Here two men are destined for an explosive collision: John Sutter, Wall Street lawyer, holding fast to a fading aristocratic legacy; and Frank Bellarosa, the Mafia don who seizes his piece of the staid and unprepared Gold Coast like a latter-day barbarian chief and draws Sutter and his regally beautiful wife, Susan, into his violent world. Told from Sutter's sardonic and often hilarious point of view, and laced with sexual passion and suspense, The Gold Coast is Nelson DeMille's captivating story of friendship and seduction, love and betrayal.

    Their existence is as essential as it is illegal. Commissioned at the highest level of the U.S. government. Protected from the prying eyes of Congress and the media. Built around the top operators from across the clandestine, intelligence, and special forces landscape. Designed to operate outside the bounds of U.S. law. Trained to exist on the ragged edge of human capability.Pike Logan was the most successful operator on the Taskforce, his instincts and talents unrivaled-until personal tragedy permanently altered his outlook on the world. Pike knows what the rest of the country might not want to admit: The real threat isn't from any nation, any government, any terrorist group. The real threat is one or two men, controlled by ideology, operating independently, in possession of a powerful weapon. Buried in a stack of intercepted chatter is evidence of two such men. The transcripts are scheduled for analysis in three months. The attack is mere days away. It is their bad luck that they're about to cross paths with Pike Logan. And Pike Logan has nothing left to lose.

    Will his daughter pay the price?Former Army Ranger Pierce Hunt is no stranger to violence. Fresh off a six-month suspension, he’s itching to hit a notorious Mexican drug cartel where it hurts, even if that means protecting crime boss Vicente Garcia, a witness in the case against sadistic cartel leader Valentina Mieles. But things spiral out of control when the cartel murders Garcia and kidnaps his granddaughter and an innocent bystander, Hunt’s own teenage daughter.Mieles wants the new head of the Garcia family on a plate—literally. Hunt has seventy-two hours to deliver, or Mieles will execute the girls live on social media. With the clock ticking, Hunt goes off the grid and teams up with Garcia’s daughter, a former lover and current enemy. To save the girls, Hunt will have to become a man he swore he’d never be again: an avenging killer without limits or mercy.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    But all of that shatters when, in the middle of the night, a SWAT team bursts into his apartment, grabs him and drags him to a waiting helicopter. A terrorist-- someone Nick has never heard of--has seized control of a nuclear reactor, threatening to blow it up. And the only person he'll talk to is Nick, promising to tell Nick the truth behind the events that shattered his life twenty years ago. At seventeen years old, Nick Horrigan made a deadly mistake--one that cost his stepfather his life, endangered his mother, and sent him into hiding for years. Now, what Nick discovers in that nuclear plant leaves him with only two choices--to start running again, or to fight and finally uncover the secrets that have held him hostage all these years. As Nick peels back layer after layer of lies and deception, buffeted between the buried horrors of the past and the deadly intrigues of the present, he finds his own life--and the lives of nearly everyone he loves--at risk. And the only thing guiding him through this deadly labyrinth are his stepfather's dying words: TRUST NO ONE. Acclaimed for years by both critics and his peers as one of the finest thriller writers today, Gregg Hurwitz has lived up to all the accolades and expectations with "Trust No One," an electrifying and compelling novel that will be remembered for years to come.

    As the FBI investigates, suspicion surrounding Web deepens. Now, he needs help from an unlikely ally in his desperate search for the killer of his friends, and finds himself up against a force intent on finishing the job that began in the alley.

