of everyone she loved.Loosely inspired by area events, this is an emotional, slow-burning story of family love and sacrifice, of secrets revealed and promises broken—told in the spirit of the Icelandic Sagas.

    But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, The House with No Windows is astonishing, frightening, and triumphant.

    Having lost her family, her home, and her sense of purpose, Zoya struggles to belong, a task made more difficult by the malice her peers heap on scholarship students and her new country’s paranoia about Russian spies. When she meets the visiting writer and fellow Russian émigré Leo Orlov—whose books Zoya has privately obsessed over for years—her luck seems to have taken a turn for the better. But she soon discovers that Leo is not the solution to her loneliness: he’s committed to his art and bound by the sinister orchestrations of his brilliant wife, Vera. As the reader unravels the mystery of Zoya, Lev, and Vera’s fate, Zoya is faced with mounting pressure to figure out who she is and what kind of life she wants to build. Grappling with class distinctions, national allegiance, and ethical fidelity—not to mention the powerful magnetism of sex—Invitation to a Bonfire investigates how one’s identity is formed, irrevocably, through a series of momentary decisions, including how to survive, who to love, and whether to pay the complicated price of happiness.

    Jackie--or Mrs. Onassis, as she's known in the office--has fallen in love with James's candidly autobiographical novel, one that exposes his own dysfunctional family. But when the book's forthcoming publication threatens to unravel already fragile relationships, both within his family and with his partner, James finds that he can't bring himself to finish the manuscript. Jackie and James develop an unexpected friendship, and she pushes him to write an authentic ending, encouraging him to head home to confront the truth about his relationship with his mother. Then a long-held family secret is revealed, and he realizes his editor may have had a larger plan that goes beyond the page... From the bestselling author of Lily and the Octopus comes a funny, poignant, and highly original novel about an author whose relationship with his very famous book editor will change him forever--both as a writer and a son.