Gives some great insights into Gayatri mantra and how it can transform the life of a mortal.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    Revealing the phenomenon and difference between faith and belief with prospective to after death ritual.

    After getting his M. A. degree he took up farming, and lives now in Chikkamagaluru district. Tejasvi has published a number of novels (Carvallo, Chidambara Rahasya, Svarupa), dramas (Yamala Prasne), short stories (Abachurina Post Office, Huliyurina Sarahaddu), and poems (Svagata Lahari). He is the recipient of the Karnataka Sahitya Akademi award as well as the Central Government Sahitya Akademi award.

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    He is especially celebrated for his second novel 'Asamardhuni Jeevayatra' (Bungler: A Journey Through Life). This is the first psychological novel in Telugu literature.For his work Panditha Parameshwara Sastry Veelunama, in 1963 Gopichand received the Sahitya Akademi Award. This was the first Telugu novel to win it.His Novel "Asamardhuni Jeevana Yatra" is known as first psychoanalysis novel in telugu which got very popular and it's been known as syllabus for APPSC exams for telugu literature.His postage stamp was released by the Government of India on his 100th birtday.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    It is based on an episode in the Mahabharata, where Yayati, one of the ancestors of the Pandavas, is given the curse of premature old age by his father-in-law, Shukracharya, who is incensed by Yayati's infidelity.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    Pretty and intelligent, Ankita has everything she wants: friends, boys in hot pursuit, and admission into a premier management school for her MBA. But six months later, she finds herself a patient in a mental health hospital. How did she get here and will she ever get back her life again? Somehow, everything that made up her world has been taken away - and now she must fight like she has never had to, to recover her rightful lot. A gripping story of the pains of growing up, the strength afforded by faith and the indestructibility of the spirit, here is an inspiring story for modern readers.

    Translated in Kannada by: Ravi BelagereOne of the best pieces of historical fiction. A very existential novel about the revolt of 1857 in British India.

    

    Bettada Jeeva depicts the story of a old couple waiting for their son to return in a village which is in the middle of forest.

    My parents are having a tough time finding a suitable groom for me. However, recently they have a proposal from this very interesting guy from Mumbai. I almost get mesmerised when he starts talking to me. I think I like him very much. Kunal – I'm owner of a textile company in Mumbai. My Mom wants me to get married. Again. She has recently suggested a suitable girl from Delhi. What my Mom doesn't know is that I've met Shreya before once in my life and I've been looking for her ever since. I have a vendetta to settle. ]The author takes you along on a journey via roads of revenge, agony, remorse, attraction, titillation, tantalisation and romance. Do Shreya and Kunal make it, or do they fall prey to their past?

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?