Behind everything crouched the brooding, festering horror of the ancient town, and of the moldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meager iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound—and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.

    When Frank, Shelley and their two young children move into the home of their dreams, they discover a problem with the cellar.It doesn't take them long to find out why the house was sold at a knock-down price.

    It's a case that nobody wants to touch, deeply rooted in old evil—and old evil is Charlie Parker's specialty. He's about to enter a living nightmare, a dreamscape of sorrow haunted by the murderous specter of a hooded woman, by a black car waiting for a passenger that never comes, and by the sinister complicity of both friends and enemies in Larousse's brutal death. Soon, all will face a final reckoning in an unearthly realm where the paths of the living and the dead converge. A place known only as the White Road. THE BLACK ANGELWhen a young woman disappears from the streets of New York City, ties of friendship and blood inevitably draw ingenious, tortured detective Charlie Parker into the search. Soon he discovers links to a church of bones in Eastern Europe, a 1944 slaughter at a French monastery, and to the myth of an object known as the Black Angel—considered by evil men to be beyond priceless. But the Black Angel is not a legend. It is real. It lives. It dreams. And the mystery of its existence may contain the secret of Parker's own origins. THE UNQUIETDaniel Clay, a once-respected psychiatrist, has gone missing. His daughter insists that he killed himself after allegations surfaced surrounding the harm done to patients in his care. Now, a killer obsessed with finding the truth about his own daughter’s disappearance is seeking revenge—and private investigator Charlie Parker finds himself trapped between those who want the truth about Clay’s disappearance to be revealed, and those who will go to any length—no matter the cost—to keep a deep, dark secret about a local town hidden.

    An apocalyptic storm. Whispering voices in the air. She was right to fear the worst-case scenario. Amy Burnett has been buried in her work as a security expert. She likes it that way—her dark past can’t invade her thoughts as long as she stays holed up in her office. So why the heck has she ended up at a gothic mansion’s doorstep in the middle of the night? It’s because Craig Foster summoned her there. Amy’s company built the sealed chamber in his basement, for any worrisome worst-case scenario, but now the safe room has presented a scenario of its own: Craig’s daughter is trapped inside. It should be a quick fix. After all, what’s the worst thing that can happen when a stranger arrives at a remote mansion on a stormy night? An impossible mystery? A haunting? A visit from the lurking strangers in the woods? Surely not all three—that would require extraordinarily bad luck. Unfortunately, Amy’s been short on luck lately. Three Incidents at Foster Manor will keep you guessing until the end with a twist-filled, fast-paced, genre-blending mix of mystery, ghost story, thriller, and cosmic horror that will chill you to the core. This is a standalone story, but also acts as a sequel to P.T. Phronk's previous mystery, The Arborist. "Full of interesting characters, twists and scares, it will keep you off-balance all the way to the end!" —Franny "I'm always down some ghostly fun but then the fun dial twisted and wow." —Amazon Reviewer "If you like reading stories somewhat reminiscent of The Twilight Zone this is for you." —Alanna Patterson

    But throughout the island's history, its isolation also made it the perfect place to hide things the world was never meant to see.As Laurel finds herself entangled in the island's newest and most bizarre chapter, she must not only solve its mysteries, but also survive long enough to pass them on.This short story (about 7,500 words) mixes science fiction and horror with endearing and enigmatic characters who can only solve the mysteries of Anansi Island by facing their worst fears.

    A young girl is bleeding from her hands and feet and claims to be talking to the Virgin Mary. But Nightingale soon realises that all is not as it seems - and the girl is in mortal danger. Still Bleeding is about 14,000 words, about forty pages, perfect if you have half an hour to spare. Stephen Leather is one of the UK's most successful thriller writers, an ebook and Sunday Times bestseller and author of the critically acclaimed Dan “Spider’ Shepherd series and the Jack Nightingale supernatural detective novels. Before becoming a novelist he was a journalist for more than ten years on newspapers such as The Times, the Daily Mirror, the Glasgow Herald, the Daily Mail and the South China Morning Post in Hong Kong. He is one of the country’s most successful ebook authors and his ebooks have topped the Amazon Kindle charts in the UK and the US. In 2011 alone he sold more than 500,000 eBooks and was voted by The Bookseller magazine as one of the 100 most influential people in the UK publishing world. Born in Manchester, he began writing full time in 1992. His bestsellers have been translated into fifteen languages. He has also written for television shows such as London's Burning, The Knock and the BBC's Murder in Mind series and two of his books, The Stretch and The Bombmaker, were filmed for TV. You can find out more from his website www.stephenleather.com and you can follow him on Twitter at twitter.com/stephenleather

