She’s lonely. Orphaned as a child, she’s never felt like she’s belonged anywhere…until she meets Jack Parker. He’s the first man to ever really see her, and it’s life changing.Teenager Izzy Parker is holding it together by her fingertips. Since her mother passed away a year ago, looking after her dad and little sister is the only thing that makes Izzy feel safe. Discovering her father has a new girlfriend is her worst nightmare—she is not in the market for a replacement mom. Then her father invites Flora on their summer vacation…Flora’s heart aches for Izzy, but she badly wants her relationship with Jack to work. As the summer unfolds, Flora must push her own boundaries to discover parts of herself she never knew existed—and to find the family she’s always wanted.

    He works intermittently as a barker for a merry go round and many servant girls fall victim to his charms. Among these girls is Julie, whom he eventually marries. Learning that he is about to become a father Liliom participates in a robbery to enhance his fortunes. But he is caught and stabs himself rather than submit to arrest. He is tried in the Magistrate's court on high, but they see through him there. They know what repentance is in his heart though he is much too cocky to admit it. He is sentenced to a term of years in the purifying fires with the promise that after that sentence has been served he can go back to earth with a chance to do one good deed there. A tender and moving story told with a master's touch.

    Inspired by a series of master classes the great diva conducted at Juilliard toward the end of her career, this drama puts Maria Callas at center stage again as she coaxes, prods, and inspires students—"victims" as she calls them—into giving the performances of their lives while revealing her own. As she slips off into memories, we experience her days at La Scala, her marriage to Meneghini, and her great doomed love for Aristotle Onassis. But the dazzling theatricality comes from Callas's emotional explosions, her cutting wit, and the soaring music as each student sings an aria that exposes the Divina's vulnerabilities ... and her genius.

    Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher.In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where — in contact with the eternal — anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis — the infinite and the finite — do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.

    A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition-Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

    He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey.

    Here is the Creator who nearly destroys his chief creation; the bloodthirsty warrior and the protector of the downtrodden; the lawless law-giver; the scourge and the penitent. Profoundly learned, stylishly written, the resulting work illuminates God and man alike and returns us to the Bible with a sense of discovery and wonder.

    The school is run by a peculiar set of rules by which every minute is regimented and controlled. Soon, they suspect they are guinea pigs in a bizarre social experiment and that their only hope of escape is to break through a dangerous threshold of time and space. Peter Høeg's "brilliant" and dystopian Borderliners is a "uniquely philosophical thriller" (Boston Sunday Globe) and a haunting story of childhood travail and hope.

    The ghost of a young murdered girl flits through every scene linking the pain and anguish of all the characters struggling to cope with urban life.

    Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling.What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

    In "On Baile's Strand," King Conchubar, aware of Cuchulain's bravery and his unruly temper, makes Cuchulain swear an oath of obedience, forcing the unaware Cuchulain to fight and kill his own son Connla (begotten on the woman of the Hawk's Well, a figure who seems to represent Queen Aoife.) When informed of the truth, Cuchulain, mad with despair, runs out to fight the sea.

    But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. From the visionary mind of Ari Aster comes a dread-soaked cinematic fairytale where a world of darkness unfolds in broad daylight.

    Then a terrifying reality sets in: her daughter is missing.Days earlier, Estelle discovered her baby’s crib empty in their Brooklyn apartment. There was no sign of a break-in, but all traces of seven-month-old Mia had disappeared. Her diapers, her clothes, her bottles—all gone. Frustrated and unable to explain her daughter’s disappearance, Estelle begins a desperate search. But when the lack of evidence casts doubt on her story, Estelle becomes the number one suspect in the eyes of the police and the media.As hope of reuniting with Mia becomes all she has left, Estelle will do anything to find answers: What has she done to her baby? And what has someone else done to her?

    With the help of his loving grandfather and his friend Peter, he begins to see things in a new light.

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.