    He makes a handsome living doing what he enjoys. His wife, Penny, a children's book author and illustrator, is the love of his life. Together they have a brilliant six-year-old, Milo, affectionately dubbed "Spooky," and a non-collie named Lassie, who's all but part of the family.So Cubby knows he shouldn't let one bad review of his otherwise triumphant new book get to him — even if it does appear in the nation's premier newspaper and is penned by the much-feared, seldom-seen critic Shearman Waxx. Cubby knows that the best thing to do is ignore the gratuitously vicious, insulting, and inaccurate comments. Penny knows it; even little Milo knows it. If Lassie could talk, she'd tell Cubby to ignore them, too.Ignore Shearman Waxx and his poison pen is just what Cubby intends to do. Until he happens to learn where the great man is taking his lunch. Cubby just wants to get a good look at the mysterious recluse whose mere opinion can make or break a career — or a life.But Shearman Waxx isn't what Cubby expects, and neither is the escalating terror that follows what seemed to be an innocent encounter. For Waxx gives criticism; he doesn't take it. He has ways of dealing with those who cross him that Cubby is only beginning to fathom. Soon Cubby finds himself in a desperate struggle with a relentless sociopath, facing an inexorable assault on far more than his life.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    But when the killer is let off with time served on remand, Gray knows there is something fundamentally wrong with the justice system. Engaging the help of his ex-SAS buddies, he kidnaps five repeat offenders and asks the public to vote on their fate: Should they be allowed to continue their criminal ways with inadequate punishment, or has Britain had enough?His website attracts a worldwide audience and, although the authorities know where he is, they are powerless to stop him.Can Gray carry out his audacious plan? Will Andrew Harvey and his fellow MI5 operatives find a way to stop him?Gray Justice is more than a simple tale of revenge: it’s a rollercoaster ride with an ending you’ll never forget.

    Bestselling author Steve Berry tackles some of the most controversial ideas of our time in a breakneck journey through the history of the Church and the future of religion. Fatima, Portugal, 1917: The Virgin Mary appears to three peasant children, sharing with them three secrets, two of which are soon revealed to the world. The third secret is sealed away in the Vatican, read only by popes, and not disclosed until the year 2000. When revealed, its quizzical tone and anticlimactic nature leave many faithful wondering if the Church has truly unveiled all of the Virgin Mary's words–or if a message far more important has been left in the shadows. Vatican City, present day: Papal secretary Father Colin Michener is concerned for the Pope. Night after restless night, Pope Clement XV enters the Vatican's Riserva, the special archive open only to popes, where the Church's most clandestine and controversial documents are stored. Though unsure of the details, Michener knows that the Pope's distress stems from the revelations of Fatima. Equally concerned, but not out of any sense of compassion, is Alberto Cardinal Valendrea, the Vatican's Secretary of State,. Valendrea desperately covets the papacy, having narrowly lost out to Clement at the last conclave. Now the Pope's interest in Fatima threatens to uncover a shocking ancient truth that Valendrea has kept to himself for many years. When Pope Clement sends Michener to the Romanian highlands, then to a Bosnian holy site, in search of a priest–possibly one of the last people on Earth who knows Mary's true message–a perilous set of events unfolds. Michener finds himself embroiled in murder, suspicion, suicide, deceit, and his forbidden passion for a beloved woman. In a desperate search for answers, he travels to Pope Clement's birthplace in Germany, where he learns that the third secret of Fatima may dictate the very fate of the Church–a fate now lying in Michener's own hands.

    His task: to protect one of America's most ruthless businessmen.A BLOODY SHOOTOUTSuddenly gunshots ring out. People run for cover. Innocent bystanders are mown down. Amid the chaos, Lock's hunt for the killers turns into an explosive game of cat and mouse.ONLY ONE MAN CAN SAVE NEW YORKLock's search for the truth leads him through the corporate corridors of power and dark alleys of Manhattan towards a deadly confrontation with one of the world's most dangerous women. As the clock ticks towards midnight on New Year's Eve, Lock realizes that not only is his own life in terrible danger but so are the lives of millions of others...

    And when the mysterious stranger is murdered, Ned feels compelled to find out exactly what is going on. But the more he discovers, the longer the odds become for his survival.

    He's acquired a wife, a daughter, and a brownstone in Brooklyn, and he's tried to leave his old life of secrets and lies behind. However, when the arrest of a long-sought assassin sets off an investigation into one of Milo's oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who's holding the strings once and for all.In The Tourist, Olen Steinhauer---twice nominated for an Edgar Award---tackles an intricate story of betrayal and manipulation, loyalty and risk in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's luminaries: Len Deighton, Graham Greene, and John LeCarré.

    Now Dillon is a terrorist for hire, a master of disguise employed by Saddam Hussein. Brosnan is the one man who knows Dillon’s strengths and weaknesses … and brilliant mastery of espionage. — Once friends, now enemies, they are playing the deadliest game of their careers. A game that culminates in a frightening -- and true -- event: Iraq’s attempted mortar attack on the British war cabinet at 10 Downing Street in February 1991.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.