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    ask your mother to stop pointing the gun at your head. Steven is a writer, by all accounts of self-proclamation. But no artist can be expected to work under serious pressure, especially not when the pressure consists of his own mother indenting his tender skull with the muzzle of the pistol held in her hand. Suddenly, it's write or die for Steven. He better tap away on that typewriter or expect to be extracted from the land of the living before he's had the opportunity to finish anything he's ever written. Not to mention that his recently departed Father lying on the floor beside him should supply enough motivation. When Steven manages to frustrate his murderous mother to no end, his wish made under duress actually comes true. Mother's vanished... along with all evidence of the foregoing incident ever having taken place. Is his beloved father really dead? Is his own mother now a criminal on the run? Can he truly never cure his lifetime disease of writer's block? Only one person can uncover the truth and set the world to rights again. That would be Tim, Steven's much more successful, though younger, brother. If only Tim would actually believe Steven's retelling of the frightful situation he's just managed to survive. Someone's got to fix the latest family faux pas. And everyone in the family knows it can't be Steven. In the dead of night, two brothers battle sibling rivalry, serious mother issues, one heinous surprise after another, and a lifetime of family strife to get to the bottom of it all and uncover what's been lying beneath all along. Start Reading Now... What are you waiting for? chuckle-worthy dark comedy, murder mystery, delicious sibling rivalry and family issues, the cure for writer's block, and so much more await you. About the Author Justine Avery Is a Genre-Breaker, a Writer of Delicious Story Above All Else Justine Avery is an avid reader of all genres, weaves her own stories among them all, and sets out to surprise her readers at every opportunity. She's an acutely observant introvert with an insatiable yearning to explorer, a risk-taker who's based in reality, a wanderer with a mission, and a grownup blessed with childlike wonder at the world. Her stories reflect the same, and readers can't get enough of them. Avery writes genre-breaking fiction with universal appeal, emphasizing enticing story above all else. She writes powerful, affecting stories accessible to all readers, regardless of what your own favorite genres happen to be. She writes the tales all readers are drawn to, the stories capable of changing your view of the world around you, the narratives that will become a part of you. Go ahead—take a peek. Use the Look Inside feature above, and start reading Point Blank now.

    What was thought to be a new beginning for Julia soon devolves into an endless nightmare of hidden secrets and a troubled past best left unturned.The Haunting of Abram MansionA riveting new haunted house mystery that will keep you guessing until the end!When Peyton and Benjamin Fletcher inherit a dilapidated house in the quiet town of Falconwood, Connecticut from Peyton’s grandfather, all they want to do is get rid of it. Unfortunately, the will stipulates that the couple must live in the house for a minimum of six months before they sell it. As Peyton and Ben try to make the best of the situation, Peyton discovers the house is inhabited by ghosts, and they aren’t happy with the mansion’s new occupants.

    It has lain in the cold and dark of the bog, waiting patiently for a host to set it free. Now, for John Cluer and his family, nothing will ever be the same again.A novelette of approximately 10,000 words.

    Mr. Mercedes by Stephen King - A 30-minute Summary of the Novel Inside this Instaread Summary: Overview of the entire bookIntroduction to the Important people in the bookSummary and analysis of all the chapters in the bookKey Takeaways of the bookA Reader's Perspective Preview of this summary: Part1Chapter 1Down-on-his-luck, Augie Odenkirk helps homeless Janice Cray care for her baby as they wait in the early morning fog for a job fair. A gray Mercedes plows into the crowd. Augie, Janice and the baby are among the victims.Part 2Chapters 1-3About a year after the Mercedes crash, Retired Detective K. William Hodges watches more grubby reality shows, fails to enjoy his beer, and thinks, again, of shooting himself. The arrival of the mail distracts him. A letter, allegedly from the driver of the killer Mercedes, stuns him. The writer brags about killing eight and wounding many. He says that he got off sexually at he drove into the crowd. He wore a condom and used bleach to get rid of any DNA. He wore a hair net under a clown mask for the same reason. He knows Hodges is miserable and hopes the letter cheers him up. He gives Hodges a website where they can talk, including a username: kermitfrog19.Chapters 4-6Hodges wonders if he should turn the letter over to his former partner, Pete Huntley. He believes the writer is the killer because he knows inside information about the condom and the bleach. The idea of using this letter, and chats on line, to catch the killer gives Hodges a reason to live.Chapter 7-9Hodges analyzes the letter and sees that the writer has several identifying traits, including misusing perk for perp and peppering his words with an image of a smiley face. The same smiley face was glued onto the steering wheel of the Mercedes. Hodges calls Pete and makes a lunch date....

    After leaving her friend's house, she decides she's going to prove to her brother that "The Lady on the Road " urban legend is just that...

    

    Unfortunately, the way home isn't as clear-cut as he'd hoped and he's forced to turn to Aria, his GPS, for an alternate route. However, Aria has something far more sinister in mind...

    After a night out with his girlfriend in one of the country's remote provinces, he wakes to find himself in a pitch-black coffin—and quickly running out of oxygen. With only his cell phone and his own wits to rely on, it's a race against time to escape the claustrophobic death trap. SIX BULLETS The end of civilization arrived in the form of a giant asteroid thirteen months ago. For Burt James, a survivalist, it was not a complete surprise. He'd spent much of his adult life prepping for such a catastrophe. Consequently, while the majority of the population scoured the post-apocalyptic landscape for water and food, regressing into primitive killers, he bunkered down in his fortified hilltop home in a small town in the middle of the Australian Outback. But now he's out of food and down to his last six bullets, and he will have to make the most difficult choice of his life. THE MAILMAN Los Angeles, 1985. Never was the motto sex, drugs, and rock n’ roll more apt than the scene on the legendary Sunset Strip with the arrival of the underground Hollywood glam bands. While Mick Freeman, a record executive with a major label, works tirelessly to sign five toxic rockers whom he believes might flip the entire music world on its head, his wife, Jade, spends her days bored and alone at home, struggling with a midlife crisis that threatens to topple their twenty-year marriage. And then she meets the new mailman. Young and handsome, he sweeps her off her feet—straight into a nightmare the likes of which she could never have imagined. RE-ROLL In the near future, breathtakingly humanoid robots called Mechs are for sale, and they're designed to fulfill whatever role you want: husband, wife, best friend, slave. Manufacturers allow new owners one free "roll" to randomly determine their Mech's three leading characteristics. But as everybody knows, scoring your ideal traits is a crapshoot, though you can always re-roll—at a price.